An intersection of Time and Place (a Context).
An Entity in a Context playing a role other than that of Time or Place.
1. Sequential time. 2. Geographical or virtual place. 3. Context: the intersection of time and place. 4. Resource: an Entity playing a role other than time or place in a Context.
London in the 1950s; Yesterday at my house; Here and now; a file location on my computer at 2007-04-03T16:14:08
A Resource which is present in a Context.
A Resource which is present in no Context.
To exist in a Context in which no change occurs.
A Resource which plays a role in a State.
Stasis: no attribute of an Entity changes in or as a result of a Context.
To exist in a Context in which some change occurs.
A Resource which plays a role in an Event.
Change: some attribute of an Entity changes in or as a result of a Context.
To exist in a Context in which some change occurs, as the agent or patient of change, or both.
A Resource which which is a cause of an Action.
A Resource playing a role other than that of Agent in an Event.
1. Agency: a Resource may cause change. 2. Passivity: a Resource may be affected by change.
The writing of Hamlet; Eating dinner last Thursday; The death of Julius Caesar
An Agent which causes something to exist.
Entities may begin to exist, with or without agency.
The conception of a living being; the start of a thunderstorm
This concept is the parent of all fixed types: states which are inherent to an Entity throughout of its existence. It is also the parent of classes which are inherent to an Entity at the beginning of its existence but which it may leave during its existence (for example, a Human may be born as a Child, but becomes an Adult at a point in time)
An Agent which causes something to cease to exist.
Entities may cease to exist, with or without agency.
A Patient to which some change occurs without an Agent.
As an existing Resource, to enter a particular State.
An Agent which causes an existing Resource to enter a particular State.
This concept is the parent of all non-fixed types: states which an existing Entity can enter and (perhaps) leave.
An Agent which causes an existing Resource to leave a particular State.
To enter a particular State without explicit agency.
A Patient entering a particular State without explicit agency.
A person reaching the the age at which they legaly become an adult
To bring about a change, in which the Agent is acting in relation to another as a Patient.
An Agent which is mandatory in an Event.
A Patient in an Event in which there is an Agent.
To Do something that affects another Entity.
A Doer that does something to an Entity.
A Patient to which something is done in a TransitiveEvent.
To Do something that does not another Entity.
A Doer whose actions do not affect any Entity.
A Doer who is a principal, main or primary Agent in an Event.
A Patient to which something is done by a PrincipalAgent.
Principal role: an Agent may play a principal (as opposed to a supporting) role in an Event.
The distinction between a principal and supporting role is arbitrary and may vary significantly in interpretation from person to person.
The ConceptFamily of DoAsSupportingAgent
A Doer who is a subsidiary, supporting or secondary Agent in an Event.
A Patient to which something is done by a SupportingAgent.
Supporting role: an Agent may play a supporting (as opposed to a principal) role in an Event.
An Agent which is responsible for an Output.
A Resource brought into existence in an Event.
At this level a Maker is not necessarily an animate being, and may be, for example, a machine or an Event.
The ConceptFamily of MakeTransientOutput
An Output that does not exist beyond the Event of its making.
The ConceptFamily of BeginToBePersistentResource
To begin to Exist as a PersistentResource.
An Agent which causes a PersistentResource to exist.
A Resource whose identity persists beyond the Event of its coming into existence.
The class of PersistentResource covers any Resource which retains a persistent identity from one Context to another, irrespective of changes in its other attributes.
A PersistentResource whose identity may be documented.
The ConceptFamily of BeginToBeOwnableThing
An Agent which causes a OwnableThing to exist.
The ConceptFamily of MakePersistentOutput
An Output that continues to exist beyond the Event of its making.
A Context that is the result of an Event.
Causation: an Event can cause another Event or State.
All consequences are Contexts, so the Output is a child of 'Contextualize' (aka Context), and all Causes are Events, so the Maker is a child of 'Exist Dynamically' (aka Event).
To Do something in relation to an Entity that already exists.
A Resource that pre-exists the Context in which it plays a Role.
Pre-existence: a Resource may exist before it plays a role in a Context.
An Input which is put into a relationship with another Input.
To terminate a relationship between two Inputs.
An Input whose relationship with another Input is terminated.
To Interact with something for some purpose.
An Agent who Interacts with something for some purpose.
A Resource which is Interacted with for some purpose.
An Agent which is responsible for an DestroyedResource.
A Resource taken out of existence in an Event.
Relationship: two or more Entities may have a relationship of some type.
To own, contain or possess another Entity in some way.
A Resource that is owned, contained or possessed in some way by another Resource.
Attribution: an Entity can be owned, contained or possessed by another.
An Entity that owns, contains or possesses another Entity in some way.
The ConceptFamily of BeginToBePhysicalResource
To begin to Exist as a PhysicalResource.
An Agent which causes a PhysicalResource to exist.
A Resource which exists in Time and Place.
1. Physical: Resources may exist in Time and Place (contrast with Conceptual, which may exist in Time but not Place). 2. Beginning: All PhysicalResources come into existence at some point.
The ConceptFamily of BeginToBeBoundedPhysicalResource
To begin to Exist as a BoundedPhysicalResource.
An Agent which causes a BoundedPhysicalResource to exist.
Bounded Resource: [description required - CRM is helpful]
The ConceptFamily of BeginToBeUnboundedPhysicalResource
To begin to Exist as a UnboundedPhysicalResource.
An Agent which causes a UnboundedPhysicalResource to exist.
The ConceptFamily of BeginToBeGeographicalFeature
To begin to Exist as a GeographicalFeature.
An Agent which causes a GeographicalFeature to exist.
Features: [description required - CRM is helpful]
The ConceptFamily of BeginToBeBoundedGeographicalFeature
To begin to Exist as a BoundedGeographicalFeature.
An Agent which causes a BoundedGeographicalFeature to exist.
A GeographicalFeature which is also a BoundedPhysicalResource.
The ConceptFamily of CeaseToBePhysicalResource
To cease to Exist as a PhysicalResource.
An Agent which causes a PhysicalResource to cease to exist.
A Resource which ceases to exist in Time and Place.
The ConceptFamily of DestroyPhysicalResource
To transform one PhysicalResource into another.
An Agent who transforms one PhysicalResource into another.
A PhysicalResource which comes into existence as a result of another ceasing to exist.
A PhysicalResource which ceases to exist, resulting in another PhysicalResource coming into existence.
The ConceptFamily of BeginToBeNaturalResource
To exist without having being a Creation.
An Agent which causes a NaturalResource to exist.
A Resource which exists without being a Creation.
Natural existence: Things may exist without having been created by Humans. A NaturalResource is not disjoint with a Creation as some things (such as those which are genetically engineered) may be both.
The ConceptFamily of BeginToBeLivingResource
An Agent which causes a LivingResource to exist.
The ConceptFamily of CeaseToBeNaturalResource
An Agent which causes a NaturalResource to cease to exist.
A NaturalResource which ceases to exist in Time and Place.
An Agent which causes a LivingResource to cease to exist.
A LivingResource which ceases to exist in Time and Place.
The ConceptFamily of BeginToBePerceivableResource
To begin to Exist as a PerceivableResource.
An Agent which causes a PerceivableResource to exist.
A Resource that may be Perceivable through one or more human sense.
Physical Resources are not all Perceivable: for example, the existence of many cosmic phenomena such as Dark Matter and Black Holes is inferred from measurements. The attribute of perceivabilty is also not necessarily a fixed type and so this class is a child of 'EnterState' and not 'BeginToBe'.
The ConceptFamily of BeginToBeSeeableResource
An Agent which causes a SeeableResource to exist.
A Resource that may be Seeable through one or more human sense.
The ConceptFamily of BeginToBeHearableResource
To begin to Exist as a HearableResource.
An Agent which causes a HearableResource to exist.
A Resource that may be Hearable through one or more human sense.
The ConceptFamily of BeginToBeTouchableResource
To begin to Exist as a TouchableResource.
An Agent which causes a TouchableResource to exist.
A Resource that may be Touchable through one or more human sense.
The ConceptFamily of CreateTouchableCreation
A Creation that may be Perceived through touch.
The ConceptFamily of BeginToBeTasteableResource
To begin to Exist as a TasteableResource.
An Agent which causes a TasteableResource to exist.
A Resource that may be Tasteable through one or more human sense.
The ConceptFamily of CreateTasteableCreation
A Creation that may be Perceived through taste.
The ConceptFamily of BeginToBeSmellableResource
To begin to Exist as a SmellableResource.
An Agent which causes a SmellableResource to exist.
A Resource that may be Smellable through one or more human sense.
The ConceptFamily of CreateSmellableCreation
A Creation that may be Perceived through smell.
The ConceptFamily of BeginToBeNonPerceivableResource
To begin to Exist as a NonPerceivableResource.
An Agent which causes a NonPerceivableResource to exist.
An Entity that is not Perceivable through one or more human sense.
The ConceptFamily of CreateNonPerceivableCreation
A Creation that is not Perceivable through the human senses.
The ConceptFamily of MakePhysicalResource
The ConceptFamily of MakePerceivableResource
An Output which is a PerceivableResource.
An Output made, in whole or in part, by a Person.
A Creation that exists only in the human mind.
A Concept that is either a Name or a Work
This concept exists in VMF to map to the CIDOC CRM 'Symbolic Object'.
The ConceptFamily of ConceiveConceptForFutureManifestation
To Conceive the Concept for a future Manifestation.
A Conceiver of the Concept for a future Manifestation.
Conceptualize Creation: A Creation may be conceived in the mind before it is realized.
For example, 'based on an idea by'. If the underlying idea or concept for a Creation has been realized in an identified Manifestation, then the concept used is CreateSource.
A Creation which is a distinct, abstract creation of the mind whose existence is revealed through one or more Manifestation.
Work: A distinct Work comes into existence with its first Manifestation.
The ConceptFamily of CreatePhysicalResource
The ConceptFamily of CreatePerceivableResource
A Creation which is a PerceivableResource.
The ConceptFamily of CreateBoundedPhysicalResource
A Creation which is a BoundedPhysicalResource.
The ConceptFamily of CreateGeographicalFeature
A Creation which is a GeographicalFeature.
A Creation which is a PerceivableResource that is a realization of a Work.
A Manifestation may be either the OriginalManifestation of a Work, in the course of which the Work comes into existence (and so is an Output of the Event), or it may be a ReManifestation (or subsequent Manifestation of the Work), in which the pre-existing Work is a Tool (and so is an Input to the Event).
A Work which is realized in a Manifestation.
The ConceptFamily of RealizeDefinitively
A Manifestation which is unique, or which is deemed to be the definitive Manifestation of which all other Manifestations are drafts or copies.
DefinitiveManifestation: [description needed]
For example, a unique Sculpture or Painting, or the version (out of a set of drafts) which is selected for original publication, of which all subsequent Manifestations are deemed to be Copies. This can apply in principle to any type of Work, but is more common for 'hand made' analogue artefacts like sculptures or paintings. Not every Work has a DefinitiveManifestation, and in some cases it will be disputed by competing authorities.
A Work which is realized in a DefinitiveManifestation.
A pre-existing Work which is realized in a new Manifestation.
The ConceptFamily of CreateAsPrincipalAgent
The ConceptFamily of CreateSetOfPhysicalResources
The ConceptFamily of CreateCulturalCollection
A Set of PhysicalResources collected for cultural purposes.
CulturalCollection: [description needed]
The collection of the Tate Modern; John's stamp collection; a collection of vintage cars; a museum exhibition.
To make a Creation with the help of a Tool.
A Creation made with the help of a Tool.
To make a Creation with the help of a Method.
A Creation made with the help of a Method.
A Creation made with the help of a Camera.
A Creation made with the help of a Computer.
A Creator of a CreationMadeFromMaterial.
The ConceptFamily of CreateIntentionally
To Make a Creation which is intended to exist or be used in relation to another Resource.
A Maker of a Creation which is intended to exist or be used in relation to another Resource.
A Creation which is intended to exist or be used in relation to another Resource.
CreatingFor: A Creation may be made with the purpose in relation to some existign Resource.
A Resource in relation to which a Creation is made to exist or be used.
To Create a Work which is intended to exist or be used in relation to another Resource.
A Creator of a Work which is intended to exist or be used in relation to another Resource.
A which is intended to exist or be used in relation to another NonExistent.
A Resource in relation to which a Work is made to exist or be used.
The ConceptFamily of CreateAccompanyingWork
A Work which is made to accompany another Work.
A Work for which an AccompanyingWork is made.
The ConceptFamily of CreatePrependedWork
AccompanyingWork which is Prepended to the PrimaryContent.
A Work for which a PrependedWork is made.
AccompanyingWork which is Appended to the PrimaryContent.
A Work for which an AppendedWork is made.
A Creator of a Whole of another Creation.
A Creation which is made to be a Whole of another Creation.
A Work which is made to be a Whole of another Work.
The ConceptFamily of CreatePrimaryContent
Primary Content: A Work may have primary and secondary content.
The distinction between Primary and Secondary Content is arbitrary and in the eye of the beholder.
A Work for which PrimaryContent is made.
The ConceptFamily of CreateSecondaryContent
A Work for which SecondaryContent is made.
The ConceptFamily of CreatePartOfBooklet
The ConceptFamily of CreatePartOfVisualWork
A Creator of an Illustration for a Work.
A Drawingused to depict contents of a LexicalWork.
A LexicalWork for which an Illustration is made.
The ConceptFamily of CreateIllustrationAsFrbrWork
The ConceptFamily of CreateIllustrationAsFrbrExpression
To Create an IllustrationAsFrbrExpression.
A Creator of an IllustrationAsFrbrExpression.
An Illustration which is a FrbrExpression.
A Source of an IllustrationAsFrbrExpression.
The ConceptFamily of CreatePartOfMusicalWork
A MusicalWork for which a Whole is made.
The ConceptFamily of CreateMovementOfMusicalWork
A Creator of a Movement of a MusicalWork.
A MusicalWork for which a Movement is made.
The ConceptFamily of CreatePartOfLexicalWork
A LexicalWork for which a Whole is made.
The ConceptFamily of CreatePartOfLexicoMusicalWork
To Create a Whole of a LexicoMusicalWork.
A Creator of a Whole of a LexicoMusicalWork.
A Whole created for a LexicoMusicalWork.
A LexicoMusicalWork for which a Whole is made.
The ConceptFamily of CreatePartOfDramaticoMusicalWork
To Create a Whole of a DramaticoMusicalWork.
A Creator of a Whole of a DramaticoMusicalWork.
A Whole created for a DramaticoMusicalWork.
A DramaticoMusicalWork for which a Whole is made.
The ConceptFamily of CreateLibrettoForOpera
The ConceptFamily of CreateLibrettoForOperaFrbrWork
To Create a Libretto for an Opera which is a FrbrWork.
A Creator of a Libretto for an Opera which is a FrbrWork.
A Source of a LibrettoForOperaAsFrbrWork.
The ConceptFamily of CreateLibrettoForOperaFrbrExpression
To Create a Libretto for an Opera which is a FrbrExpression.
A Creator of a Libretto for an Opera which is a FrbrExpression.
A LibrettoForOpera which is a FrbrExpression.
A Source of a LibrettoForOperaAsFrbrExpression.
The ConceptFamily of CreateCadenzaAsFrbrWork
The ConceptFamily of CreateCadenzaAsFrbrExpression
All Book Covers are assumed to be Created (whereas Covers of other Resources may not have been specifically created for tht purpose).
To make a Work which is not recognized as being derived from any other.
A Work which is not recognized as being derived from any other.
To prepare (for example: commission, modify, order) the material of an OriginalWork created by another Creator.
A Contributor who prepares (for example: commissions, modifies, orders) the material of an OriginalWork created by another Creator.
An OriginalWork whose contents have been prepared (for example: commissioned, modified, ordered) by an EditorAsOriginator.
Editing original material: A person may contribute to the origination of a Work by commissioning, modifying and/or ordering the work of others.
The word 'edit' is heavily overloaded in vocabularies. It is normally used to denote at least one of two concepts: (1) the commissioning and/or modifying and/or ordering of original material for first publication (EditAsOriginator in VMF) and (2) the revision of an existing Work to create an Adaptation (EditAsAdaptor in VMF). The term Edit in VMF is the union of these concepts.
To make a new Creation from one or more existing Works.
A Creation made, in whole or part, from one or more existing Works.
Derivation: A Creation can be made from a pre-existing Work.
The ConceptFamily of DeriveFrbrExpression
A FrbrExpression which is a DerivedWork.
A SourceOfWork of a DerivedFrbrExpression.
The ConceptFamily of DeriveFrbrExpressionFromFrbrExpression
To DeriveWork a DerivedFrbrExpression from a FrbrExpression.
A WorkDeriver of a DerivedFrbrExpression from a FrbrExpression.
A DerivedFrbrExpression which is derived from a FrbrExpression.
A SourceAsFrbrExpression which is a %PR%FrbrExpression.
A DerivedWork made by making changes to an existing Work.
A WorkDeriver of an AdaptationAsFrbrWork.
The ConceptFamily of AdaptFrbrExpression
A WorkDeriver of an AdaptationAsFrbrExpression.
An Adaptation which is a FrbrExpression.
A Source of an AdaptationAsFrbrExpression.
An Adaptation which is a shortened form of its Source.
An Abridgement is a shorter or smaller version of a Work without removing essentials. An Adaptation which represents a part of its Source is an Excerpt.
A WorkDeriver of an AbridgementAsFrbrWork.
The ConceptFamily of AbridgeFrbrExpression
A WorkDeriver of an AbridgementAsFrbrExpression.
An Abridgement which is a FrbrExpression.
A Source of an AbridgementAsFrbrExpression.
An Adaptation which is an enhanced form of its Source.
A WorkDeriver of an EnhancementAsFrbrWork.
The ConceptFamily of EnhanceFrbrExpression
A WorkDeriver of an EnhancementAsFrbrExpression.
An Enhancement which is a FrbrExpression.
A Source of an EnhancementAsFrbrExpression.
The ConceptFamily of AdaptFrbrWorkByExtensionAsFrbrExpression
A WorkDeriver of an EnhancementAsFrbrWorkAsFrbrExpression.
An EnhancementAsFrbrWork which is a FrbrExpression.
A Source of an EnhancementAsFrbrWorkAsFrbrExpression.
An Adaptation which replaces its Source.
The ConceptFamily of CreateFrbrExpressionVersion
To Create a FrbrExpression by revising a FrbrExpression.
A WorkDeriver of a FrbrExpressionVersion.
An FrbrExpression made by revising a FrbrExpression.
The ConceptFamily of AdaptFrbrExpressionByExtensionOrRevision
To Create an Adaptation by revising a FrbrExpression or extending it.
A WorkDeriver of a AdaptationAsFrbrExpressionByExtensionOrRevision.
An Adaptation made by revising a FrbrExpression or extending it.
A Source of a AdaptationAsFrbrExpressionByExtensionOrRevision.
A DerivedWork made by combining two or more existing Works.
The ConceptFamily of CompileAsPrincipalCreator
A Compilation made by a PrincipalCreator.
The ConceptFamily of CompileAsContributor
The ConceptFamily of CompileSecondaryContent
The ConceptFamily of CompileFrbrExpression
A DerivedWork made by taking a part out of an existing Work.
The ConceptFamily of CreateWorkFromBasis
A Work which is generally based on another Work, but not closely enough to be regarded as an Adaptation.
One Work as basis of another: a Work may be based generally on the content of another Work without being identified as a specific version or adaptation (for example, a summary or re-telling).
The ConceptFamily of CreateWorkWithRelatedContent
To Create a SubsequentWorkWithRelatedContent.
A Creator of a SubsequentWorkWithRelatedContent.
A distinct Work whose content is intentionally associated with a Pre-existing Work without being Part of a common Set.
Related content: The content of a Work may be related to that of a Pre-existing Work, without containing any directly common material (for example, a sequel to a novel).
A Work which is the Basis of a SubsequentWorkWithRelatedContent.
A remake of a Work, preserving the essential storyline.
RemakeOfWork: Typically a film, play or television series may be remade, preserving its essential storyline but freely changing other elements.
The remake of the film 'Charlie And The Chocolate Factory' starring Johnny Depp.
A Work which is the Basis of a RemakeOfWork.
The ConceptFamily of CreateRemakeOfFrbrWork
The ConceptFamily of CreateRemakeOfFrbrExpression
A FictionalWork which continues the story of a Pre-existing FictionalWork.
Sequel: One story may be a sequel of another (that is, continuing the already-told story).
The ConceptFamily of CreateSequelAsFrbrWork
A FictionalWork which tells a story which precedes and influences that of a Pre-existing FictionalWork.
Prequel: one story may be a Prequel of another (that is , telling a story which precedes and influences the already-told story).
The ConceptFamily of CreatePrequelAsFrbrWork
A Work which is a Parody of an existing Work.
Parody: one Work may be a Parody or satire of another.
The ConceptFamily of CreateParodyAsFrbrWork
The ConceptFamily of CreateParodyAsFrbrExpression
The ConceptFamily of CreateImitationWork
A Work which is an imitation of an existing Work.
A Work which is the Basis of a ImitationWork.
The ConceptFamily of CreateImitationWorkAsFrbrWork
A Creator of an ImitationWorkAsFrbrWork.
The ConceptFamily of CreateImitationWorkAsFrbrExpression
To Create an ImitationWorkAsFrbrExpression.
A Creator of an ImitationWorkAsFrbrExpression.
An ImitationWork which is a FrbrExpression.
A Source of an ImitationWorkAsFrbrExpression.
A LexicalWork which is a CreationFromBasis.
A brief account of another LexicalWork: a Summary is both based on and about another LexicalWork.
A LexicalWork which is the subject of a Summary.
The ConceptFamily of SummarizeFrbrExpression
The ConceptFamily of WriteLexicalWorkAbstract
A Summary of an academic journal article or book.
LexicalWorkAbstract: [description needed]
A LexicalWork which is the subject of a LexicalWorkAbstract.
The ConceptFamily of WriteLexicalWorkAbstractAsFrbrWork
To Create a LexicalWorkAbstractAsFrbrWork.
A Creator of a LexicalWorkAbstractAsFrbrWork.
A LexicalWorkAbstract which is a FrbrWork.
A Source of a LexicalWorkAbstractAsFrbrWork.
The ConceptFamily of WriteLexicalWorkAbstractAsFrbrExpression
To Create a LexicalWorkAbstractAsFrbrExpression.
A Creator of a LexicalWorkAbstractAsFrbrExpression.
A LexicalWorkAbstract which is a FrbrExpression.
A Source of a LexicalWorkAbstractAsFrbrExpression.
The ConceptFamily of WriteLexicalWorkDigest
A LexicalWork which is the subject of a LexicalDigest.
The ConceptFamily of WriteLexicalWorkDigestAsFrbrWork
The ConceptFamily of WriteLexicalWorkDigestAsFrbrExpression
To Create a LexicalDigestAsFrbrExpression.
A Creator of a LexicalDigestAsFrbrExpression.
A LexicalDigest which is a FrbrExpression.
A Source of a LexicalDigestAsFrbrExpression.
The ConceptFamily of WriteWorkWithRelatedContent
To Create a SubsequentLexicalWorkWithRelatedContent.
A Creator of a SubsequentLexicalWorkWithRelatedContent.
A Work which is the Basis of a SubsequentLexicalWorkWithRelatedContent.
The ConceptFamily of CreateScreenplayBasedOnWork
A Screenplay based on a Work of a different genre.
The ConceptFamily of CreateScreenplayBasedOnFrbrWork
A Creator of a ScreenplayBasedOnFrbrWork.
A Source of a ScreenplayBasedOnFrbrWork.
The ConceptFamily of CreateScreenplayBasedOnFrbrExpression
To Create a ScreenplayBasedOnFrbrExpression.
A Creator of a ScreenplayBasedOnFrbrExpression.
A Source of a ScreenplayBasedOnFrbrExpression.
The ConceptFamily of CreateScriptForRadioBasedOnWork
A Creator of a ScriptForRadioBasedOnWork.
A ScriptForRadio based on a Work of a different genre.
A Source of a ScriptForRadioBasedOnWork.
The ConceptFamily of CreateScriptForRadioBasedOnFrbrWork
To Create a ScriptForRadioBasedOnFrbrWork.
A Creator of a ScriptForRadioBasedOnFrbrWork.
A Source of a ScriptForRadioBasedOnFrbrWork.
The ConceptFamily of CreateScriptForRadioBasedOnFrbrExpression
To Create a ScriptForRadioBasedOnFrbrExpression.
A Creator of a ScriptForRadioBasedOnFrbrExpression.
A ScriptForRadio based on a FrbrExpression.
A Source of a ScriptForRadioBasedOnFrbrExpression.
The ConceptFamily of CreateLibrettoBasedOnWork
A Libretto based on a Work of a different genre.
The ConceptFamily of CreateLibrettoBasedOnFrbrWork
The ConceptFamily of CreateLibrettoBasedOnFrbrExpression
To Create a LibrettoBasedOnFrbrExpression.
A Creator of a LibrettoBasedOnFrbrExpression.
A Source of a LibrettoBasedOnFrbrExpression.
A Derivation which is intrinsically identical to its Source.
Identical copy: A Resource can have identical intrinsic Attributes to another.
There is, of course, no such thing as a truly 'identical' copy or a Resource, and no two Resources can be extriniscally identical (for example, they cannot occupy identical space at the same time). A Copy is something which is functionally identical to its Source in trems of its specifred and intrinsic attributes.
To contribute to the making of a Creation in a supporting or secondary way.
A Creator who contributes to the making of a Creation as a SupportingAgent.
A Creation to which a Contributor has contributed.
Contribution: a Party may contribute to the making of a Creation in a secondary or supporting way.
The distinction between a primary (PrimaryCreator) and secondary (Contributor) role is arbitrary and may vary significantly in interpretation from person to person.
To Contribute to the making of a MovingPhotograph in a supporting or secondary way.
A MovingPhotograph to which a Contributor has contributed.
To Design graphical elements of a Creation.
A CreationDesign with graphical elements.
An architectural design, including a pictorial representation intended to show how a building or similar structure will look when completed.
The ConceptFamily of DesignCoverOrCoverArtwork
A VisualWork which is realized in a Manifestation.
A MovingVisualWork which is realized in a Manifestation.
Music: Some sounds are perceived as musical, according to attributes of form, harmony, melody, tone and expression.
The differentiation of music from non-musical sound is arbitrary and subjective.
The ConceptFamily of MakeNonMusicalSound
Voice: Sounds can be made with the voice (human or animal).
A Sound made (directly or indirectly) by a Human.
A MusicalSound made (directly or indirectly) by a Human.
The ConceptFamily of CreateNonMusicalSound
A NonMusicalSound made (directly or indirectly) by a Human.
The ConceptFamily of CreateSoundWithTool
A Sound made (directly or indirectly) by a Human with a Tool.
An AudioWork which is realized in a Manifestation.
The ConceptFamily of RealizeNonMusicalSound
A Manifestation which is a NonMusicalSound.
An NonMusicalWork which is realized in a Manifestation.
The ConceptFamily of RealizeMusicalSound
A Manifestation which is a MusicalSound.
An MusicalWork which is realized in a Manifestation.
The ConceptFamily of RealizeAudiovisualManifestation
A Realizer of a AudiovisualManifestation.
An AudiovisualWork which is realized in a Manifestation.
The ConceptFamily of FixAudioInTapeCarrier
A TapeCarrier containing a Recording of a Sound.
A Sound that is Recorded on TapeCarrier.
A CarrierInCassette containing a Recording of a Sound.
A Recording of a Sound on CarrierInCassette.
A Sound that is Recorded on CarrierInCassette.
The ConceptFamily of FixAudioInDigitalAudioTape
A Resource containing a Recording of a Sound.
A DiscCarrierForAudio containing a Recording of a Sound.
A Recording of a Sound on DiscCarrierForAudio.
A Sound that is Recorded on DiscCarrierForAudio.
The ConceptFamily of FixAudioInCompactDisc
A CompactDisc containing a Recording of a Sound.
A Sound that is Recorded on CompactDisc.
The ConceptFamily of FixAudioInEnhancedCD
An EnhancedCD containing a Recording of a Sound.
A DVD containing a Recording of a Sound.
A Minidisc containing a Recording of a Sound.
The ConceptFamily of FixAudioInVinylDisc
A VinylDisc containing a Recording of a Sound.
The ConceptFamily of FixAudioInSevenInchVinylDisc
A Creator of an AudioSevenInchVinylDisc.
A SevenInchVinylDisc containing a Recording of a Sound.
A Recording of a Sound on SevenInchVinylDisc.
A Sound that is Recorded on SevenInchVinylDisc.
The ConceptFamily of FixAudioInTwelveInchVinylDisc
A Creator of an AudioTwelveInchVinylDisc.
A TwelveInchVinylDisc containing a Recording of a Sound.
A Recording of a Sound on TwelveInchVinylDisc.
A Sound that is Recorded on TwelveInchVinylDisc.
A Work which is realized in a digitally encoded form.
A Work which is realized in an analogue (non-digital) form.
The ConceptFamily of CreateNonMusicalWork
The ConceptFamily of CreateNonLexicalWork
The ConceptFamily of CreateWorkNonMusicalLexicalOrVisual
To Create a WorkNotMusicalLexicalOrVisual.
A Creator of a WorkNotMusicalLexicalOrVisual.
A Work realized in a form other than musical, lexical or visual.
The ConceptFamily of CreateInteractiveWork
Content that responds to actions Performed by the user (e.g., searches, commands, selections).
Interactivity: a Creation may contain dynamic elements which change in response to human actions.
The ConceptFamily of CreateNonInteractiveWork
Content that does not respond to actions Performed by the user.
A Work as defined in FRBR ('a distinct intellectual or artistic creation').
FRBR Work: 'a distinct intellectual or artistic creation', differentiated from a FRBR Expression.
The ConceptFamily of CreateFrbrExpression
An Expression as defined in FRBR ('the intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, image, object, movement, etc., or any combination of such forms.').
FRBR Expression: 'the intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, image, object, movement, etc., or any combination of such forms.', differentiated from a FRBR Work.
The ConceptFamily of CreateDocumentaryWork
A Work which records information about physical reality.
A DocumentaryWork will commonly be a LexicalWork, but this class also includes Works such as photographs and sound recordings which provide evidence of reality.
The ConceptFamily of CreateDocumentaryLexicalWork
A DocumentaryWork which is a LexicalWork.
Today's copy of the New York Times; an examination script; Gibbon's Decline and Fall of the Roman Empire
The ConceptFamily of CreateDocumentaryLexicalAuthorityWork
To Create a DocumentaryLexicalAuthorityWork.
A Creator of a DocumentaryLexicalAuthorityWork.
A DocumentaryLexicalWork which provides definition or authority to a language or system.
A Work may be created and used as an authority for the definition of terms and processes.
Wikipedia; Any ISO standard; the Oxford English Dictionary; A thesaurus
The ConceptFamily of CreateEncyclopaedia
The ConceptFamily of CompileDocumentaryLexicalAuthorityWork
To Compile a DocumentaryLexicalAuthorityWork.
A Compiler of a DocumentaryLexicalAuthorityWork.
A DocumentaryLexicalWork which is Compiled.
A Component of a CompiledDocumentaryLexicalAuthorityWork.
The ConceptFamily of CompileIndexForFrbrWork
The ConceptFamily of CompileIndexForFrbrExpression
A Compiler of an IndexForFrbrExpression.
The ConceptFamily of CompileConcordanceForFrbrWork
A LexicalWork for which an ConcordanceForFrbrWork is made.
The ConceptFamily of CompileConcordanceForFrbrExpression
To Compile a ConcordanceForFrbrExpression.
A Compiler of a ConcordanceForFrbrExpression.
A LexicalWork for which an ConcordanceForFrbrExpression is made.
A Work which is realized as a SeeableResource.
The ConceptFamily of CreateVisualComposition
A VisualWork defined by its form, colour and tone (as opposed to significance including lexical content, tool, material, interactivity, motion or other non-visual criteria).
Visual composition: [description needed]
Van Gogh's 'Sunflowers'; a particular photographic image of the Statue of Liberty; a design on a plate
The ConceptFamily of CreateNonVisualWork
The ConceptFamily of CreateStillVisualWork
Visual content that is intended to be Seen as static.
Static content: The content of a Visual Work may be perceived as being static.
The ConceptFamily of CreateMovingVisualWork
Visual content that is intended to be Seen as moving.
Dynamic content: The content of a Visual Work may be perceived as moving.
The ConceptFamily of EditMovingVisualWork
The ConceptFamily of CreateTwoDimensionalVisualWork
A Creator of a TwoDimensionalVisualWork.
Visual content that is intended to be Perceived in two-dimensions.
2D content: The content of a Visual Work may be perceived as being in two visual dimensions.
The ConceptFamily of CreateThreeDimensionalVisualWork
A Creator of a ThreeDimensionalVisualWork.
Visual content that is intended to be Perceived in three-dimensions.
3D content: The content of a Visual Work may be perceived as being in three visual dimensions.
The ConceptFamily of CreateMovingThreeDimensionalVisualWork
To Create a MovingThreeDimensionalVisualWork.
A Creator of a MovingThreeDimensionalVisualWork.
The ConceptFamily of CreateVisualWorkWithSubject
A distinguishing VisualWork which indicates ownership, branding, authorship, dedication or some other association with a Party or brand.
The Coca Cola logo; Rembrandt's signature on a painting; a watermark in a piece of paper
The ConceptFamily of CreateCoverVisualWork
The ConceptFamily of CreateBookCoverVisualWork
The ConceptFamily of CreateBookletCoverVisualWork
The ConceptFamily of CreateFrontCoverVisualWork
The ConceptFamily of CreateBookFrontCoverVisualWork
A Creator of a BookFrontCoverVisualWork.
The ConceptFamily of CreateBookletFrontCoverVisualWork
To Create a BookletFrontCoverVisualWork.
A Creator of a BookletFrontCoverVisualWork.
The ConceptFamily of CreateBackCoverVisualWork
The ConceptFamily of CreateBookBackCoverVisualWork
The ConceptFamily of CreateBookletBackCoverVisualWork
A Creator of a BookletBackCoverVisualWork.
The ConceptFamily of CreateComputerGraphics
A VisualWork realized using painting techniques.
A VisualWork realized using drawing techniques.
This describes the role often known as 'draftsman'. This is not a child of Draw because Visual Plans are often created with a computer.
Creator of a Photograph includes not just the camera operator but anyone playing a creative role (such as a Director).
A Camera with which a Photograph is taken.
The ConceptFamily of CreateStillPhotograph
A Photograph which is a StillVisualWork.
The ConceptFamily of TakeStillPhotograph
To take a StillPhotograph with a Camera.
A taker of a StillPhotograph with a Camera.
A Camera with which a StillPhotograph is taken.
The ConceptFamily of CreateMovingPhotograph
The ConceptFamily of TakeMovingPhotograph
To take a MovingPhotograph with a Camera.
A taker of a MovingPhotograph with a Camera.
A Camera with which a MovingPhotograph is taken.
The ConceptFamily of CreateInteractiveBooklet
The ConceptFamily of CreateNonInteractiveBooklet
A Booklet which is an NonInteractiveWork.
The ConceptFamily of CreateAcademicJournal
The ConceptFamily of CreateWorkForAudience
A Work which created for a specific Audience.
Intended Audience: a Work may be created for a specific target audience.
An Audience for which a Work is intended.
The ConceptFamily of CreateWorkForChildren
A Work which created for an Audience of children.
An IntendedAudience comprised of children.
The ConceptFamily of CreateBookForAudience
A Book which created for a specific Audience.
An Audience for which a Book is intended.
The ConceptFamily of CreateBookForChildren
A Book which created for an Audience of Children.
An Audience of Children for which a Book is intended.
The ConceptFamily of CreateBoardBookForChildren
A BookForChildren which is to be printed on board.
An Audience of Children for which a BoardBookForChildren is intended.
The ConceptFamily of CreateRagBookForChildren
A BookForChildren which is to be printed on textile.
An Audience of Children for which a RagBookForChildren is intended.
The ConceptFamily of CreateBathBookForChildren
A BookForChildren which is to be printed on waterproof material.
An Audience of Children for which a BathBookForChildren is intended.
The ConceptFamily of CreatePerformanceWork
The ConceptFamily of ChoreographSecondaryDanceContent
The ConceptFamily of ChoreographNonDanceContent
A Work which is realized as a HearableResource.
The ConceptFamily of CreateRadioProgramme
The ConceptFamily of CreateAudiovisualWork
A Work which is realized simultaneously in viewable and hearable form.
The ConceptFamily of CreateMovingAudiovisualWork
An AudiovisualWork which in which the visual elements move.
The ConceptFamily of CreateTelevisionWork
An AudiovisualWork which is realized on television.
The ConceptFamily of CreateTelevisionProgramme
A Programme which is realized on television.
The ConceptFamily of CreateAudiovisualAdvertisement
A Creator of a AudiovisualAdvertisement.
An AudiovisualWork which is an Advertisement.
An AudiovisualWork which is realized on film for viewing in cinemas.
The ConceptFamily of CreateCorporateAudiovisualWork
A Creator of a CorporateAudiovisualWork.
CorporateAudiovisualWork: [Description needed]
An EditorAsOriginator of an AudiovisualWork.
A Creator of the musical elements of a MusicalWork.
The ConceptFamily of ComposeOriginalMusic
A MusicalWork created to be used in the soundtrack of a Film.
The ConceptFamily of ComposeSilentFilmMusic
A Creator of a MusicalWorkForSilentFilm.
A MusicalWork created to be used as background music to a SIlentFilm.
The ConceptFamily of ComposeSecondaryMusic
Music which in some way supplements the principal music of a Work.
The ConceptFamily of ComposeIncidentalMusic
Music for a pre-existing, usually textual, work.
The ConceptFamily of ComposeAdditionalMusic
Accompaniments or additional parts (e.g., vocal/instrumental parts, musical numbers) that supplement the music written by the original composer.
The ConceptFamily of ComposeMusicalSettingOfWords
Music which is written as a setting for words.
The ConceptFamily of ComposeMusicalSettingOfWordsAsFrbrWork
To Compose a MusicalSettingOfWordsAsFrbrWork.
A Composer of a MusicalSettingOfWordsAsFrbrWork.
A MusicalSettingOfWords which is a FrbrWork.
A Source of a MusicalSettingOfWordsAsFrbrWork.
The ConceptFamily of ComposeMusicalSettingOfWordsAsFrbrExpression
To Compose a MusicalSettingOfWordsAsFrbrExpression.
A Composer of a MusicalSettingOfWordsAsFrbrExpression.
A MusicalSettingOfWords which is a FrbrExpression.
A Source of a MusicalSettingOfWordsAsFrbrExpression.
The ConceptFamily of ArrangeMusicAsFrbrWork
A WorkDeriver of a MusicalArrangementAsFrbrWork.
A MusicalArrangement which is a FrbrWork.
A Source of a MusicalArrangementAsFrbrWork.
The ConceptFamily of ArrangeMusicAsFrbrExpression
A WorkDeriver of a MusicalArrangementAsFrbrExpression.
A MusicalArrangement which is a FrbrExpression.
A Source of a MusicalArrangementAsFrbrExpression.
The ConceptFamily of ComposeHarmonization
An Arrangement of a classical MusicalWork recognised as a variation.
The ConceptFamily of ComposeVariationAsFrbrWork
A WorkDeriver of a MusicalVariationAsFrbrWork.
A Source of a MusicalVariationAsFrbrWork.
The ConceptFamily of ComposeVariationAsFrbrExpression
To ComposeVariation of a FrbrExpression.
A WorkDeriver of a MusicalVariationAsFrbrExpression.
A MusicalVariation which is a FrbrExpression.
A Source of a MusicalVariationAsFrbrExpression.
Language: concepts may be realized in words.
Say covers any utterance which results in a Work, whether spoken or in visual (text) form.
A LexicalManifestation which is an Image.
A LexicalManifestation which is a SoundManifestation.
A Work which may be realized in language.
The ConceptFamily of OriginateLexicalWork
The ConceptFamily of CreateWordsThatGoWithMusic
Words that accompany or are accompanied by music.
At this level it is irrelevant whether the association was intended by the Creator, or whether the words or music took temporal Precedent.
A MusicalWork for which Words are written.
The words of an Opera or other MusicalWork performed on stage.
A short LexicalWork associated with a PerceivableCreation.
An inscription on a gravestone; A slogan of graffiti on a wall; Text on a road-sign.
The English Language; the C++ computer language
The ConceptFamily of CreateNaturalLanguage
The ConceptFamily of CreateComputerLanguage
The C++ computer language; the HTML markup language
The ConceptFamily of CreateComputerProgrammingLanguage
To Create a ComputerProgrammingLanguage.
A Creator of a ComputerProgrammingLanguage.
ComputerProgrammingLanguage: [description needed]
The ConceptFamily of CreateComputerMarkupLanguage
ComputerMarkupLanguage: [description needed]
The ConceptFamily of CreateNaturalLanguageWork
A LexicalWork expressed in a NaturalLanguage.
The ConceptFamily of CreateCrmLinguisticObject
A 'Linguistic Object' according to the CIDOC CRM .
CRM Linguistic Object: This does not include Names which are not of semantic significance.
A LexicalWork which sets out the words to be spoken by one or more readers or actors. (At this level, a Script is not necessarily dramatic and is for a Play, Presentation or other LexicalWork).
The ConceptFamily of CreateScriptForRadio
A LexicalWork realized in gestures and words to be performed in a dramatic medium (stage, film, television, radio etc).
A DramaticWork that is to be acted in an AudiovisualWork.
The ConceptFamily of CreateFilmScreenplay
A DramaticWork that is to be acted in a Film.
The ConceptFamily of CreateTelevisionScreenplay
A DramaticWork that is to be acted on Television.
A DramaticWork that is to be acted on a stage.
A Narrative in the genre of a short story.
The ConceptFamily of CreateLexicalDocument
The ConceptFamily of CreateLexicoMusicalWork
A Work which is both a MusicalWork and a LexicalWork.
The ConceptFamily of CreateDramaticoMusicalWork
DramaticoMusicalWork: [description needed]
The ConceptFamily of CreateLexicalWorkWithSubject
Comment: A statement of opinion about something.
The ConceptFamily of CreateCommentOnWork
A Work which is the Subject of a Comment.
A collection of Comments about something (typically another Work) in a single Work.
Commentary: A collection of Comments about something (typically another Work) in a single Work.
The ConceptFamily of CreateCommentaryOnWork
A Work which is the Subject of a Commentary.
The ConceptFamily of CreateCommentaryOnLexicalWork
A LexicalWork which is the Subject of a Commentary.
The ConceptFamily of CreateCommentaryOnFrbrWork
A FrbrWork which is the Subject of a Commentary.
The ConceptFamily of CreateCommentaryOnFrbrExpression
A Creator of a CommentaryOnFrbrExpression.
A FrbrExpression which is the Subject of a Commentary.
The ConceptFamily of CreateCommentaryOnTranslation
A Translation which is the Subject of a Commentary.
An account of the attributes of something.
Description: An account of the attributes of something.
A Work which is the Subject of a Description.
A FrbrWork which is the Subject of a Description.
The ConceptFamily of DescribeFrbrExpression
To Create a DescriptionAsFrbrExpression.
A Creator of a DescriptionAsFrbrExpression.
A Description which is a FrbrExpression.
A FrbrExpression which is the Subject of a Description.
An Assessor of the condition of something.
An Assessment of the condition of something.
A Resource which is the Subject of a ConditionAssessment.
A Work which is the Subject of an Assessment.
A FrbrWork which is the Subject of an Assessment.
The ConceptFamily of AssessFrbrExpression
A Creator of an AssessmentAsFrbrExpression.
An Assessment which is a FrbrExpression.
A FrbrExpression which is the Subject of an Assessment.
Critical Assessment: [description needed]
The ConceptFamily of AssessWorkCritically
A Work which is the Subject of a Critique.
The ConceptFamily of AssessFrbrWorkCritically
A FrbrWork which is the Subject of a Critique.
The ConceptFamily of AssessFrbrExpressionCritically
A Creator of an CritiqueAsFrbrExpression.
A FrbrExpression which is the Subject of a Critique.
A Work which is the Subject of a Review.
The ConceptFamily of CreateReviewAsFrbrWork
A FrbrWork which is the Subject of a Review.
The ConceptFamily of CreateReviewAsFrbrExpression
A FrbrExpression which is the Subject of a Review.
To Create a LexicalWorkIncludingReference.
A Creator of a LexicalWorkIncludingReference.
The ConceptFamily of EditWordsAsOriginator
The ConceptFamily of EditAsEditorInChief
The ConceptFamily of EditPeriodicalAsGuest
The ConceptFamily of EditAsEditorialCoordinator
The ConceptFamily of EditAsManagingEditor
The ConceptFamily of EditAsAssociateEditor
The ConceptFamily of EditAsConsultantEditor
The ConceptFamily of EditAsGeneralEditor
The ConceptFamily of EditAsLiteraryEditor
The ConceptFamily of EditAsEditorialBoardMember
A WordsAdaptation which is an Abridgement.
The ConceptFamily of AdaptSecondaryWords
A LexicalWork which expresses the meaning of another LexicalWork in different words.
A Work which is the subject of a Paraphrase.
The ConceptFamily of CreateParaphraseAsFrbrWork
The ConceptFamily of CreateParaphraseAsFrbrExpression
A Creator of a ParaphraseAsFrbrExpression.
An Paraphrase which is a FrbrExpression.
A Source of a ParaphraseAsFrbrExpression.
A Creation which is the subject of a Gloss.
A written copy from original material, including from dictated or orally recorded material.
A Creation which is the subject of a Transcription.
An Adaptation in which the language of lexical elements has been changed without changing their meaning.
Translation: Different words can mean the same thing in different languages.
The ConceptFamily of TranslateFrbrExpression
A Creator of a TranslationAsFrbrExpression.
A Translation which is a FrbrExpression.
A Source of a TranslationAsFrbrExpression.
The ConceptFamily of TranslateInSubtitles
To Translate dialogue or other Words in Subtitles.
Subtitles which are a Translation of dialogue or other Words in a Visual Work.
The ConceptFamily of TranslateWithCommentary
A Creator of a TranslationWithCommentary.
A Translation accompanied by Comments on the translation.
A Source of a TranslationWithCommentary.
The ConceptFamily of TranslateFreelyFrbrWork
A Creator of a FreeTranslationAsFrbrWork.
A Source of a FreeTranslationAsFrbrWork.
The ConceptFamily of TranslateFreelyFrbrExpression
A Creator of a FreeTranslationAsFrbrExpression.
A FreeTranslation which is a FrbrExpression.
A Source of a FreeTranslationAsFrbrExpression.
The ConceptFamily of CreateLexicalWorkEdition
To Create a new Edition of a LexicalWork.
This concept covers one of the main uses of the term 'Editor': the person responsible for creating a new edition of a previously published text.
To EditAsAdaptor and Translate a LexicalWork.
An Edition and Translation of a previously published LexicalWork.
A Work that is an Adaptation of a Work in a different genre.
Adaptation to genre: A Work can be adapted from one genre to another (for example, from a novel to a play).
The ConceptFamily of AdaptWordsToOtherGenre
To Create an WordsAdaptationInOtherGenre.
A Creator of an WordsAdaptationInOtherGenre.
A Source of an WordsAdaptationInOtherGenre.
A DramaticWork that is an Adaptation of a Work in a different genre. (At this level the AdaptedWork is not necessarily itself a LexicalWork).
The ConceptFamily of DramatizeFrbrExpression
A Creator of a DramatizationAsFrbrExpression.
A Dramatization which is a FrbrExpression.
A Source of a DramatizationAsFrbrExpression.
A CreatorOfLexicalWork of a Novelization.
A Novel that is an Adaptation of a Work in a different genre. (At this level the AdaptedWork is not necessarily itself a LexicalWork).
The ConceptFamily of NovelizeFrbrExpression
A Creator of a NovelizationAsFrbrExpression.
A Novelization which is a FrbrExpression.
A Source of a NovelizationAsFrbrExpression.
A Verse that is an Adaptation of a Work in a different genre. (At this level the AdaptedWork is not necessarily itself a LexicalWork).
The ConceptFamily of VersifyFrbrExpression
A Creator of a VersificationAsFrbrExpression.
A Versification which is a FrbrExpression.
A Source of a VersificationAsFrbrExpression.
A Creator of a FilmAdaptedFromOtherGenre.
A Source of a FilmAdaptedFromOtherGenre.
The ConceptFamily of AdaptFrbrWorkForFilm
To Create a FilmAdaptedFromFrbrWorkOfOtherGenre.
A Creator of a FilmAdaptedFromFrbrWorkOfOtherGenre.
A Film adapted from a FrbrWork of another genre.
A Source of a FilmAdaptedFromFrbrWorkOfOtherGenre.
The ConceptFamily of AdaptFrbrExpressionForFilm
To Create a FilmAdaptedFromFrbrExpressionOfOtherGenre.
A Creator of a FilmAdaptedFromFrbrExpressionOfOtherGenre.
A Film adapted from a FrbrExpression of another genre.
A Source of a FilmAdaptedFromFrbrExpressionOfOtherGenre.
To Create a RadioWorkAdaptedFromOtherGenre.
A Creator of a RadioWorkAdaptedFromOtherGenre.
A Source of a RadioWorkAdaptedFromOtherGenre.
The ConceptFamily of AdaptFrbrWorkForRadioWork
To Create a RadioWorkAdaptedFromFrbrWorkOfOtherGenre.
A Creator of a RadioWorkAdaptedFromFrbrWorkOfOtherGenre.
A RadioWork adapted from a FrbrWork of another genre.
A Source of a RadioWorkAdaptedFromFrbrWorkOfOtherGenre.
The ConceptFamily of AdaptFrbrExpressionForRadioWork
To Create a RadioWorkAdaptedFromFrbrExpressionOfOtherGenre.
A Creator of a RadioWorkAdaptedFromFrbrExpressionOfOtherGenre.
A RadioWork adapted from a FrbrExpression of another genre.
A Source of a RadioWorkAdaptedFromFrbrExpressionOfOtherGenre.
The ConceptFamily of AdaptForTelevisionWork
To Create a TelevisionWorkAdaptedFromOtherGenre.
A Creator of a TelevisionWorkAdaptedFromOtherGenre.
A TelevisionWork adapted from another genre.
A Source of a TelevisionWorkAdaptedFromOtherGenre.
The ConceptFamily of AdaptFrbrWorkForTelevisionWork
To Create a TelevisionWorkAdaptedFromFrbrWorkOfOtherGenre.
A Creator of a TelevisionWorkAdaptedFromFrbrWorkOfOtherGenre.
A TelevisionWork adapted from a FrbrWork of another genre.
A Source of a TelevisionWorkAdaptedFromFrbrWorkOfOtherGenre.
The ConceptFamily of AdaptFrbrExpressionForTelevisionWork
To Create a TelevisionWorkAdaptedFromFrbrExpressionOfOtherGenre.
A Creator of a TelevisionWorkAdaptedFromFrbrExpressionOfOtherGenre.
A TelevisionWork adapted from a FrbrExpression of another genre.
A Source of a TelevisionWorkAdaptedFromFrbrExpressionOfOtherGenre.
To Create a DanceWorkAdaptedFromOtherGenre.
A Creator of a DanceWorkAdaptedFromOtherGenre.
A Source of a DanceWorkAdaptedFromOtherGenre.
The ConceptFamily of AdaptFrbrWorkForDanceWork
To Create a DanceWorkAdaptedFromFrbrWorkOfOtherGenre.
A Creator of a DanceWorkAdaptedFromFrbrWorkOfOtherGenre.
A DanceWork adapted from a FrbrWork of another genre.
A Source of a DanceWorkAdaptedFromFrbrWorkOfOtherGenre.
The ConceptFamily of AdaptFrbrExpressionForDanceWork
To Create a DanceWorkAdaptedFromFrbrExpressionOfOtherGenre.
A Creator of a DanceWorkAdaptedFromFrbrExpressionOfOtherGenre.
A DanceWork adapted from a FrbrExpression of another genre.
A Source of a DanceWorkAdaptedFromFrbrExpressionOfOtherGenre.
A CompilationComponent of an LexicalCompilation.
The ConceptFamily of CreateLexicalWorkPart
To Create a CreatedPart of a LexicalWork.
A Creator of a CreatedPart of a LexicalWork.
A LexicalWork for which a LexicalWorkPart is made.
The ConceptFamily of CreateNaturalLanguageWorkPart
To Create a CreatedPart of a NaturalLanguageWork.
A Creator of a CreatedPart of a NaturalLanguageWork.
A NaturalLanguageWork for which a NaturalLanguageWorkPart is made.
The ConceptFamily of CreateBookAndLyrics
A Creation for which a BookAndLyricsAsPart is made.
The ConceptFamily of CreateAccompanyingLexicalWork
To Create AccompanyingWork of a LexicalWork.
A Creator of AccompanyingWork of a LexicalWork.
A Work which is AccompanyingWork of a LexicalWork.
A LexicalWork for which AccompanyingWork is made.
The ConceptFamily of CreateAccompanyingLexicalWorkForFrbrWork
To Create an AccompanyingLexicalWorkForFrbr.
A Creator of an AccompanyingLexicalWorkForFrbr.
The ConceptFamily of CreateAccompanyingLexicalWorkForFrbrExpression
To Create an AccompanyingLexicalWorkForFrbrExpression.
A Creator of an AccompanyingLexicalWorkForFrbrExpression.
The ConceptFamily of CreatePrependedLexicalWork
A Work which is Prepended to the PrimaryContent of a LexicalWork.
A LexicalWork for which PrependedWork is made.
A PreliminaryLexicalWork that introduces the main Work.
The Work that is the subject of an Introduction.
An Introduction for a creative Work, typically a Play or a Poem.
An Introduction with remarks by another person than the author.
A reference or explanation usually placed below or after a text in a Manifestation of the Work.
Notes for the cover or sleeve of an AudioCarrier.
The ConceptFamily of CreateIntroductionAndNotes
A LexicalWork for which a Memoir is Creatten.
The ConceptFamily of CreateAccompanyingSummary
To Create a Summary as part of a LexicalWork.
A Creation for which a AccompanyingSummary is made.
The ConceptFamily of CreateAccompanyingCommentary
To Create a Commentary as part of a LexicalWork.
A Creation for which a AccompanyingCommentary is made.
The ConceptFamily of CreateAppendedLexicalWork
A Work which is Appended to the PrimaryContent of a LexicalWork.
A LexicalWork for which AppendedWork is made.
Concluding remarks after the end of a LexicalWork.
A LexicalWork for which a Afterword is made.
A AppendedLexicalWork for a creative LexicalWork, typically a Play or a Poem.
A LexicalWork for which an Epilogue is made.
A LexicalWork for which an Addenda is made.
The ConceptFamily of CreateAddendaForFrbrWork
A LexicalWork for which an AddendaForFrbrWork is made.
The ConceptFamily of CreateAddendaForFrbrExpression
A Creator of an AddendaForFrbrExpression.
A LexicalWork for which an AddendaForFrbrExpression is made.
A LexicalWork for which a Supplement is made.
A LexicalWork for which an Appendix is made.
The ConceptFamily of CreateAppendixForFrbrWork
A LexicalWork for which an AppendixForFrbrWork is made.
The ConceptFamily of CreateAppendixForFrbrExpression
A Creator of an AppendixForFrbrExpression.
A LexicalWork for which an AppendixForFrbrExpression is made.
Subject: An entity may be referenced in some way by a Work.
An entity referenced in some way by a Work.
To specify a method by which something will be done.
A method by which something will be done or made.
Plan: Future events or Creations may be specified.
An Event which is a Subject of a EventPlan.
To Assert that something has an Attribute.
An Asserter that something has an Attribute.
A Resource to which an Attribute is Assigned.
The ConceptFamily of AssignPrimaryAttribute
To Assign an Attribute that is the preferred choice in a set.
An Assigner of an Attribute that is the preferred choice in a set.
The Attribute that is the preferred choice in a set.
The Resource to which a PrimaryAttribute is Assigned.
Name: Resources may be referenced by names.
A Resource that has a Name Assigned to it.
An Assigner of a PrimaryName to a Resource.
The Name that is the preferred choice in a set.
The Resource to which a Name is Assigned.
A Creation that has a Name Assigned to it.
A Concept that has a Name Assigned to it.
A Creation that has a Title Assigned to it.
The ConceptFamily of AssignNameOfPlaceWithinResource
To Assign a Name to a Place within a Resource.
An Assigner of a Name to a Place within a Resource.
A Name Assigned to a Place within a Resource.
A Place within a Resource that has a Name Assigned to it.
The ConceptFamily of AssignCommonPlaceName
An Assigner of a CommonPlaceName to a Place.
A Place that has a CommonPlaceName Assigned to it.
A Period that has a Name Assigned to it.
An Assigner of an Identifier to a Resource.
A Name that is unique within its domain of use.
Identifier: A Name may be unique within its domain of use.
A Resource that has an Identifier Assigned to it.
The ConceptFamily of AssignPrimaryIdentifier
To Assign a PrimaryIdentifier to a Resource.
An Assigner of a PrimaryIdentifier to a Resource.
The Identifier that is the preferred choice in a set.
The Resource to which a PrimaryIdentifier is Assigned.
The ConceptFamily of AssignPartyIdentifier
An Assigner of an Identifier to a Party.
A Party that has an Identifier Assigned to it.
The ConceptFamily of AssignPlaceIdentifier
An Assigner of an Identifier to a Place.
A Place that has an Identifier Assigned to it.
An Identifier of a Place by which a Party may be contacted.
Address: Specific Place Identifiers enable Parties to contact one another.
A Place that has an Address Assigned to it.
The ConceptFamily of AssignPostalAddress
An Assigner of a PostalAddress to a Place.
An Address recognized by a postal delivery service.
PostalAddress: A PlaceIdentifier recognized by a postal service.
A Place that has a PostalAddress Assigned to it.
The ConceptFamily of AssignContactIdentifier
To Assign a ContactIdentifier to a Place and (or) a Party.
The Assigner of a ContactIdentifier to a Place and (or) a Party.
An Identifier of a Place or method by which a Party may be contacted.
A Place, Party or Method that has a ContactIdentifier Assigned to it.
The ConceptFamily of AssignSpatialCoordinates
To Assign SpatialCoordinates to a Place.
An Assigner of SpatialCoordinates to a Place.
Spatial Coordinates: [description needed]
A Place that has SpatialCoordinates Assigned to it.
The ConceptFamily of AssignTimeIdentifier
A Time that has an Identifier Assigned to it.
An Assigner of a Quantity to a Resource.
A numeric measure of an Attribute of a Resource.
Entities may have quantified Attributes.
A Resource that has a Quantity Assigned to it.
To be responsible for the direction of Performance or other creative elements of a Work.
Direction: A person may be responsible for the direction of Performance or other creative elements of a Work.
The ConceptFamily of DirectVisualContent
The ConceptFamily of DirectDancePerformance
The ConceptFamily of DirectSecondaryContent
To Direct the general management and supervision of the performance of a stage work.
To Direct the artists and craftspeople who build the sets for moving image productions.
The ConceptFamily of DirectAudiovisualContent
A Director responsible for the general management and supervision of a television program.
A Director responsible for the general management and supervision of a filmed performance.
A Director who leads or conducts a Performance by a group of musicians.
To be responsible overall for the production of a Work, including commercial and/or artistic aspects.
Producer: A Party may have overall responsibility for the production of a Work, including commercial and/or artistic aspects.
The ConceptFamily of ProduceAsOrganization
The ConceptFamily of CreateTransientCreation
A Creation that does not exist beyond the Event of its making.
The ConceptFamily of RealizeTransientManifestation
A Manifestation that does not exist beyond the Event of its making.
To Create a Performance as a Performer or in some other capacity.
A Creator of a Performance as a Performer or in some other capacity.
A Transient Manifestation available to the public, in which one or more Persons (Performers) form part of the Manifestation.
A Work Realized as a CreatedPerformance.
To Create a TransientManifestation available to the public, in which the Creator is a part of the Manifestation.
A Creator of a Performance in which they are a part of the Manifestation.
A Transient Manifestation available to the public, in which the Creator is a part of the Manifestation.
A Performance that is Perceived through sight.
A Performance that is Perceived through hearing.
A Work Realized as a PerformanceOfSound.
The ConceptFamily of PerformAudiovisually
A Performer of a AudiovisualPerformance.
A Performance that is Perceived through sight and hearing.
A Work Realized as an AudiovisualPerformance.
A Work Realized as a EnsemblePerformance.
An AudioPerformance performed with the voice.
The ConceptFamily of PerformAsPrincipalPerformer
A Work Realized as a PerformanceWithPrincipalPerformer.
The ConceptFamily of PerformAsPrimaryPerformer
A Performer of a PerformanceWithPrimaryPerformer.
A Work Realized as a PerformanceWithPrimaryPerformer.
The ConceptFamily of PerformAsFeaturedPerformer
A Performer of a PerformanceWithFeaturedPerformer.
A Work Realized as a PerformanceWithFeaturedPerformer.
The ConceptFamily of PerformAsSupportingPerformer
A Work Realized as a SupportingPerformance.
Reading: Words may be performed being read from a text.
The ConceptFamily of PerformMusicalSound
A Performer of a PerformanceOfMusicalSound.
The ConceptFamily of PerformSoundNotMusic
A Performer of a PerformanceOfNonMusicalSound.
A Performance of Sound which is not music.
A Performer of a PerformanceOfVocalMusic.
The ConceptFamily of PlayMusicalInstrument
To Perform a PerformanceOfInstrumentalMusic.
A Performer of a PerformanceOfInstrumentalMusic.
The ConceptFamily of PerformMusicAsSoloist
To Perform a MusicalWork (or a part of it) alone or with only supporting accompaniment.
A Performer of a SoloMusicalPerformance.
The ConceptFamily of PerformMusicAsEnsemble
To Perform a MusicalWork as a group of any size (from a vocal duo to a full orchestra).
A Performer of a EnsembleMusicalPerformance.
The ConceptFamily of PerformMusicAsVocalSoloist
To Perform a SoloVocalMusicalPerformance.
A Performer of a SoloVocalMusicalPerformance.
The ConceptFamily of PerformMusicAsInstrumentalSoloist
To Perform a SoloInstrumentalMusicalPerformance.
A Performer of a SoloInstrumentalMusicalPerformance.
The ConceptFamily of SingAndPlayMusicalInstrument
To Perform a VocalInstrumentalMusicalPerformance.
A Performer of a VocalInstrumentalMusicalPerformance.
The ConceptFamily of PerformMusicAsChoir
The ConceptFamily of PerformMusicAsOrchestra
The ConceptFamily of PerformMusicAsPrimaryPerformer
To be a principal Performer in a MusicalPerformance.
A principal Performer in a MusicalPerformance.
PhysicalPerformance: [description needed]
A Performer who plays the part of a character in a DramaticWork.
A Work Realized as a SpokenActingPerformance.
The ConceptFamily of PerformSilentlyAsActor
A Work Realized as a SilentActingPerformance.
To introduce Events or Performances to an audience and communicates information and context about them.
A Performer who introduces Events or Performances to an audience and communicates information and context about them.
A Work Realized as a PresentationInWords.
The ConceptFamily of PresentInSignLanguage
A Work Realized as a PresentationInSignLanguage.
A Work Realized as a PresentationOnScreen.
The ConceptFamily of CreatePersistentCreation
A Creation that continues to exist beyond the Event of its making.
The ConceptFamily of CreatePersistentThing
The play 'Hamlet'; a Henry Moore sculpture; a Word document; one of Da Vinci's drawings; a park bench; an individual silicon chip
A printed copy of 'Moby Dick'; a file containing a copy of a letter to the IRS; a manuscript of a poem; a shopping list; a teacup; a car.
The work 'Moby Dick' reproduced in a printed copy; the contents of the letter to the IRS; the poem; the list of items on the shopping list; the design of the teacup; the design of the car.
This represents the process of fixing any kind of content into a Carrier. The Carrier may be pre-existing (as in encoding content into a blank DVD) or may be created at the same time as the Fixation (as in the production of a bound book).
A Work Realized as a Fixation in a Carrier.
A Fixation of a Work made in an encoded form.
& Note that encoding is applied to Works: there will be a need for a more general as a parent.
A Method with which to fix content into a Carrier.
The ConceptFamily of EncodeWithAnalogueMethod
EncodeWithAnalogueMethod: [description needed]
A Method with which to fix content physically into a Carrier.
The ConceptFamily of EncodeWithAudiovisualMethod
An AudiovisualFixation which is Encoded.
A FixedAudiovisualWork which is Encoded.
The ConceptFamily of EncodeAnalogueAudiovisual
To Encode an AudiovisualFixation in Analogue.
An Encoder of an AudiovisualFixation in Analogue.
An AudiovisualFixation which is Encoded in analogue form.
To Encode an AudiovisualFixation in PAL.
An Encoder of an AudiovisualFixation in PAL.
An AudiovisualFixation which is Encoded in the PAL (Phase Alternating Line) format.
To Encode an AudiovisualFixation in NSTC.
An Encoder of an AudiovisualFixation in NSTC.
An AudiovisualFixation which is Encoded in the NSTC (National Television System Committee) format.
To Encode an AudiovisualFixation in SECAM.
An Encoder of an AudiovisualFixation in SECAM.
An AudiovisualFixation which is Encoded in the SECAM format.
A Method with which to fix content digitally into a Carrier.
A Fixation of a Work created using printing techniques.
To Print a UnboundPrintedFixationOfBook.
A Printer of a UnboundPrintedFixationOfBook.
A Printed and Unbound Fixation of a Book.
A Printer of a BoundPrintedFixationOfBook.
The ConceptFamily of PrintHardbackBookForChildren
A Book Fixed as a HardbackBookForChildren.
The ConceptFamily of PrintLeatherOrFineboundBook
The ConceptFamily of PrintSpiralBoundBook
To Create a PrintedFixation with a Tool.
A Creator of a PrintedFixation with a Tool.
To Create a PrintedFixation from a PrintingPlate.
A Creator of a PrintedFixation from a PrintingPlate.
A PrintedFixation made from a PrintingPlate.
A WorkInPrint Printed from a PrintingPlate.
A PrintingPlate for making a PrintedFixation.
The ConceptFamily of PrintFromLithographicPlate
To Create a PrintedFixation from a LithographicPlate.
A Creator of a PrintedFixation from a LithographicPlate.
A PrintedFixation made from a LithographicPlate.
A WorkInPrint Printed from a LithographicPlate.
A LithographicPlate for making a PrintedFixation.
The ConceptFamily of PrintFromEtchedPlate
To Create a PrintedFixation from an EtchedPlate.
A Creator of a PrintedFixation from an EtchedPlate.
A PrintedFixation made from an EtchedPlate.
A WorkInPrint Printed from an EtchedPlate.
An EtchedPlate for making a PrintedFixation.
The ConceptFamily of PrintFromEngravedPlate
To Create a PrintedFixation from an EngravedPlate.
A Creator of a PrintedFixation from an EngravedPlate.
A PrintedFixation made from an EngravedPlate.
A WorkInPrint Printed from an EngravedPlate.
An EngravedPlate for making a PrintedFixation.
The ConceptFamily of PrintFromCollotypePlate
To Create a PrintedFixation from a CollotypePlate.
A Creator of a PrintedFixation from a CollotypePlate.
A PrintedFixation made from a CollotypePlate.
A WorkInPrint Printed from a CollotypePlate.
A CollotypePlate for making a PrintedFixation.
A plate from which a PrintedFixation may be made.
Printing from plate: [description needed]
The ConceptFamily of MakeLithographicPlate
A PrintingPlate created using lithographic techniques.
A Fixation of a Work created using etching techniques.
A Fixation of a Work created using engraving techniques.
A EngravedPlate created using collotyping techniques.
The ConceptFamily of CreateInteractiveFixation
A Fixation which is considered a work of art.
The ConceptFamily of FixThreeDimensionalWork
A Creator of a ThreeDimensionalFixation.
A Fixation of a ThreeDimensionalVisualWork.
A Work Fixed in a ThreeDimensionalFixation.
The ConceptFamily of FixThreeDimensionalArtefact
A Creator of a ThreeDimensionalArtefact.
An Artefact which is a ThreeDimensionalFixation.
A Work Fixed in a ThreeDimensionalArtefact.
A three-dimensional PhysicalArtefact created by modeling, carving or similar techniques.
A ThreeDimensionalFixation made by pouring a liquid or molten substance into a mold and leaving it to solidify to take the shape of the mold.
Casting: A three-dimensional Creation may be made by pouring a liquid or molten substance into a mold and leaving it to solidify to take the shape of the mold.
The ConceptFamily of FixThreeDimensionalText
A Text which is a ThreeDimensionalFixation.
The ConceptFamily of FixVisualWorkInCarrier
A Fixation of a VisualWork in a Carrier.
A VisualWork Realized as a Fixation in a Carrier.
A FixedWork that is a FrontCoverVisualWork.
A FixedWork that is a BackCoverVisualWork.
The ConceptFamily of FixCoverImageDigitally
A Creator of a DigitallyFixedCoverImage.
A DigitallyFixedWork that is a CoverVisualWork.
A Work Realized as a Fixation in a RollCarrier.
A Work Realized as a Fixation in a StripCarrier.
A Work Realized as a Fixation in a DiscCarrier.
A Work Realized as a Fixation in a CompactDisc.
A Fixation of a Work in a SphereCarrier.
A Work Realized as a Fixation in a SphereCarrier.
The ConceptFamily of FixInCylinderCarrier
A Fixation of a Work in a CylinderCarrier.
A Work Realized as a Fixation in a CylinderCarrier.
A Work Realized as a Fixation in a Chip.
A Work Realized as a Fixation in a FileServer.
The ConceptFamily of FixInCarrierWithHousing
A Fixer of a Work in a CarrierWithHousing.
A Fixation of a Work in a CarrierWithHousing.
A Work Realized as a Fixation in a CarrierWithHousing.
The ConceptFamily of FixInCarrierInFlipchart
A Fixer of a Work in a CarrierInFlipchart.
A Fixation of a Work in a CarrierInFlipchart.
A Work Realized as a Fixation in a CarrierInFlipchart.
A Fixation of a Work in a CarrierInReel.
A Work Realized as a Fixation in a CarrierInReel.
The ConceptFamily of FixInCarrierInCartridge
A Fixer of a Work in a CarrierInCartridge.
A Fixation of a Work in a CarrierInCartridge.
A Work Realized as a Fixation in a CarrierInCartridge.
The ConceptFamily of FixInCarrierInCassette
A Fixer of a Work in a CarrierInCassette.
A Fixation of a Work in a CarrierInCassette.
A Work Realized as a Fixation in a CarrierInCassette.
The ConceptFamily of FixInCarrierWithoutHousing
To Fix a Work in a CarrierWithoutHousing.
A Fixer of a Work in a CarrierWithoutHousing.
A Fixation of a Work in a CarrierWithoutHousing.
A Work Realized as a Fixation in a CarrierWithoutHousing.
The ConceptFamily of FixInCarrierForVisual
A Fixer of a Work in a CarrierForVisual.
A Fixation of a Work in a CarrierForVisual.
A Work Realized as a Fixation in a CarrierForVisual.
A Work Realized as a Fixation in a SheetCarrier.
The ConceptFamily of FixInFoldedSheetCarrier
A Fixer of a Work in a FoldedSheetCarrier.
A Fixation of a Work in a FoldedSheetCarrier.
A Work Realized as a Fixation in a FoldedSheetCarrier.
The ConceptFamily of FixInFlatSheetCarrier
A Fixer of a Work in a FlatSheetCarrier.
A Fixation of a Work in a FlatSheetCarrier.
A Work Realized as a Fixation in a FlatSheetCarrier.
The ConceptFamily of FixInRolledSheetCarrier
A Fixer of a Work in a RolledSheetCarrier.
A Fixation of a Work in a RolledSheetCarrier.
A Work Realized as a Fixation in a RolledSheetCarrier.
The ConceptFamily of FixInCarrierWithBinding
A Fixer of a Work in a CarrierWithBinding.
A Fixation of a Work in a CarrierWithBinding.
A Work Realized as a Fixation in a CarrierWithBinding.
The ConceptFamily of FixInCarrierWithStiffBinding
To Fix a Work in a CarrierWithStiffBinding.
A Fixer of a Work in a CarrierWithStiffBinding.
A Fixation of a Work in a CarrierWithStiffBinding.
A Work Realized as a Fixation in a CarrierWithStiffBinding.
The ConceptFamily of FixInCarrierWithLeatherOrFineBinding
To Fix a Work in a CarrierWithLeatherOrFineBinding.
A Fixer of a Work in a CarrierWithLeatherOrFineBinding.
A Fixation of a Work in a CarrierWithLeatherOrFineBinding.
A Work Realized as a Fixation in a CarrierWithLeatherOrFineBinding.
The ConceptFamily of FixInCarrierWithSoftBinding
To Fix a Work in a CarrierWithSoftBinding.
A Fixer of a Work in a CarrierWithSoftBinding.
A Fixation of a Work in a CarrierWithSoftBinding.
A Work Realized as a Fixation in a CarrierWithSoftBinding.
The ConceptFamily of FixInCarrierWithLooseLeafBinding
To Fix a Work in a CarrierWithLooseLeafBinding.
A Fixer of a Work in a CarrierWithLooseLeafBinding.
A Fixation of a Work in a CarrierWithLooseLeafBinding.
A Work Realized as a Fixation in a CarrierWithLooseLeafBinding.
The ConceptFamily of FixInCarrierWithSpiralBinding
To Fix a Work in a CarrierWithSpiralBinding.
A Fixer of a Work in a CarrierWithSpiralBinding.
A Fixation of a Work in a CarrierWithSpiralBinding.
A Work Realized as a Fixation in a CarrierWithSpiralBinding.
The ConceptFamily of FixAudioVisualInTapeCarrier
A TapeCarrier containing a Recording of an AudiovisualManifestation.
A Recording of an AudiovisualManifestation on TapeCarrier.
An AudiovisualManifestation that is Recorded on TapeCarrier.
The ConceptFamily of FixAudioVisualInCassette
A CassetteForAudiovisual containing a Recording of an AudiovisualManifestation.
A Recording of an AudiovisualManifestation on CassetteForAudiovisual.
An AudiovisualManifestation that is Recorded on CassetteForAudiovisual.
The ConceptFamily of FixAudioVisualInVhsVideoCassette
To Create an AudiovisualVhsVideocassette.
A Creator of an AudiovisualVhsVideocassette.
A VhsVideocassette containing a Recording of an AudiovisualManifestation.
A Recording of an AudiovisualManifestation on VhsVideocassette.
An AudiovisualManifestation that is Recorded on VhsVideocassette.
The ConceptFamily of EncodeVhsVideocassetteInNSTC
To Encode a AudiovisualVhsVideocassette in the NSTC Method.
An Encoder of a AudiovisualVhsVideocassette in the NSTC Method.
An AudiovisualVhsVideocassette Encoded in the NSTC Method.
A Recording of an AudiovisualManifestation on an AudiovisualVhsVideocassette encoded in NSTC.
An AudiovisualManifestation that is Recorded on an AudiovisualVhsVideocassette encoded in NSTC.
An NSTCEncodingMethod applied to a AudiovisualVhsVideocassette.
The ConceptFamily of EncodeVhsVideocassetteInPAL
To Encode a AudiovisualVhsVideocassette in the PAL Method.
An Encoder of a AudiovisualVhsVideocassette in the PAL Method.
An AudiovisualVhsVideocassette Encoded in the PAL Method.
A Recording of an AudiovisualManifestation on an AudiovisualVhsVideocassette encoded in PAL.
An AudiovisualManifestation that is Recorded on an AudiovisualVhsVideocassette encoded in PAL.
A PALEncodingMethod applied to a AudiovisualVhsVideocassette.
The ConceptFamily of EncodeVhsVideocassetteInSECAM
To Encode a AudiovisualVhsVideocassette in the SECAM Method.
An Encoder of a AudiovisualVhsVideocassette in the SECAM Method.
An AudiovisualVhsVideocassette Encoded in the SECAM Method.
A Recording of an AudiovisualManifestation on an AudiovisualVhsVideocassette encoded in SECAM.
An AudiovisualManifestation that is Recorded on an AudiovisualVhsVideocassette encoded in SECAM.
The ConceptFamily of FixAudioVisualInBetamaxVideoCassette
To Create an AudiovisualBetamaxVideocassette.
A Creator of an AudiovisualBetamaxVideocassette.
A BetamaxVideocassette containing a Recording of an AudiovisualManifestation.
A Recording of an AudiovisualManifestation on BetamaxVideocassette.
An AudiovisualManifestation that is Recorded on BetamaxVideocassette.
The ConceptFamily of EncodeBetamaxVideocassetteInNSTC
To Encode a AudiovisualBetamaxVideocassette in the NSTC Method.
An Encoder of a AudiovisualBetamaxVideocassette in the NSTC Method.
An AudiovisualBetamaxVideocassette Encoded in the NSTC Method.
A Recording of an AudiovisualManifestation on an AudiovisualBetamaxVideocassette encoded in NSTC.
An AudiovisualManifestation that is Recorded on an AudiovisualBetamaxVideocassette encoded in NSTC.
An NSTCEncodingMethod applied to a AudiovisualBetamaxVideocassette.
The ConceptFamily of EncodeBetamaxVideocassetteInPAL
To Encode a AudiovisualBetamaxVideocassette in the PAL Method.
An Encoder of a AudiovisualBetamaxVideocassette in the PAL Method.
An AudiovisualBetamaxVideocassette Encoded in the PAL Method.
A Recording of an AudiovisualManifestation on an AudiovisualBetamaxVideocassette encoded in PAL.
An AudiovisualManifestation that is Recorded on an AudiovisualBetamaxVideocassette encoded in PAL.
A PALEncodingMethod applied to a AudiovisualBetamaxVideocassette.
The ConceptFamily of EncodeBetamaxVideocassetteInSECAM
To Encode a AudiovisualBetamaxVideocassette in the SECAM Method.
An Encoder of a AudiovisualBetamaxVideocassette in the SECAM Method.
An AudiovisualBetamaxVideocassette Encoded in the SECAM Method.
A Recording of an AudiovisualManifestation on an AudiovisualBetamaxVideocassette encoded in SECAM.
An AudiovisualManifestation that is Recorded on an AudiovisualBetamaxVideocassette encoded in SECAM.
A Carrier on which an analogue or digital encoding of an Event has been fixed, from which future ReRealizations may be made in the form of Performances.
Recording: Recording captures an Event (for example, an audio or audiovisual recording of a news event or performance) on a Carrier which enables future ReRealizations in the form of Performances which replicate (more or less faithfully) the original event.
A Work representing the Event-as-recorded which may be ReRealized in future Performances.
To Create a CarrierOfRecordingOfPerformance.
A Creator of a CarrierOfRecordingOfPerformance.
A CarrierOfRecording in which the EventRecorded is a Performance.
A Creator of a CarrierOfRecordingOfSound.
A CarrierOfRecording in which the EventRecorded is a Sound.
The ConceptFamily of RecordPerformanceOfSound
To Create a CarrierOfRecordingOfPerformanceOfSound.
A Creator of a CarrierOfRecordingOfPerformanceOfSound.
A CarrierOfRecording of a Performance of a Sound.
A Recording of a Performance of a Sound.
A Performance of a Sound that is Recorded.
To Create a CarrierOfRecordingOfMusicalSound.
A Creator of a CarrierOfRecordingOfMusicalSound.
A CarrierOfRecording in which the EventRecorded is a MusicalSound.
The ConceptFamily of RecordNonMusicalSound
To Create a CarrierOfRecordingOfNonMusicalSound.
A Creator of a CarrierOfRecordingOfNonMusicalSound.
A CarrierOfRecording in which the EventRecorded is a NonMusicalSound.
The ConceptFamily of RecordPerformanceOfMusicalSound
To Create a CarrierOfRecordingOfPerformanceOfMusicalSound.
A Creator of a CarrierOfRecordingOfPerformanceOfMusicalSound.
A CarrierOfRecording of a Performance of a MusicalSound.
A Recording of a Performance of a MusicalSound.
A Performance of a MusicalSound that is Recorded.
The ConceptFamily of RecordPerformanceOfNonMusicalSound
To Create a CarrierOfRecordingOfPerformanceOfNonMusicalSound.
A Creator of a CarrierOfRecordingOfPerformanceOfNonMusicalSound.
A CarrierOfRecording of a Performance of a NonMusicalSound.
A Recording of a Performance of a NonMusicalSound.
A Performance of a NonMusicalSound that is Recorded.
A Creator of a CarrierOfRecordingOfSpeech.
A CarrierOfRecording of a PerformedWords.
The ConceptFamily of RecordSpokenPerformance
To Create a CarrierOfRecordingOfSpokenPerformance.
A Creator of a CarrierOfRecordingOfSpokenPerformance.
A CarrierOfRecording of a Performance of a PerformedWords.
A Recording of a Performance of a PerformedWords.
A Performance of a PerformedWords that is Recorded.
A CarrierOfRecording of a Performance of a Book.
A Performance of a Book that is Recorded.
To Create a CarrierOfRecordingOfMovingImage.
A Creator of a CarrierOfRecordingOfMovingImage.
The ConceptFamily of RecordAudiovisualManifestation
To Create a CarrierOfRecordingOfAudiovisualManifestation.
A Creator of a CarrierOfRecordingOfAudiovisualManifestation.
A CarrierOfRecording in which the EventRecorded is an AudiovisualManifestation.
A Recording of an AudiovisualManifestation.
An AudiovisualManifestation that is Recorded.
The ConceptFamily of RecordAudiovisualPerformance
To Create a CarrierOfRecordingOfAudiovisualPerformance.
A Creator of a CarrierOfRecordingOfAudiovisualPerformance.
A CarrierOfRecording in which the EventRecorded is an AudiovisualPerformance.
A Recording of an AudiovisualPerformance.
An AudiovisualPerformance that is Recorded.
The ConceptFamily of CreateInteractiveRecording
To Create a CarrierOfInteractiveRecording.
A Creator of a CarrierOfInteractiveRecording.
An Event that is Recorded in an InteractiveRecording.
The ConceptFamily of CreateInteractiveRecordingOfSound
To Create a CarrierOfInteractiveRecordingOfSound.
A Creator of a CarrierOfInteractiveRecordingOfSound.
An Event that is Recorded in an InteractiveRecordingOfSound.
The ConceptFamily of CreateReadalongSoundRecording
To Create a CarrierOfReadalongSoundRecording.
A Creator of a CarrierOfReadalongSoundRecording.
A CarrierOfRecording of a ReadalongSoundRecording.
ReadalongAudioBook: A recording of a book (normally made for children) for hearers to read along with.
A Recording of a Book (normally made for children) for hearers to read along with.
An Event that is Recorded in a ReadalongSoundRecording.
The ConceptFamily of CreateMusicalReadalongSoundRecording
To Create a MusicalReadalongSoundRecording.
A Creator of a MusicalReadalongSoundRecording.
A CarrierOfRecording of a MusicalReadalongSoundRecording.
This does not assume that the MusicalSound recorded is a Performance.
A ReadalongSoundRecording containing a RecordingOfMusicalSound.
An Event that is Recorded in a MusicalReadalongSoundRecording.
The ConceptFamily of CreateNonMusicalReadalongSoundRecording
To Create a NonMusicalReadalongSoundRecording.
A Creator of a NonMusicalReadalongSoundRecording.
A CarrierOfRecording of a NonMusicalReadalongSoundRecording.
This does not assume that the NonMusicalSound recorded is a Performance.
A ReadalongSoundRecording containing a RecordingOfNonMusicalSound.
An Event that is Recorded in a NonMusicalReadalongSoundRecording.
A Work expressed in executable computer language.
Software: A Work expressed in executable computer language.
The ConceptFamily of CreateComputerProgram
A ComputerProgram Fixed with a Computer.
A Computer for Fixing a ComputerProgram.
The ConceptFamily of CreateCarrierForAudio
A Carrier capable of carrying a RecordingOfPerformanceOfSound.
The ConceptFamily of CreateCarrierForVisual
A Carrier capable of carrying Visual content.
The ConceptFamily of CreateCarrierForAudiovisual
A Carrier capable of carrying Audiovisual content.
A CarrierForVisual in the form of a short length of material (paper, film, tape, etc.).
SheetCarrier: A CarrierForVisual in the form of a short length of material (paper, film, tape, etc.).
The ConceptFamily of CreateFoldedSheetCarrier
FoldedSheetCarrier: A SheetCarrier that is folded.
The ConceptFamily of CreateFlatSheetCarrier
A SheetCarrier that is flat and unfolded.
FlatSheetCarrier: A SheetCarrier that is flat and unfolded.
The ConceptFamily of CreateRolledSheetCarrier
RolledSheetCarrier: A SheetCarrier that is rolled up.
A Carrier in the form of a flat Piece of thin material (paper, plastic, etc.), usually rectangular in shape.
StripCarrier: A Carrier in the form of a flat Piece of thin material (paper, plastic, etc.), usually rectangular in shape.
A Carrier in the form of a wound length of material (paper, film, tape, etc.).
RollCarrier: A Carrier in the form of a wound length of material (paper, film, tape, etc.).
A Carrier in the form of a flat, circular Piece of material (plastic, metal, etc.).
DiscCarrier: A Carrier in the form of a flat, circular Piece of material (plastic, metal, etc.).
The ConceptFamily of CreateDiscCarrierForAudio
DiscCarrierForAudio: [Description needed]
The ConceptFamily of CreateDiscCarrierForAudiovisual
A Creator of a DiscCarrierForAudiovisual.
DiscCarrierForAudiovisual: [Description needed]
The ConceptFamily of CreateSevenInchVinylDisc
A Carrier in the form of a SevenInchVinylDisc.
SevenInchVinylDisc: [Description needed]
The ConceptFamily of CreateTwelveInchVinylDisc
A Carrier in the form of a TwelveInchVinylDisc.
TwelveInchVinylDisc: [Description needed]
The ConceptFamily of CreateSphereCarrier
SphereCarrier: A Carrier in a round, ball-shaped form.
The ConceptFamily of CreateCylinderCarrier
CylinderCarrier: A Carrier in a roller-shaped form.
A Carrier in the form of a small wafer of semiconductor silicon.
Chip: A Carrier in the form of a small wafer of semiconductor silicon.
A Carrier in the form of a computer storage device with hardware and software connections to a communications network.
FileServer: A Carrier in the form of a computer storage device with hardware and software connections to a communications network.
The ConceptFamily of CreateCarrierWithHousing
CarrierWithHousing: A Carrier with a HousingFormat.
This concept represents the creation of an 'empty' CarrierWithHousing without (necessarily) any content.
The ConceptFamily of CreateCarrierWithBinding
A Carrier with an outer cover affixed to a gathering of one or more Sheets.
CarrierWithBinding: A Carrier with an outer cover affixed to a gathering of one or more Sheets.
This concept represents the creation of an 'empty' CarrierWithBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithStiffBinding
CarrierWithStiffBinding: Definition needed
This concept represents the creation of an 'empty' CarrierWithStiffBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithLeatherOrFineBinding
To Create a CarrierWithLeatherOrFineBinding.
A Creator of a CarrierWithLeatherOrFineBinding.
CarrierWithLeatherOrFineBinding: Definition needed
This concept represents the creation of an 'empty' CarrierWithLeatherOrFineBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithSoftBinding
CarrierWithSoftBinding: Definition needed
This concept represents the creation of an 'empty' CarrierWithSoftBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithLooseLeafBinding
To Create a CarrierWithLooseLeafBinding.
A Creator of a CarrierWithLooseLeafBinding.
CarrierWithLooseLeafBinding: Definition needed
This concept represents the creation of an 'empty' CarrierWithLooseLeafBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithSpiralBinding
A Creator of a CarrierWithSpiralBinding.
CarrierWithSpiralBinding: Definition needed
This concept represents the creation of an 'empty' CarrierWithSpiralBinding without (necessarily) any content.
The ConceptFamily of CreateCarrierWithoutBinding
The ConceptFamily of CreateCarrierInFlipchart
A Carrier with a hinging device holding two or more Sheets designed for use on an easel.
CarrierInFlipchart: A Carrier with a hinging device holding two or more Sheets designed for use on an easel.
This concept represents the creation of an 'empty' CarrierInFlipchart without (necessarily) any content.
The ConceptFamily of CreateCarrierInReel
A Carrier with a flanged spool for holding a Roll.
CarrierInReel: A Carrier with a flanged spool for holding a Roll.
This concept represents the creation of an 'empty' CarrierInReel without (necessarily) any content.
The ConceptFamily of CreateCarrierInCartridge
A Carrier with a rectangular casing fitted with a single reel holding a Roll.
CarrierInCartridge: A Carrier with a rectangular casing fitted with a single reel holding a Roll.
This concept represents the creation of an 'empty' CarrierInCartridge without (necessarily) any content.
The ConceptFamily of CreateCarrierInCassette
A Carrier with a rectangular casing fitted with two reels holding a Roll.
CarrierInCassette: A Carrier with a rectangular casing fitted with two reels holding a Roll.
This concept represents the creation of an 'empty' CarrierInCassette without (necessarily) any content.
The ConceptFamily of CreateCassetteForAudio
A CarrierInCassette capable of carrying an AudioRecording.
This concept represents the creation of an 'empty' CassetteForAudio without (necessarily) any content.
The ConceptFamily of CreateDigitalAudioTape
A Carrier in the form of a DigitalAudioTape.
This concept represents the creation of an 'empty' DigitalAudioTape without (necessarily) any content.
The ConceptFamily of CreateCassetteForAudiovisual
A CarrierInCassette capable of carrying an AudiovisualRecording.
This concept represents the creation of an 'empty' CassetteForAudiovisual without (necessarily) any content.
The ConceptFamily of CreateVhsVideocassette
This concept represents the creation of an 'empty' VhsVideocassette without (necessarily) any content.
The ConceptFamily of CreateBetamaxVideocassette
BetamaxVideocassette: [Description needed]
This concept represents the creation of an 'empty' BetamaxVideocassette without (necessarily) any content.
The ConceptFamily of CreateCarrierWithoutHousing
A Carrier whose Content is not encased in a Housing.
This concept represents the creation of an 'empty' CarrierWithoutHousing without (necessarily) any content.
The ConceptFamily of CreateTapeCarrierForAudio
A TapeCarrier capable of carrying an AudioRecording.
The ConceptFamily of CreateCarrierRequiringContentIntermediation
To Create a CarrierRequiringContentIntermediation.
A Creator of a CarrierRequiringContentIntermediation.
A Carrier whose content is Perceived with mediation with some Tool.
Content intermediation: [description needed]
The ConceptFamily of CreateCarrierWithVisualMediation
A Creator of a CarrierWithVisualMediation.
A VisualCarrier whose content is intended to be viewed with the mediation with some Tool.
The ConceptFamily of CreateCarrierMediatedByMicroformReader
To Create a CarrierMediatedByMicroformReader.
A Creator of a CarrierMediatedByMicroformReader.
A VisualCarrier whose content is intended to be viewed through a MicroformReader.
The ConceptFamily of CreateCarrierMediatedByMicroscope
To Create a CarrierMediatedByMicroscope.
A Creator of a CarrierMediatedByMicroscope.
A VisualCarrier whose content is intended to be viewed through a Microscope.
The ConceptFamily of CreateCarrierMediatedByProjector
A Creator of a CarrierMediatedByProjector.
A VisualCarrier whose content is viewed using a VisualProjector.
The ConceptFamily of CreateCarrierMediatedByStereoscope
To Create a CarrierMediatedByStereoscope.
A Creator of a CarrierMediatedByStereoscope.
A VisualCarrier whose content is intended to be viewed through a Stereoscope.
The ConceptFamily of CreateCarrierWithAudioMediation
A Creator of a CarrierWithAudioMediation.
An Audio Carrier whose content is intended to be heard with the mediation with some Tool.
The ConceptFamily of CreateCarrierMediatedByAudioPlayer
To Create a CarrierMediatedByAudioPlayer.
A Creator of a CarrierMediatedByAudioPlayer.
An AudioCarrier whose content is intended to be heard using an AudioPlayer.
The ConceptFamily of CreateCarrierMediatedByAudiovisualPlayer
To Create a CarrierMediatedByAudiovisualPlayer.
A Creator of a CarrierMediatedByAudiovisualPlayer.
An AudiovisualCarrier whose content is intended to be heard using an AudiovisualPlayer.
The ConceptFamily of CreateCarrierMediatedByComputer
A Creator of a CarrierMediatedByComputer.
A Carrier whose content is intended to be Perceived using a Computer.
The ConceptFamily of CreateCarrierNotRequiringContentIntermediation
To Create a CarrierNotRequiringContentIntermediation.
A Creator of a CarrierNotRequiringContentIntermediation.
A Carrier whose Content requires no intermediation tool (i.e., the content of the resource is directly and adequately Perceivable through one or more of the human senses).
The ConceptFamily of CreateDigitalObject
The ConceptFamily of CreateDigitalMarkupFile
The ConceptFamily of CreateDigitalAudioFile
The ConceptFamily of CreatePerceivableTool
To Create a Tool which is a PerceivableCreation.
A Creator of a UserOfTool which is a PerceivableCreation.
A PerceivableTool comprising mechanical, electronic or similar parts and some source of power and used to perform specific functions.
Machine: A PerceivableTool comprising mechanical, electronic or similar parts and some source of power and used to perform specific functions.
The assumption is made that all Machines are Creations. A NaturalResource which fulfils similar Tool functions is a different Concept.
The ConceptFamily of CreateJournalisticWork
To CreateLexicalWork a JournalisticWork.
A CreatorOfLexicalWork of a JournalisticWork.
A LexicalWork published in the news or magazine media.
The ConceptFamily of CreateJournalisticReport
To CreateLexicalWork a JournalisticReport.
A CreatorOfLexicalWork of a JournalisticReport.
A CreatorOfLexicalWork of a CourtReport.
The ConceptFamily of ReportAsGeneralRapporteur
To CreateLexicalWork a ReportOfGeneralRapporteur.
A Party that Intends a Context to happen.
A LexicalWork which states an Intention.
An ExpressionOfIntent about a Context that may happen.
Permit: A Party may express an intent that a Context may be allowed to happen.
An ExpressionOfIntent about a Context that must not happen.
Prohibit: A Party may express an intent that a Context must not happen.
An ExpressionOfIntent about a Context that must happen.
Require: A Party may express an intent that a Context must happen.
The ConceptFamily of InteractIntentionally
To supervise and direct other activities to some purpose.
An Agent who supervises and direct the activities of people and other resources to some purpose.
The ConceptFamily of ManageCulturalCollection
An Intention of a ManagerOfManagedCulturalCollection.
An Interactor who makes an Input available to Use.
Provide access: A Party may make it possible for another Party to have access to something.
To make a Creation available to the Public.
A Party who makes a Creation available to the Public.
A Creation made available to the Public.
To make a Work available to the Public in a Product.
A Party who makes a Work available to the Public in a Product.
A Work whose Manifestation is made available in a Publication.
A Newspaper whose Manifestation is made available in a Publication.
A NonInteractiveBooklet whose Manifestation is made available in a Publication.
A Book whose Manifestation is made available in a Publication.
To make a DigitalWork available to the Public in a Product.
A Party who makes a DigitalWork available to the Public in a Product.
To Provide a Resource to a specified Party or type.
A Provider of a Resource to a specified Party or type.
A Resource Provided to a specified Party or type.
A Tool used for Publishing a Publication.
The ConceptFamily of PublishOnBroadcastMedia
To Publish a Resource through a Broadcaster.
A Publisher of a Resource through a Broadcaster.
A Resource Published through a Broadcast.
The ConceptFamily of BroadcastOnTelevision
The ConceptFamily of ReplacePublicationWith
The ConceptFamily of ReplaceFrbrWorkWith
The ConceptFamily of ReplaceFrbrExpressionWith
A Resource that is used in Doing something to another entity.
Means: A Resource may be used in doing something to another entity.
A Resource that is used to Do something to another entity without becoming a part of it.
Tool: A Resource may be used in doing something to another entity without becoming a part of it.
Method: Processes are identified and used to do things.
Encoding a TV programme in NSTC; painting with oils
A Resource that is used to Do something to another entity by becoming a part of it.
Material: A Resource may be used in doing something to another entity by becoming a part of it.
A Resource that is affected by the Use of a Tool.
An Interactor who alters an attribute of a Resource.
Change: attributes of a Resource may change.
A Changer of a Resource into a new State.
A Resource which is Changed into a new State.
To Change the attributes of a Resource so that the changes persist beyond the duration of the changing event.
A Changer who makes changes to an attribute of a Resource which persist beyond the duration of the changing event.
A ChangedResource whose attributes remain changed beyond the duration of the changing event.
Persistent change: Changes made in a Resource may persist after the Changing Event.
To Change the attributes of a Resource only for the duration of the changing event.
A Changer who makes changes to an attribute of a Resource which do not persist beyond the duration of the changing event.
A ChangedResource whose attributes do not remain changed beyond for the duration of the changing event.
Transient change: Changes made in a Resource may exist only in the context of the Changing Event.
To Increase a Resource by adding something to it.
A Changer of a Resource by adding something to it.
A Resource which is changed by adding something to it.
A Resource which is added to another Resource.
To Decrease a Resource by removing something from it.
A Changer of a Resource by removing something from it.
A Resource which is changed by removing something from it.
A Resource which is removed from another Resource.
To make intrinsic Changes to a Resource that are preserved.
A Changer who makes intrinsic Changes to a Resource that are preserved.
The ConceptFamily of ModifyPerceivableResource
A PerceivableResource which is Modified.
To Change a Creation into a RevisedCreation.
To Change a Creation into a CorrectedCreation.
A Changer who makes a CorrectedCreation.
A Resource from which errors are removed.
To Change a Creation into a UpdatedCreation.
A Resource whose content is made more up to date.
The ConceptFamily of MoveLocalizablePlace
To Move a Resource from one LocalizablePlace to another.
A Mover of a Resource from one LocalizablePlace to another.
A Resource which is Moved from one LocalizablePlace to another.
To Modify a Creation by making it larger.
A ModifiedResource which becomes larger.
To Extend a Creation by adding an additional temporal part (for example, a new issue of a newspaper).
An Extender who makes a Creation larger by succession.
An ExtendedCreation which becomes larger by succession.
The ConceptFamily of ExtendByIntegration
To Extend a Creation by adding additional material or parts within the bounds of the existing Creation.
An Extender who makes a Creation larger by integration.
An ExtendedCreation which becomes larger by integration.
To Modify a Creation by making it smaller.
A Modifier who makes a Creation smaller.
A ModifiedResource which becomes smaller.
To experience an impression of a Resource by one or more of the five human senses.
An Interactor who experiences an impression.
A Resource whose impression is experienced by a Perceiver.
Perception: an impression of a Resource by one or more of the five senses possessed by human (and where appropriate, other animal) beings.
The ConceptFamily of PerceiveAsAudienceOfChildren
The ConceptFamily of SeeWithMicroformReader
A type of tool intended to be applied to the Carrier to enable the content of the Creation to be Perceived.
A ContentMediator may be either the Provider or the Perceiver (or the same Party may fulfil both roles).
The ConceptFamily of MediateVisualContent
To MediateContent with a VisualIntermediationTool.
A ContentIntermediator using a VisualIntermediationTool.
A type of tool intended to be applied to the Carrier to enable the Creation to be seen.
The ConceptFamily of MediateVisualContentWithMicroformReader
To MediateContent with a MicroformReader.
A ContentIntermediator using a MicroformReader.
A device that magnifies microforms for reading with the unaided eye.
The ConceptFamily of MediateVisualContentWithMicroscope
A ContentIntermediator using a Microscope.
An instrument that magnifies objects by means of a lens or lenses so as to reveal details invisible to the naked eye.
The ConceptFamily of ProjectVisualContent
A ContentIntermediator using a Projector.
An optical device consisting of a light source, lens system, and image holder forProjecting an image on a screen or other surface.
The ConceptFamily of MediateVisualContentWithStereoscope
A ContentIntermediator using a Stereoscope.
An optical device with two lenses enabling each eye to see a separate image of essentially the same content to give the effect of three-dimensions.
The ConceptFamily of MediateAudioContent
To MediateContent with a AudioIntermediationTool.
A ContentIntermediator using a AudioIntermediationTool.
A type of tool intended to be applied to the Carrier to enable the Creation to be heard.
A ContentIntermediator using a AudioPlayer.
A device designed to Play audio recordings.
The ConceptFamily of MediateAudiovisualContent
To MediateContent with a AudiovisualIntermediationTool.
A ContentIntermediator using a AudiovisualIntermediationTool.
A device designed to Play audiovisual recordings.
A LexicalManifestation of a SubjectOfAssertion.
A Relationship or Context which is asserted to be true.
(Of two or more Parties) to Assert something.
A ManifestationOfAssertion made by two or more Parties.
A LegalEntity making a ContractualAgreement.
A Manifestation of a legally-binding Agreement.
To bring something into the possession of an Entity.
An Agent bringing something into the Possession of an Entity.
An Entity brought into the Possession of another Entity.
An Entity who becomes the Possessor of another Entity.
To Impossess, where the Impossessor is a Party.
To Impossess, where the Impossessee is a Party.
The ConceptFamily of ImpossessByPartyToParty
To Impossess, where both Impossessee and Impossessor is a Party.
An ImpossessedResource by a Party to a Party.
An ImpossesseeAsParty who is Impossessed by a Party.
To ImpossessByPartyToParty, where the Impossessor was previously the Possessor of the ImpossessedResource.
An ImpossessorAsPartyToParty of something that was previously their Possession.
A ImpossessedResource by a Party to a Party, where the Impossessor was the previous Possessor.
The ConceptFamily of ImpossessPerceivableResourceByPartyToParty
To ImpossessByPartyToParty a PerceivableResource.
An ImpossessorAsPartyToParty of a PerceivableResource.
A PerceivableResource Impossessed by a Party to a Party.
An Impossessee of a PerceivableResource.
The ConceptFamily of GivePerceivableResource
A PerceivableResource Given by a Party to a Party.
The ConceptFamily of BePotentialResource
A State in which a Resource is in a particular ConditionOfBeing.
Condition: The condition of a Resource can change in Context.
A Respource which is in a particular condition.
A LivingResource which is a eucaryote of the kingdom Metazoa.
Animal. A eucaryote of the kingdom Metazoa.
The ConceptFamily of BeginToBeOrganizationAsLegalPerson
A Creator of an OrganizationAsLegalPerson.
The ConceptFamily of BeginToBeHumanAsLegalPerson
A Resource that is a Animal, or an Anthropomorph, or a LegalEntity, or an Organization, or a Machine capable of playing a role as an Agent.
The ConceptFamily of BeginToBeOrganization
A Party which is either a LegalPerson (but not a HumanAsLegalPerson) and/or a GroupOfHumans and/or a GroupOfOrganizations.
The ConceptFamily of BeginToBeGroupOfHumans
A Human who is a member of a GroupOfHumans.
The ConceptFamily of BeginToBeGroupOfOrganizations
To begin to Exist as a GroupOfOrganizations.
An Organization who is a member of a GroupOfOrganizations.
A Party which is either a Human or an Organization.
The ConceptFamily of BeginToBeHumanOrGroupOfHumans
To begin to Exist as a HumanOrGroupOfHumans.
A Party which is either a Human or a GroupOfHumans.
The ConceptFamily of CreateImaginaryAnimateEntity
An Entity which exhibits the characteristics of animate life but is imaginary.
Animation: An entity may exhibit the characteristics of animate life without being alive (for example, cartoon characters and members of certain heavy metal rock groups).
The ConceptFamily of CreateAnthropomorph
An Entity that is not a Human but which is attributed with roles or characteristics of a Human.
Anthropomorph: an entity which is not a Human (such as an imaginary cartoon character representing a talking tree) may have the characteristics of a Human Being.
An imaginary identity or alias assumed by a Human.
Persona: People may assume different identities which are presented not as acted characters but as if they are real.
David Bowie as Ziggy Stardust; Barry Humphries as Dame Edna Everage
An Agent which causes a Human to enter a particular State.
To Become a Human child, as defined in some jurisdiction.
A Human becoming a child as defined in some jurisdiction.
To Become a Human adult, as defined in some jurisdiction.
A Human becoming an adult as defined in some jurisdiction.
An Entity able to enter into a Contract.
Legal entity: A Party may be defined in law as being capable of legal rights or responsibilities.
The ConceptFamily of BeginToBeLegalPerson
A LegalEntity that is either a Human or an Organization.
The ConceptFamily of CeaseToBeOrganization
A Causer of the Dissolution of an Organization.
A Participant may play an active (Agent) or passive (Patient) Role in an Event.
The ConceptFamily of BeChangeableDeterminately
The ConceptFamily of BeChangeableIndeterminately
To be an IndeterminablyChangeableResource.
The ConceptFamily of BeChangeableNecessarily
The ConceptFamily of BeChangeableOptionally
The ConceptFamily of BeExtensibleBySuccession
Content which is extensible through the successive release of discrete segments, Parts, issues, volumes, supplements, etc.
The ConceptFamily of BeExtensibleByIntegration
To be a CreationExtensibleByIntegration.
Content which is extensible through the integration of added content.
The ConceptFamily of BeExtensibleDeterminately
Content whose Period of extension has a Predetermined end.
The ConceptFamily of BeExtensibleIndeterminately
To be an IndeterminablyExtensibleCreation.
Content whose Period of extension has noPredetermined end.
The ConceptFamily of BeExtensibleNecessarily
Content whose extension after initial release is essential for its integrity.
The ConceptFamily of BeExtensibleOptionally
Content whose extension after initial release is not essential for its integrity.
Content is not expected to be extended after initial release.
Content which is revised after its initial release.
Content which is revised through the release of notices of errors, corrections, addenda, etc.
The ConceptFamily of BeRevisableBySubstitution
To be a CreationRevisableBySubstitution.
Content which is revised through the release of Pages, chapters, Parts, volumes, etc., directly to replace Previously released counterparts, including the replacement of the entire resource with a new version.
The ConceptFamily of BeRevisableByTransformation
To be a CreationRevisableByTransformation.
Content which is revised through the incorporation of changes (including deletions) directly into the Previously released content.
The ConceptFamily of BeRevisableDeterminately
Content whose Period of revision has a Predetermined end.
The ConceptFamily of BeRevisableIndeterminately
To be an IndeterminablyRevisableCreation.
Content whose Period of revision has no Predetermined end.
The ConceptFamily of BeRevisableNecessarily
Content whose revision after initial release is essential for its integrity.
The ConceptFamily of BeRevisableOptionally
Content whose revision after initial release is not essential for its integrity.
Content which is not expected to be revised after initial release.
To begin to be a Part of a WholeForNewPart.
A Causer of something to be a Part of a WholeForNewPart.
Part: An Entity may be a part of another.
The ConceptFamily of BeginToBeWholeWithPart
To begin to exist as a Whole with one or more OriginalParts.
A Causer of a Whole with one or more OriginalParts.
Something which has a part from the beginning of its existence.
This concept describes the creation of something which is a Whole with Parts that have belonged to it from the beginning of its existence, in contrast to a WholeWithAddedPart.
A Resource to which a Part has been added.
The ConceptFamily of AddPartToPhysicalResource
An Adder of a Part to a PhysicalResource.
A PhysicalResource to which a Part has been added.
Something which Becomes a Part of something else.
A WholeForNewPart of which something Becomes a Part.
A Resource which has a Part removed from it.
The ConceptFamily of RemovePartFromPhysicalResource
To Remove a WholeForNewPart from a PhysicalResource.
A Remover of a WholeForNewPart from a PhysicalResource.
A WholeForNewPart removed from a PhysicalResource.
A PhysicalResource from which a WholeForNewPart has been removed.
To begin to exist as a Member of a SetForNewMember.
Set: Entities may be aggregated according to some common attribute (classification) or arbitrary grouping (enumeration).
Something which Becomes a Member of a Set.
A Set of which something Becomes a Member.
A Class of which something is an Instance.
A set of individuals with common Attributes.
Abstract class: Entities may belong to a Class of Entities sharing common attributes.
The ConceptFamily of BecomeMemberOfClass
Something which Becomes a Member of a Class.
A Class of which something Becomes a Member.
To Assign a AssignedClass to a Resource.
An Assigner of a NamedCreation to a Resource.
A Class to which something is Assigned as an Instance.
This concept covers the act of asserting that something belongs to a Class. The assertion is distinct from the process of something joining a Class, and of course the assertion may or may not be true (for example, John may say the car is blue, and Mary says it is green: each has Classified it, but at least one of them is wrong).
Something which is assigned as an Instance of a Class.
The ConceptFamily of ClassifyAsArchetype
A Classifier of a Resource as an Archetype.
Archetype: An Entity may be identified as a prototype, archteype or definitive example of its class.
A Resource which is an archetypical AssignedInstance of its Class.
The ConceptFamily of CreateLegallyDefinedClass
Legally-defined class: A Class may be defined by a Law.
The ConceptFamily of BeginToBeInstanceOfLegallyDefinedClass
To begin to be an Instance of a LegallyDefinedClass.
A Causer of an InstanceOfLegallyDefinedClass.
A LegallyDefinedClass of which something is an Instance.
The ConceptFamily of BecomeMemberOfLegallyDefinedClass
Something which Becomes a MemberBecoming of a Class.
A ClassWithArchetype of which something Becomes a Member.
Subclass: One class may be a logical subclass of another (that is, all of its members are also members of the superclass).
The ConceptFamily of BeginToBePartOfPhysicalResource
To BeginToBe as Whole of a PhysicalResource.
A Causer of a Whole of a PhysicalResource.
The ConceptFamily of BeginToBePartOfCreation
The ConceptFamily of BeginToBePartOfWork
The ConceptFamily of BeginToBePartOfFrbrWork
The ConceptFamily of BeginToBePartOfFrbrExpression
To BeginToBe as Whole of a FrbrExpression.
A Causer of a Whole of a FrbrExpression.
The ConceptFamily of BeginToBeBackgroundContent
Background content: [description needed]
The ConceptFamily of BeginToBePartOfAudiovisualWork
To BeginToBe as Whole of an AudiovisualWork.
A Causer of a Whole of a AudiovisualWork.
The ConceptFamily of BeginToBePartOfFilm
To BeginToBe as Substance of a PhysicalResource.
A Causer of Substance of a PhysicalResource.
A substance of which of a PhysicalResource is made.
Substance: Physical resources are made of matter of various chemical, physical or biological substances
Right: A Legislature may grant the right to a person to do or have something.
This concept exists in VMF to map to the CIDOC CRM 'E89 Propositional Object''.
Extrinsic: an Attribute whose existence is not dependent on its possessor.
To Acquire the right to do or possess something.
Legal right: the right granted by law for someone to do or possess something.
The ConceptFamily of BeWorkOrPreExistingWork
A CreatorOfWork who is either an EditorAsOriginator or an EditorAsAdaptor.
A Work which is either a OriginalEditedWork or a Edition.
The ConceptFamily of CreateOrModifyPerceivableResource
To Modify or Create a PerceivableResource.
A Modifier or Creator of a PerceivableResource.
A PerceivableResource which is either a ModifiedResource or a Creation.
A Creator of the Source of a Derivation, credited to the Derivation.
A Derivation, a Creator of whose Source is credited as a Contributor to the Derivation.
For example, the 'original writer' of the work on which a screenplay is based.
A Writer of the Source of a Derivation, credited to the Derivation.
A Derivation which is a LexicalWork, a Writer of whose Source is credited as a Contributor of the Derivation.
A Creator of a Work realized in a Manifestation, credited to the Manifestation as a Contributor.
A Manifestation, a Creator of whose RealizedWork is credited as a direct Contributor of the Manifestation.
For example, Beethoven credited on the performance or recording of one of his compositions.
The ConceptFamily of CreateContentAsLibrettist
The ConceptFamily of CreateContentAsArchitect
The ConceptFamily of CreateContentAsComposer
The ConceptFamily of CreateContentAsComposerLyricist
The ConceptFamily of CreateContentAsAuthor
The ConceptFamily of CreateContentAsAdapter
The ConceptFamily of CreateContentAsArranger
The ConceptFamily of CreateContentAsLyricist
The ConceptFamily of CreateContentAsScreenplayAuthor
The ConceptFamily of CreateContentAsPlaywright
The ConceptFamily of CreateContentAsNonLyricAuthor
The ConceptFamily of CreateContentAsMusicPublisher
The ConceptFamily of CreateContentAsOriginalPublisher
The ConceptFamily of CreateContentAsSubArranger
The ConceptFamily of CreateContentAsSubPublisher
The ConceptFamily of CreateContentAsSubstitutedPublisher
The ConceptFamily of CreateContentAsTranslator
A set of Terms whose relationships define a type of Context.
A new concept is introduced into the ontology and combined with existing concepts. For example, the verb Make adds the concept of bringing something into existence to the concept of Do.
Two or more existing concepts are combined to form a new one. For example, CreateWords and Adapt are combined into AdaptWords.
A concept is defined as being one out of two more other concepts. For example TakeFilmOrPhotograph is the union of TakeFilm and TakePhotograph.
A concept is defined as being disjoint with another with a common parent (that is, one individual cannot belong to both classes). For example, OriginalWork is disjoint with DerivedWork.
A concept is specialized because of the number of occurrences of a role within it. For example, Act must have at least an Agent or a Patient, but not necessarily both. Do is a specialization which must have an Agent.
A concept defined by the state which arises as a consequence of it.
A concept defined by the event which causes it.
A concept is specialized because one of its Resources has a preconditional role (see 2.8).
A concept defined with some other conditional rule, including measurement, temporality or modality. For example, a DigitalWork is a Work whose Manifestation is a DigitalCreation. At this stage conditional rules are not explicit in the ontology but will be added in the next stage of development.
This class comprises all phenomena, such as the instances of E4 Periods, E5 Events and states, which happen over a limited extent in time. In some contexts, these are also called perdurants. This class is disjoint from E77 Persistent Item. This is an abstract class and has no direct instances. E2 Temporal Entity is specialized into E4 Period, which applies to a particular geographic area (defined with a greater or lesser degree of precision), and E3 Condition State, which applies to instances of E18 Physical Thing.
? Bronze Age (E4) ? the earthquake in Lisbon 1755 (E5) ? the Peterhof Palace near Saint Petersburg being in ruins from 1944 � 1946 (E3)
This class comprises sets of coherent phenomena or cultural manifestations bounded in time and space. It is the social or physical coherence of these phenomena that identify an E4 Period and not the associated spatio-temporal bounds. These bounds are a mere approximation of the actual process of growth, spread and retreat. Consequently, different periods can overlap and coexist in time and space, such as when a nomadic culture exists in the same area as a sedentary culture. Typically this class is used to describe prehistoric or historic periods such as the �Neolithic Period�, the �Ming Dynasty� or the �McCarthy Era�. There are however no assumptions about the scale of the associated phenomena. In particular all events are seen as synthetic processes consisting of coherent phenomena. Therefore E4 Period is a superclass of E5 Event. For example, a modern clinical E67 Birth can be seen as both an atomic E5 Event and as an E4 Period that consists of multiple activities performed by multiple instances of E39 Actor. There are two different conceptualisations of �artistic style�, defined either by physical features or by historical context. For example, �Impressionism� can be viewed as a period lasting from approximately 1870 to 1905 during which paintings with particular characteristics were produced by a group of artists that included (among others) Monet, Renoir, Pissarro, Sisley and Degas. Alternatively, it can be regarded as a style applicable to all paintings sharing the characteristics of the works produced by the Impressionist painters, regardless of historical context. The first interpretation is an E4 Period, and the second defines morphological object types that fall under E55 Type. Another specific case of an E4 Period is the set of activities and phenomena associated with a settlement, such as the populated period of Nineveh.
Examples: ? Jurassic ? European Bronze Age ? Italian Renaissance ? Thirty Years War ? Sturm und Drang
This class comprises changes of states in cultural, social or physical systems, regardless of scale, brought about by a series or group of coherent physical, cultural, technological or legal phenomena. Such changes of state will affect instances of E77 Persistent Item or its subclasses. The distinction between an E5 Event and an E4 Period is partly a question of the scale of observation. Viewed at a coarse level of detail, an E5 Event is an �instantaneous� change of state. At a fine level, the E5 Event can be analysed into its component phenomena within a space and time frame, and as such can be seen as an E4 Period. The reverse is not necessarily the case: not all instances of E4 Period give rise to a noteworthy change of state.
Examples: ? the birth of Cleopatra (E67) ? the destruction of Lisbon by earthquake in 1755 (E6) ? World War II (E7) ? the Battle of Stalingrad (E7) ? the Yalta Conference (E7) ? my birthday celebration 28-6-1995 (E7) ? the falling of a tile from my roof last Sunday ? the CIDOC Conference 2003 (E7)
An event is a non-persistent, time-based occurrence. Metadata for an event provides descriptive information that is the basis for discovery of the purpose, location, duration, responsible agents, and links to related events and resources. The resource of type event may not be retrievable if the described instantiation has expired or is yet to occur. Examples - exhibition, web-cast, conference, workshop, open-day, performance, battle, trial, wedding, tea-party, conflagration.
This class comprises actions intentionally carried out by instances of E39 Actor that result in changes of state in the cultural, social, or physical systems documented. This notion includes complex, composite and long-lasting actions such as the building of a settlement or a war, as well as simple, short-lived actions such as the opening of a door.
Examples: ? the Battle of Stalingrad ? the Yalta Conference ? my birthday celebration 28-6-1995 ? the writing of �Faust� by Goethe (E65) ? the formation of the Bauhaus 1919 (E66) ? calling the place identified by TGN �7017998� �Quyunjig� by the people of Iraq
This class comprises items that have a persistent identity, sometimes known as �endurants� in philosophy. They can be repeatedly recognized within the duration of their existence by identity criteria rather than by continuity or observation. Persistent Items can be either physical entities, such as people, animals or things, or conceptual entities such as ideas, concepts, products of the imagination or common names. The criteria that determine the identity of an item are often difficult to establish -; the decision depends largely on the judgement of the observer. For example, a building is regarded as no longer existing if it is dismantled and the materials reused in a different configuration. On the other hand, human beings go through radical and profound changes during their life-span, affecting both material composition and form, yet preserve their identity by other criteria. Similarly, inanimate objects may be subject to exchange of parts and matter. The class E77 Persistent Item does not take any position about the nature of the applicable identity criteria and if actual knowledge about identity of an instance of this class exists. There may be cases, where the identity of an E77 Persistent Item is not decidable by a certain state of knowledge. The main classes of objects that fall outside the scope the E77 Persistent Item class are temporal objects such as periods, events and acts, and descriptive properties.
Examples: ? Leonard da Vinci ? Stonehenge ? the hole in the ozone layer ? the First Law of Thermodynamics ? the Bermuda Triangle
This class comprises events that bring into existence any E77 Persistent Item. It may be used for temporal reasoning about things (intellectual products, physical items, groups of people, living beings) beginning to exist; it serves as a hook for determination of a terminus postquem and antequem.
Examples: ? the birth of my child ? the birth of Snoopy, my dog ? the calving of the iceberg that sank the Titanic ? the construction of the Eiffel Tower
This property allows an E63 Beginning of Existence event to be linked to the E77 Persistent Item brought into existence by it. It allows a �start� to be attached to any Persistent Item being documented i.e. E70 Thing, E72 Legal Object, E39 Actor, E41 Appellation, E51 Contact Point and E55 Type.
Examples: ? the birth of Mozart (E67) brought into existence Mozart (E21)
This general class comprises usable discrete, identifiable, instances of E77 Persistent Item that are documented as single units. They can be either intellectual products or physical things, and are characterized by relative stability. They may for instance either have a solid physical form, an electronic encoding, or they may be logical concept or structure.
Examples: ? my photograph collection (E78) ? the pint of milk in my refrigerator ? the plan of the Stassburger Muenster ? the thing on the top of Otto Hahn�s desk ? the design of the no-smoking sign (E29) ? the cave of Dirou, Mani, Greece (E27)
This class comprises those material or immaterial items to which instances of E30 Right, such as the right of ownership or use, can be applied. This is true for all E18 Physical Thing. In the case of instances of E28 Conceptual Object, however, the identity of the E28 Conceptual Object or the method of its use may be too ambiguous to reliably establish instances of E30 Right, as in the case of taxa and inspirations. Ownership of corporations is currently regarded as out of scope of the CRM.
Examples: ? the Cullinan diamond (E19) ? definition of the CIDOC Conceptual Reference Model Version 2.1 (E73)
To Do something in relation to a Resource that already exists.
To associate two or more Resources with one another.
To terminate the Existence of a Resource.
This class comprises all persistent physical items with a relatively stable form, man-made or natural. Depending on the existence of natural boundaries of such things, the CRM distinguishes the instances of E19 Physical Object from instances of E26 Physical Feature, such as holes, rivers, pieces of land etc. Most instances of E19 Physical Object can be moved (if not too heavy), whereas features are integral to the surrounding matter. The CRM is generally not concerned with amounts of matter in fluid or gaseous states.
Examples: ? the Cullinan Diamond (E19) ? the cave �Ideon Andron� in Crete (E26) ? the Mona Lisa (E22)
This class comprises items of a material nature that are units for documentation and have physical boundaries that separate them completely in an objective way from other objects. The class also includes all aggregates of objects made for functional purposes of whatever kind, independent of physical coherence, such as a set of chessmen. Typically, instances of E19 Physical Object can be moved (if not too heavy). In some contexts, such objects, except for aggregates, are also called �bona fide objects� (Smith & Varzi, 2000, pp.401-420), i.e. naturally defined objects. The decision as to what is documented as a complete item, rather than by its parts or components, may be a purely administrative decision or may be a result of the order in which the item was acquired.
Examples: ? John Smith ? Aphrodite of Milos ? the Palace of Knossos ? the Cullinan Diamond ? Apollo 13 at the time of launch
This class comprises identifiable features that are physically attached in an integral way to particular physical objects. Instances of E26 Physical Feature share many of the attributes of instances of E19 Physical Object. They may have a one-, two- or three-dimensional geometric extent, but there are no natural borders that separate them completely in an objective way from the carrier objects. For example, a doorway is a feature but the door itself, being attached by hinges, is not. Instances of E26 Physical Feature can be features in a narrower sense, such as scratches, holes, reliefs, surface colours, reflection zones in an opal crystal or a density change in a piece of wood. In the wider sense, they are portions of particular objects with partially imaginary borders, such as the core of the Earth, an area of property on the surface of the Earth, a landscape or the head of a contiguous marble statue. They can be measured and dated, and it is sometimes possible to state who or what is or was responsible for them. They cannot be separated from the carrier object, but a segment of the carrier object may be identified (or sometimes removed) carrying the complete feature. This definition coincides with the definition of 'fiat objects' (Smith & Varzi, 2000, pp.401-420), with the exception of aggregates of �bona fide objects�.
Examples: ? the temple in Abu Simbel before its removal, which was carved out of solid rock ? Albrecht Duerer's signature on his painting of Charles the Great ? the damage to the nose of the Great Sphinx in Giza ? Michael Jackson�s nose prior to plastic surgery
This class comprises pieces of land or sea floor. In contrast to the purely geometric notion of E53 Place, this class describes constellations of matter on the surface of the Earth or other celestial body, which can be represented by photographs, paintings and maps. Instances of E27 Site are composed of relatively immobile material items and features in a particular configuration at a particular location.
Examples: ? the Amazon river basin ? Knossos ? the Apollo 11 landing site ? Heathrow Airport ? the submerged harbour of the Minoan settlement of Gournia, Crete
This class comprises events that end the existence of any E77 Persistent Item. It may be used for temporal reasoning about things (physical items, groups of people, living beings) ceasing to exist; it serves as a hook for determination of a terminus postquem and antequem. In cases where substance from a Persistent Item continues to exist in a new form, the process would be documented by E81 Transformation.
Examples: ? the death of Snoopy, my dog ? the melting of the snowman ? the burning of the Temple of Artemis in Ephesos by Herostratos in 356BC
This property allows an E64 End of Existence event to be linked to the E77 Persistent Item taken out of existence by it. In the case of immaterial things, the E64 End of Existence is considered to take place with the destruction of the last physical carrier. This allows an �end� to be attached to any Persistent Item being documented i.e. E70 Thing, E72 Legal Object, E39 Actor, E41 Appellation, E51 Contact Point and E55 Type. For many Persistent Items we know the maximum life-span and can infer, that they must have ended to exist. We assume in that case an End of Existence, which may be as unnoticeable as forgetting the secret knowledge by the last representative of some indigenous nation.
Examples: ? the death of Mozart (E69) took out of existence Mozart (E21)
This class comprises events that destroy one or more instances of E18 Physical Thing such that they lose their identity as the subjects of documentation. Some destruction events are intentional, while others are independent of human activity. Intentional destruction may be documented by classifying the event as both an E6 Destruction and E7 Activity. The decision to document an object as destroyed, transformed or modified is context sensitive: 1. If the matter remaining from the destruction is not documented, the event is modelled solely as E6 Destruction. 2. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the original. In this case, the new items have separate identities. Matter is preserved, but identity is not. 3. When the initial identity of the changed instance of E18 Physical Thing is preserved, the event should be documented as E11 Modification.
? the destruction of Lisbon by earthquake in 1755 ? the destruction of Nineveh (E6, E7) ? the breaking of a champagne glass yesterday by my dog ? the shooting of the last wolf (�Canis lupus Linne, 1758�) of the Rhineland/Germany, in Birreskopf/Eifel 1860 (now Museum Alexander Koenig inventory no.: ZFMK 86.385) (E6, E7)
This property allows specific instances of E18 Physical Thing that have been destroyed to be related to a destruction event. Destruction implies the end of an item�s life as a subject of cultural documentation � the physical matter of which the item was composed may in fact continue to exist. A destruction event may be contiguous with a Production that brings into existence a derived object composed partly of matter from the destroyed object
Examples: ? the Tay Bridge Disaster (E6) destroyed The Tay Bridge (E22)
This class comprises the events that result in the simultaneous destruction of one E77 Persistent Item and the creation of another E77 Persistent Item that preserves recognizable substance from the first but has a fundamentally different nature and identity. Although the two instances of E77 Persistent Item are treated as discrete entities having separate, unique identities, they are causally connected through the E81 Transformation; the destruction of the first E77 Persistent Item directly causes the creation of the second using or preserving some relevant substance. Instances of E81 Transformation are therefore distinct from re-classifications (documented using E17 Type Assignment) or modifications (documented using E11 Modification) of objects that do not fundamentally change their nature or identity. Characteristic cases are reconstructions and repurposing of historical buildings or ruins, fires leaving buildings in ruins, taxidermy of specimen in natural history and the reorganization of a corporate body into a new one.
Examples: ? the death and mummification of Tut Ankh Amun (transformation of Tut Ankh Amun from a living person to a mummy)
This property identifies the E77 Persistent Item or items that are the result of an E81 Transformation. New items replace the transformed item or items, which cease to exist as units of documentation. The physical continuity between the old and the new is expressed by the link to the common Transformation.
Examples: ? the transformation of the Venetian Loggia in Heraklion into a city hall (E81) resulted in the City Hall of Heraklion (E22)
This property identifies the E77 Persistent Item or items that cease to exist due to a E81 Transformation. It is replaced by the result of the Transformation, which becomes a new unit of documentation. The continuity between both items, the new and the old, is expressed by the link to the common Transformation.
Examples: ? the transformation of the Venetian Loggia in Heraklion into a city hall (E81) transformed the Venetian Loggia in Heraklion (E22) ? the death and mummification of Tut Ankh Amun (E81) transformed the ruling PharaoTut Ankh Amun (E21)
This class comprises individual items of a material nature, which live, have lived or are natural products of or from living organisms. Artificial objects that incorporate biological elements, such as Victorian butterfly frames, can be documented as both instances of E20 Biological Object and E22 Man-Made Object.
Examples: ? me ? Tut-Ankh-AmunP ? Boukephalas [Horse of Alexander the Great] ? petrified dinosaur excrement PA1906-344
An inanimate, three-dimensional object or substance.
Content that is intended to be perceived through touch.
Content that is intended to be perceived through taste.
Content that is intended to be perceived through smell.
Content that is not intended to be perceived through the human senses.
This class comprises non-material products of our minds and other human produced data that have become objects of a discourse about their identity, circumstances of creation or historical implication. The production of such information may have been supported by the use of technical devices such as cameras or computers. Characteristically, instances of this class are created, invented or thought by someone, and then may be documented or communicated between persons. Instances of E28 Conceptual Object have the ability to exist on more than one particular carrier at the same time, such as paper, electronic signals, marks, audio media, paintings, photos, human memories, etc. They cannot be destroyed. They exist as long as they can be found on at least one carrier or in at least one human memory. Their existence ends when the last carrier and the last memory are lost.
Examples: ? Beethoven�s �Ode an die Freude� (Ode to Joy), (E73) ? the definition of �ontology� in the Oxford English Dictionary ? the knowledge about the victory at Marathon carried by the famous runner
To Make a Resource that exists only in the human mind.
This class comprises events that result in the creation of conceptual items or immaterial products, such as legends, poems, texts, music, images, movies, laws, types etc.
Examples: ? the framing of the U.S. Constitution ? the drafting of U.N. resolution 1441
This property allows a conceptual E65 Creation to be linked to the E28 Conceptual Object created by it. It represents the act of conceiving the intellectual content of the E28 Conceptual Object. It does not represent the act of creating the first physical carrier of the E28 Conceptual Object. As an example, this is the composition of a poem, not its commitment to paper.
Examples: the composition of �The Four Friends� by A. A. Milne (E65) has created �The Four Friends� by A. A. Milne (E28)
This class comprises identifiable symbols and any aggregation of symbols, such as characters, identifiers, traffic signs, emblems, texts, data sets, images, musical scores, multimedia objects, computer program code or mathematical formulae that have an objectively recognizable structure and that are documented as single units. It includes sets of signs of any nature, which may serve to designate something, or to communicate some propositional content. An instance of E90 Symbolic Object does not depend on a specific physical carrier, which can include human memory, and it can exist on one or more carriers simultaneously. An instance of E90 Symbolic Object may or may not have a specific meaning, for example an arbitrary character string.
Examples: ? �ecognizabl� ? The �no-smoking� sign (E36) ? �BM000038850.JPG� (E75) ? image BM000038850.JPG from the Clayton Herbarium in London (E38) ? The distribution of form, tone and colour found on Leonardo da Vinci�s painting named �Mona Lisa� (E38) ? The Italian text of Dante�s �Divina Commedia� as found in the authoritative critical edition La Commedia secondo l�antica vulgata a cura di Giorgio Petrocchi, Milano: Mondadori, 1966-67 (= Le Opere di Dante Alighieri, Edizione Nazionale a cura della Societ� Dantesca Italiana, VII, 1-4) (E33)
Person or corporate body responsible for the original idea on which a work is based. This includes the scientific author of an audio-visual item and the conceptor of an advertisement.
This class comprises identifiable immaterial items, such as a poems, jokes, data sets, images, texts, multimedia objects, procedural prescriptions, computer program code, algorithm or mathematical formulae, that have an objectively recognizable structure and are documented as single units. An E73 Information Object does not depend on a specific physical carrier, which can include human memory, and it can exist on one or more carriers simultaneously. Instances of E73 Information Object of a linguistic nature should be declared as instances of the E33 Linguistic Object subclass. Instances of E73 Information Object of a documentary nature should be declared as instances of the E31 Document subclass. Conceptual items such as types and classes are not instances of E73 Information Object, nor are ideas without a reproducible expression.
Examples: ? image BM000038850.JPG from the Clayton Herbarium in London ? E. A. Poe's 'The Raven' ? the movie 'The Seven Samurai' by Akira Kurosawa ? the Maxwell Equations
Person or corporate body chiefly responsible for the creation of the intellectual or artistic content of a work. When more than one person or body jointly bears such responsibility, this code may be used in association with as many headings as is appropriate.
This class comprises all persistent physical items that are purposely created by human activity. This class comprises man-made objects, such as a swords, and man-made features, such as rock art. No assumptions are made as to the extent of modification required to justify regarding an object as man-made. For example, a �cup and ring� carving on bedrock is regarded as instance of E24 Physical Man-Made Thing.
? the Forth Railway Bridge (E22) ? the Channel Tunnel (E25) ? the Historical Collection of the Museum Benaki in Athens (E78)
This class comprises activities that are designed to, and succeed in, creating one or more new items. It specializes the notion of modification into production. The decision as to whether or not an object is regarded as new is context sensitive. Normally, items are considered �new� if there is no obvious overall similarity between them and the consumed items and material used in their production. In other cases, an item is considered �new� because it becomes relevant to documentation by a modification. For example, the scribbling of a name on a potsherd may make it a voting token. The original potsherd may not be worth documenting, in contrast to the inscribed one. This entity can be collective: the printing of a thousand books, for example, would normally be considered a single event. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities and matter is preserved, but identity is not.
Examples: ? the construction of the SS Great Britain ? the recasting of the Little Mermaid at the harbour of Copenhagen ? the seventh edition of Rembrandt�s etching �Woman sitting half dressed beside a stove�, 1658, Bartsch Number 197
This property identifies the E24 Physical Man-Made Thing that came into existence as a result of an E12 Production. The identity of an instance of E24 Physical Man-Made Thing is not defined by its matter, but by its existence as a subject of documentation. An E12 Production can result in the creation of multiple instances of E24 Physical Man-Made Thing.
Examples: ? The building of Rome (E12) has produced ?he Colosseum (E22)
This class comprises physical objects purposely created by human activity. No assumptions are made as to the extent of modification required to justify regarding an object as man-made. For example, an inscribed piece of rock or a preserved butterfly are both regarded as instances of E22 Man-Made Object.
Examples: ? Mallard (the World�s fastest steam engine) ? the Portland Vase ? the Coliseum
This class comprises physical features that are purposely created by human activity, such as scratches, artificial caves, artificial water channels, etc. No assumptions are made as to the extent of modification required to justify regarding a feature as man-made. For example, rock art or even �cup and ring� carvings on bedrock a regarded as types of E25 Man-Made Feature.
the physical embodiment of an expression of a work.
To Transform an existing Resource into a Perceivable representation of its contents.
This class comprises aggregations of instances of E18 Physical Thing that are assembled and maintained (�curated� and �preserved,� in museological terminology) by one or more instances of E39 Actor over time for a specific purpose and audience, and according to a particular collection development plan. Items may be added or removed from an E78 Collection in pursuit of this plan. This class should not be confused with the E39 Actor maintaining the E78 Collection often referred to with the name of the E78 Collection (e.g. �The Wallace Collection decided��). Collective objects in the general sense, like a tomb full of gifts, a folder with stamps or a set of chessmen, should be documented as instances of E19 Physical Object, and not as instances of E78 Collection. This is because they form wholes either because they are physically bound together or because they are kept together for their functionality.
Examples: ? the John Clayton Herbarium ? the Wallace Collection ? Michael Foslie�s coralline red algae Herbarium at Museum of Natural History and Archaeology, Trondheim, Norway
A person, family, or corporate body contributing to an expression of a work by supplementing the primary content with drawings, diagrams, photographs, etc. If the work is primarily the artistic content created by this entity, see artist, I.2.1 .
Artist when named as the creator of artwork which illustrates a text, or of the artwork of a graphic novel or comic book
Person who conceives a design or illustration.
A work that is augmented by pictorial content designed to elucidate or decorate it.
An expression of a work that is augmented by pictorial content designed to elucidate or decorate it.
A self-contained Part of a MusicalWork. While individual or selected movements from a MusicalWork are sometimes performed separately, a Performance of the complete MusicalWork requires all movements to be performed in succession.
A musical work such as an opera or other work for the musical stage concerto that contains a vocal text.
A work comprising the text of an opera or other work for the musical stage.
An expression of a musical work such as an opera or other work for the musical stage, or an oratorio, that uses the text of the related work.
An expression of a work that provides the text of an opera or other work for the musical stage, or an oratorio.
A musical work such as a concerto that contains an ornamental passage for a soloist, either by the composer of the larger work or by another composer.
An expression of a musical work such as a concerto for which an ornamental passage for a soloist has been composed, either by the same or a different composer.
An expression of a musical work comprising an ornamental passage for a soloist, added to a musical work such as a concerto, either by the same or a different composer.
Author or agency performing the work, i.e. the name of a person or organization associated with the intellectual content of the work. Includes person named in the work as investigator or principal investigator. This category does not include the publisher or personal affiliation, or sponsor except where it is also the corporate author.
To Make a new Resource out of an existing Resource.
A work used as the source for a derivative work.
A work that is a modification of a source work.
An expression used as the basis for a derivative entity.
An expression that is a modification of a source entity.
To ChangeTransiently an existing Resource to Derive a new Resource.
A work that has been modified for a purpose, use, or medium other than that for which it was originally intended.
A work that modifies the source work for a purpose, use, or medium other than that for which it was originally intended.
An expression of a work that modifies the source entity for a purpose, use, or medium other than that for which it was originally intended.
A person, family, or corporate body contributing to an expression of a work by revising or elucidating the content, e.g., adding an introduction, notes, or other critical matter. An editor may also prepare an expression of a work for production, publication, or distribution. For major revisions, adaptations, etc., that substantially change the nature and content of the original work, resulting in a new work, see author, I.2.1 .
To Derive a new Resource which is smaller than its Source.
A work that has been abridged, i.e., shortened without changing the general meaning or manner of presentation of the source work.
A work that shortens the source work without changing the general meaning or manner of presentation.
An expression of a work that has been abridged, i.e., shortened without changing the general meaning or manner of presentation of the source work.
An expression of a work that shortens the source entity without changing the general meaning or manner of presentation.
To Derive a new Resource which is larger than its Source.
A work used as the basis for a derivative work that enlarges upon the content of the source work.
A work whose content is added to by another work.
A work that enlarges upon the content of the source work.
A work that adds to the content of a predominant work.
An expression of a work used as the basis for a work that expands the content of the source work.
An expression of a work that expands the content of the source work.
An expression whose content is added to by another entity.
The described resource is a version, edition, or adaptation of the referenced resource. Changes in version imply substantive changes in content rather than differences in format.
The described resource has a version, edition, or adaptation, namely, the referenced resource.
An expression of a work used as the basis for an updated, corrected, or expanded version.
An expression of a work that has been updated, corrected, or expanded.
To Derive a Resource by combining two or more existing Resources.
One who produces a collection by selecting and putting together matter from works of various persons or bodies. Also, one who selects and puts together in one publication matter from the works of one person or body.
Other type of compilation not specified above
A person, family, or corporate body responsible for creating a work through the act of compilation, e.g., selecting, arranging, aggregating, and editing content. For a compiler as a contributor, see editor of compilation, I.3.1.
A person, family, or corporate body contributing to a collective or aggregate work by selecting and putting together the works, or parts of works, by one or more creators. For compilations that result in original works, see compiler, I.2.1 .
A work used as the basis for a new motion picture, radio programme, television programme, or video.
A new motion picture, radio programme, television programme, or video based on an earlier work.
A motion picture used as the basis for a new motion picture created by different persons and corporate bodies.
A new motion picture based on an earlier motion picture.
A work whose narrative is continued by a later work.
A work whose narrative is extended backwards in time by the later work.
A work whose style is imitated for comic effect.
A work that imitates the style or content of the source work for comic effect.
An expression of a work whose style is imitated for comic effect.
A work that imitates the style of the source work for comic effect.
A work whose style is copied in a derivative work.
A work that copies the style of the source work.
An expression of a work whose style is copied in a derivative work.
An expression of a work that copies the style of the source work.
A work used as the basis for a brief recapitulation of its content.
A work that comprises a brief recapitulation of the content of the source work.
An expression of a work used as the basis for a brief recapitulation of its content.
An expression of a work that comprises a brief recapitulation of the content of the source entity.
A work that has been abstracted, i.e., abbreviated in a brief, objective manner.
A work that abbreviated the source work in a brief, objective manner.
An expression of a work that has been abstracted, i.e., abbreviated in a brief, objective manner.
An expression of a work that abbreviates the source entity in a brief, objective manner.
A work that has been digested, i.e., systematically, comprehensively condensed.
A work that systematically, comprehensively condenses the source work.
An expression of a work that has been digested, i.e., systematically, comprehensively condensed.
An expression of a work that systematically, comprehensively condenses the source entity.
A work that has been adapted as the screenplay for a motion picture, television programme, or video.
An expression of a work that has been adapted as the screenplay for a motion picture, television program, or video.
A work that has been adapted as the script for a radio programme.
A work that adapts the source work as the script for a radio program.
An expression of a work that has been adapted as the script for a radio program.
An expression of a work that adapts the source work as the script for a radio program.
A work used as the basis for the text of an opera or other work for the musical stage, or an oratorio.
A work that comprises the text of an opera or other work for the musical stage, or an oratorio, based on the source work.
An expression of a work used as the basis for the text of an opera or other work for the musical stage.
An expression of a work that comprises the text of an opera or other work for the musical stage based on the source work.
A Party contributing to the making of a Creation.
Author of additional contributions to the text
A person, family, or corporate body responsible for creating a design for an object.
A person, family, or corporate body responsible for the entire graphic design of a book, including arrangement of type and illustration, choice of materials, and process used.
A person, family, or corporate body responsible for creating an architectural design, including a pictorial representation intended to show how a building, etc., will look when completed.
A person, family, or corporate body responsible for designing the costumes for a moving image production or for a musical or dramatic presentation or entertainment.
Use also for the cover artist of a graphic novel or comic book if named separately
An architect responsible for creating landscape works.
A person, family, or corporate body responsible for designing the overall visual appearance of a moving image production.
Audio compact disc, in any recording format: use coding from List 78 to specify the format, if required
Audio compact disc with part CD-ROM content
An abstract entity representing a bundle of one or more Resources compiled by an issuer for the purpose of electronic distribution to individual Consumers, directly or through intermediaries. The Resources in Releases are normally primarily SoundRecordings or music audio-visual recordings. The Release is not itself the item of trade (or Product). Products have more extensive attributes than Releases; one Release may be disseminated in many different Products.
The content responds to actions performed by the user (e.g., searches, commands, selections).
An interactive resource is a resource which requires interaction from the user to be understood, executed, or experienced. For example - forms on web pages, applets, multimedia learning objects, chat services, virtual reality.
The content does not respond to actions performed by the user.
a distinct intellectual or artistic creation.
the intellectual or artistic realization of a work in the form of alpha-numeric, musical, or choreographic notation, sound, image, object, movement, etc., or any combination of such forms.
This class comprises identifiable immaterial items that make propositions about reality. These propositions may be expressed in text, graphics, images, audiograms, videograms or by other similar means. Documentation databases are regarded as a special case of E31 Document. This class should not be confused with the term �document� in Information Technology, which is compatible with E73 Information Object.
Examples: ? the Encyclopaedia Britannica (E32) ? the photo of the Allied Leaders at Yalta published by UPI, 1945 ? the Doomsday Book
This class comprises encyclopaedia, thesauri, authority lists and other documents that define terminology or conceptual systems for consistent use.
Examples: ? Webster's Dictionary ? Getty Art and Architecture Thesaurus ? the CIDOC Conceptual Reference Model
A work used as the basis for an index, i.e., a systematic, alphabetical guide to the contents of the augmented work, usually keyed to page numbers or other reference codes.
A work that provides a systematic, alphabetical guide to the contents of the predominant work, usually keyed to page numbers or other reference codes.
An expression of a work used as the basis for an index, i.e., a systematic, alphabetical guide to the contents of the predominant entity, usually keyed to page numbers or other reference codes.
An expression of a work that provides a systematic, alphabetical guide to the contents of the predominant entity, usually keyed to page numbers or other reference codes.
A work used as the basis for a concordance, i.e. an index of all the words in the augmented work.
A work that comprises an index of all the words in the predominant work.
An expression of a work used as the basis for a concordance, i.e., an index of all the words in the predominant entity.
An expression of a work that comprises an index of all the words in the predominant entity.
Content expressed in line, shape, mass and or other visually-realized forms
This class comprises the intellectual or conceptual aspects of recognisable marks and images. This class does not intend to describe the idiosyncratic characteristics of an individual physical embodiment of a visual item, but the underlying prototype. For example, a mark such as the ICOM logo is generally considered to be the same logo when used on any number of publications. The size, orientation and colour may change, but the logo remains uniquely identifiable. The same is true of images that are reproduced many times. This means that visual items are independent of their physical support. The class E36 Visual Item provides a means of identifying and linking together instances of E24 Physical Man-Made Thing that carry the same visual symbols, marks or images etc. The property P62 depicts (is depicted by) between E24 Physical Man-Made Thing and depicted subjects (E1 CRM Entity) can be regarded as a short-cut of the more fully developed path from E24 Physical Man-Made Thing through P65 shows visual item (is shown by), E36 Visual Item, P138 represents (has representation) to E1CRM Entity, which in addition captures the optical features of the depiction.
Examples: ? the visual appearance of Monet�s �La Pie� (E38) ? the Coca-Cola logo (E34) ? the Chi-Rho (E37) ? the communist red star (E37)
This class comprises distributions of form, tone and colour that may be found on surfaces such as photos, paintings, prints and sculptures or directly on electronic media. The degree to which variations in the distribution of form and colour affect the identity of an instance of E38 Image depends on a given purpose. The original painting of the Mona Lisa in the Louvre may be said to bear the same instance of E38 Image as reproductions in the form of transparencies, postcards, posters or T-shirts, even though they may differ in size and carrier and may vary in tone and colour. The images in a �spot the difference� competition are not the same with respect to their context, however similar they may at first appear.
Examples: ? the front side of all 20 Swiss Frs notes ? the image depicted on all reproductions of the Mona Lisa
Content expressed in a form other than language, music, or image.
Image content that is perceived to be static.
Image content that is perceived to be moving.
A person, family, or corporate body responsible for assembling, arranging, and trimming film, video, or other moving image formats, including both visual and audio aspects.
Image content that is intended to be perceived in two-dimensions.
Image content that is intended to be perceived in three-dimensions.
This class comprises symbols, signs, signatures or short texts applied to instances of E24 Physical Man-Made Thing by arbitrary techniques in order to indicate the creator, owner, dedications, purpose, etc. This class specifically excludes features that have no semantic significance, such as scratches or tool marks. These should be documented as instances of E25 Man-Made Feature.
Examples: ? Minoan double axe mark ? � ? ?
A person, family, or corporate body responsible for creating a work by conceiving and often implementing, an original graphic design, drawing, painting, etc.
Visual artist when named as the primary creator of, eg, a book of reproductions of artworks
An Image on the front cover of a Carrier.
A Release containing an Image Resource that, in the physical equivalent Product, is a front cover image.
An Image on the front of a small book usually in reference to the packaging relating to a physical Creation.
A Release containing an Image Resource that, in the physical equivalent Product, is a front image of a booklet.
An Image on the back cover of a Carrier.
A Release containing an Image Resource that, in the physical equivalent Product, is a back cover image.
An Image on the back of a small book usually in reference to the packaging relating to a physical Creation.
A Release containing an Image Resource that, in the physical equivalent Product, is a back image of a booklet.
A person, family, or corporate body contributing to an expression of a work by an architect, inventor, etc., by making detailed plans or drawings for buildings, ships, aircraft, machines, objects, etc.
A person, family, or corporate body responsible for creating a map,atlas, globe, or other cartographic work.
A Release containing typically one or more Photograph Image Resources.
(1) the person who took a still photograph. This relator may be used in a record for either the original photograph or for a reproduction in any medium; or, (2) the person responsible for the photography in a motion picture.
A person, family, or corporate body responsible for creating a photographic work.
Photographer when named as the creator of photographs which illustrate a text
An audio-visual Recording using a rapid display of a sequence of images of 2-D or 3-D artwork or model positions in order to create an illusion of movement.
A person, family, or corporate body contributing to an expression of a moving image work or computer program by giving apparent movement to inanimate objects or drawings. For the creator of the drawings that are animated, see artist ,I.2.1 .
A digital equivalent of a conventionally printed book.
A Release containing an Image Resource that, in the physical equivalent Product, is a booklet.
Software providing access, by using technology that provides User interaction, to Resources which add user value to the Release. This is often, but not always, related to the packaging of the PhysicalProduct.
A Release typically for use as an EBook.
A Text of a small book usually in reference to the packaging relating to a physical Creation which does not use technology that provides User interaction.
Child�s book with all pages printed on board
Child�s book with all pages printed on textile
Child�s book printed on waterproof material
A person, family, or corporate body responsible for creating a work of movement.
A person, family, or corporate body contributing to an expression of a work of movement by providing additional dance sequences that supplement the work of the original choreographer.
A person, family, or corporate body responsible for contributing choreography that is incorporated into an expression of a work that does not consist primarily of dance or other choreographed movements, such as the choreographer of dance sequences in a primarily dramatic film.
A Video created for specifically to promote another Video, embodying a MusicalWork.
A person, family, or corporate body responsible for creating an independent or personal film. A filmmaker is individually responsible for the conception, and execution of all aspects of the film.
An audio-visual Recording made for initial distribution in cinemas, where it would be the 'main attraction' of the screening, or prime-time television.
An audio-visual Recording made for use within a corporate entity. Examples include company-internal training videos.
A Party who edits an audio-visual production for publishing.
An abstract Creation which can be expressed and fixed through sound with or without Lyrics.
A person, family, or corporate body responsible for creating a musical work. Use also for persons, etc., adapting another musical work to form a distinct alteration (e.g., free transcription), paraphrasing a work or creating a work in the general style of another composer, or creating a work that is based on the music of another composer (e.g., variations on a theme).
One who creates a musical work, usually a piece of music in manuscript or printed form.
A first, independently created MusicalWork.
A person, family, or corporate body responsible for contributing compositions that form part of the presentation of a moving image work recorded with a synchronized, integrated soundtrack. These musical works may be originally written for the moving image or be pre-existing works that are incorporated into the moving image soundtrack.
A person, family, or corporate body responsible for contributing compositions to accompany the presentation of a moving image work produced in the silent film era and recorded without a synchronized, integrated soundtrack. These musical works may be originally written for the moving image or may consist of or incorporate pre-existing works in a manner that is intended to complement the moving image.
A person, family, or corporate body contributing to an expression of a work by composing music for a pre-existing, usually textual, work.
A person, family, or corporate body contributing to an expression of a musical work by composing accompaniments or additional parts (e.g., vocal/instrumental parts, musical numbers) that supplement the music written by the original composer.
A MusicalWork in which music is added to a pre-existing Text. Example: The song Auld Lang Syne composed to an earlier poem of the same name.
A work that provides the text for a non-dramatic musical work, except for an oratorio.
A non-dramatic musical work, except for an oratorio, that uses the text for the source work.
An expression of a work that provides the text for a musical work.
A musical work that uses the text of the source work.
A MusicalWork (with or without Lyrics) in which musical elements have been taken from one or more other MusicalWork(s) and modified.
A person, family, or corporate body contributing to an expression of a musical work by rewriting the composition for a medium of performance different from that for which the work was originally intended, modifying the work for the same medium of performance, etc., such that the musical substance of the original composer remains essentially unchanged. For extensive modification that effectively results in the creation of a new musical work, see composer, I.2.1 .
A modifier of musical components of a Work. Note: The arranged MusicalWork may or may not result in a new copyright Creation.
One who transcribes a musical composition, usually for a different instrument or medium from that of the original; in an arrangement the musical substance remains essentially unchanged.
A work that has been rewritten for a medium of performance different from that for which the work was originally intended.
An expression of a work that has been rewritten for a medium of performance different from that for which the work was originally intended.
An arrangement work that rewrites the source entity for a medium of performance different from that for which the work was originally intended.
A musical work from which melodic, thematic, or harmonic material is taken to form a discrete theme, which is repeated one or more times with subsequent modifications.
A musical work in which melodic, thematic, or harmonic material from the source work is taken to form a discrete theme, which is repeated one or more times with subsequent modifications.
Musical variations based on (expression)
An expression of a musical work that comprises a series of modifications of the same theme.
An expression of a musical work used as the theme for a series of modifications.
A type of performer contributing to an expression of a work by speaking words, such as a lecture, speech, etc.
Content expressed in human or machine-readable language.
A person, family, or corporate body responsible for creating a work that is primarily textual in content, regardless of media type (e.g., printed text, spoken word, electronic text, tactile text) or genre (e.g., poems, novels, screenplays, blogs). Use also for persons, etc., creating a new work by paraphrasing, rewriting, or adapting works by another creator such that the modification has substantially changed the nature and content of the original or changed the medium of expression.
A Creator of written or spoken words which form part of a Resource.
A Text consisting of the words of a MusicalWork.
An author of the words of a non-dramatic musical work, except for oratorios.
A Creator of the Lyrics of a MusicalWork.
A Creator of written or spoken words other than Lyrics.
An author of a libretto of an opera or other stage work, or an oratorio.
Writer of libretto (opera): see also A31
Writer of the text of an opera, oratorio, etc.
This class comprises recognisable, short texts attached to instances of E24 Physical Man-Made Thing. The transcription of the text can be documented in a note by P3 has note: E62 String. The alphabet used can be documented by P2 has type: E55 Type. This class does not intend to describe the idiosyncratic characteristics of an individual physical embodiment of an inscription, but the underlying prototype. The physical embodiment is modelled in the CRM as E24 Physical Man-Made Thing. The relationship of a physical copy of a book to the text it contains is modelled using E84 Information Carrier. P128 carries (is carried by): E33 Linguistic Object.
Examples: ? �keep off the grass� on a sign stuck in the lawn of the quad of Balliol College ? The text published in Corpus Inscriptionum Latinarum V 895 ? Kilroy was here
This class is a specialization of E55 Type and comprises the natural languages in the sense of concepts. This type is used categorically in the model without reference to instances of it, i.e. the Model does not foresee the description of instances of instances of E56 Language, e.g.: �instances of Mandarin Chinese�. It is recommended that internationally or nationally agreed codes and terminology are used to denote instances of E56 Language, such as those defined in ISO 639:1988.
Examples: ? el [Greek] ? en [English] ? eo [Esperanto] ? es [Spanish] ? fr [French]
This class comprises identifiable expressions in natural language or languages. Instances of E33 Linguistic Object can be expressed in many ways: e.g. as written texts, recorded speech or sign language. However, the CRM treats instances of E33 Linguistic Object independently from the medium or method by which they are expressed. Expressions in formal languages, such as computer code or mathematical formulae, are not treated as instances of E33 Linguistic Object by the CRM. These should be modelled as instances of E73 Information Object. The text of an instance of E33 Linguistic Object can be documented in a note by P3 has note: E62 String
Examples: ? the text of the Ellesmere Chaucer manuscript ? the lyrics of the song 'Blue Suede Shoes' ? the text of the Jabberwocky by Lewis Carroll ? the text of 'Doktoro Jekyll kaj Sinjoro Hyde' (an Esperanto translation of Dr Jekyll and Mr Hyde)
An author of a screenplay, script, or scene.
Writer of screenplay or script (film or video)
A written Text intended to communicate or store collections of data.
A Creator that plays the roles of Composer and Lyricist of a MusicalWork.
A MusicalWork composed of sounds with Lyrics and/or text to be performed by instruments and the human voice and to be performed in a dramatic context. Examples: opera, musical, play with music, revue or ballet.
One who provides interpretation, analysis, or a discussion of the subject matter on a recording, motion picture, or other audiovisual medium.
One who writes commentary or explanatory notes about a text. For the writer of manuscript annotations in a printed book, use Annotator (020).
A work used as the basis for a set of explanatory or critical notes.
A work that contains a set of explanatory or critical notes on the described entity.
A type of performer contributing to an expression of a work by providing interpretation, analysis, or a discussion of the subject matter on a recording, film, or other audiovisual medium.
An expression of a work used as the basis for a set of explanatory or critical notes.
An expression of a work that contains a set of explanatory or critical notes on the described entity.
A work described by a describing entity.
A work that describes a described entity.
An expression described by a describing entity.
An expression that describes a described entity.
This class describes the act of assessing the state of preservation of an object during a particular period. The condition assessment may be carried out by inspection, measurement or through historical research. This class is used to document circumstances of the respective assessment that may be relevant to interpret its quality at a later stage, or to continue research on related documents.
Examples: � last year�s inspection of humidity damage to the frescos in the St. George chapel in our village
A work that examines or judges the source work.
An expression of a work that is examined or judged.
An expression of a work that examines or judges the source entity.
A work used as the basis for a critical evaluation.
A work that contains a critical evaluation of the described entity.
An expression of a work used as the basis for a critical evaluation.
An expression of a work contains a critical evaluation of the described entity.
A work used as the basis for a summative evaluation.
A work that contains a summative evaluation of the described work.
An expression of a work used as the basis for a summative evaluation.
An expression of a work that contains a summative evaluation of the described entity.
The described resource references, cites, or otherwise points to the referenced resource.
The described resource is referenced, cited, or otherwise pointed to by the referenced resource.
A Party that is responsible for the creation of subtitles/captions.
Name of a series editor when the product belongs to a series
An editor who is responsible for establishing the text used in an edition of a literary work, where this is recognised as a distinctive role (in Spain, 'editor literario')
An Author of adapted Lyrics of a MusicalWork. Note: The adapted Lyrics may or may not result in a new copyright Creation.
A person, family, or corporate body contributing to an expression of a work by shortening or condensing the original work but leaving the nature and content of the original work substantially unchanged. For substantial modifications that result in the creation of a new work, see author, I.2.1 .
Other type of adaptation or editing not specified above
A work used as the basis for a paraphrase, i.e., a restating of the content of the source work in a different form.
A work that restates the content of the source work in a different form.
An expression of a work used as the basis for a paraphrase, i.e., a restating of the content of the source work in a different form.
A person, family, or corporate body contributing to an expression of a work by changing it from one system of notation to another. For a work transcribed for a different instrument or performing group, see arranger of music, I.3.1 .
To Transform an existing Resource by changing the Language of its Lexical elements without changing their Meaning.
A person, family, or corporate body contributing to an expression of a work by rendering one language into another, or from an older form of a language into the modern form, that more or less closely follows the original text of the work.
A Party that translates Lyrics and/or Text from one Language into another. This is also known as sub-Lyricist.
One who renders from one language into another, or from an older form of a language into the modern form, more or less closely following the original.
An expression of a work that has been translated, i.e., the text rendered into a language different from that of the original work.
An expression of a work that renders the text of the source entity into a language different from that of the original work.
A MusicalWork in which the original Lyrics are translated into another Language.
This code applies where a translator has provided a commentary on issues relating to the translation. If the translator has also provided a commentary on the work itself, codes B06 and A21 should be used.
A work that has been translated freely, preserving the spirit of the original, but not its linguistic details.
A work that created by freely rendering the source work into another language, preserving the spirit of the original, but not its linguistic details.
An expression of a work that has been translated freely, preserving the spirit of the original, but not its linguistic details.
An expression of a work that presents the text in another language, preserving the spirit of the original, but not its linguistic details.
Writer who rewrites novels or stories for motion pictures or another audiovisual medium. For one who reworks a musical composition, usually for a different medium, use Arranger (030).
A work that has been adapted as a drama.
A dramatic work adapted from the source work.
An expression of a work that has been adapted as a drama.
An expression of a work adapts the source entity as a drama.
A work that has been adapted as a novel.
An expression of a work that has been adapted as a novel.
An expression of a work that adapts the source entity as a novel.
A work that has been adapted as a literary composition in verse form.
A literary composition in verse form adapted from the source work.
An expression of a work that has been adapted as a literary composition in verse form.
An expression of a work that adapts the source work as a literary composition in verse form.
A work that has been adapted as a motion picture.
Screenplay for the motion picture (work)
A work that adapts the source work as the screenplay for a motion picture work.
Motion picture adaptation of (expression)
An expression of a work that has been adapted as a motion picture.
Screenplay for the motion picture (Expression)
An expression of a work that uses the text as a screenplay for a motion picture.
A work that has been adapted as a radio programme.
An expression of a work that has been adapted as a radio program.
A work that has been adapted as a television programme.
Screenplay for the television program (work)
A work that adapts the source work as the screenplay for a television program.
An expression of a work that has been adapted as a television program.
Screenplay for the television programme (Expression)
An expression of a work that uses the text as a screenplay for a television programme.
A work used as the basis for a derivative work comprising dance.
A work comprising dance based on the source work.
An expression of a work used as the basis for a work comprising dance.
An expression of a work comprising dance based on the source work.
Author of text which accompanies art reproductions or photographs, or which is part of a graphic novel or comic book
Author of the textual content of a musical drama: see also A04 and A05
One who is the author of an introduction, preface, foreword, afterword, notes, other critical matter, etc., but who is not the chief author of the work. See also Author of afterword (075).
Author of notes or annotations: see also A29
A Text included with a SoundCarrier, in the physical world typically in its sleeve or packaging. Example: a mix of factual, anecdotal and discographic material.
Author of introduction and notes: see also A20 and A24
A work to which is added, usually at the end of the work, but sometimes separately from it, brief additional material, less extensive than a supplement, which is essential to the completeness of the content of the work.
A work that consists of brief additional material, less extensive than a supplement, which is essential to the completeness of the text of the predominant work and is usually added to the end of the content, but may also be issued separately.
An expression of a work to which is added, usually at the end of the content, but sometimes separately from it, brief additional material, less extensive than a supplement, which is essential to the completeness of the content of the work.
An expression of a work that consists of brief additional material, less extensive than a supplement, which is essential to the completeness of the text of the predominant work and is usually added to the end of the content, but may also be issued separately.
A work that is augmented by another work that consists of material that is not essential to the completeness of the content, such as a list of references, statistical tables, and explanatory matter; the augmenting work may come at the end of the content, or may be issued separately.
An expression of a predominant work that is augmented by another work that consists of material that is not essential to the completeness of the content, such as a list of references, statistical tables, and explanatory matter; the augmenting work may come at the end of the content, or may be issued separately.
A work that forms an augmenting part of another work which is not essential to the completeness of the content, such as a list of references, statistical tables, and explanatory matter; may be material which comes at the end of the content of the predominant work, or may be issued separately.
An expression of a work that forms an augmenting part of another work which is not essential to the completeness of the content, such as a list of references, statistical tables, and explanatory matter; may be material which comes at the end of the content of the predominant work, or may be issued separately.
This property documents that an E89 Propositional Object has as subject an instance of E1 CRM Entity. This differs from P67 refers to (is referred to by), which refers to an E1 CRM Entity, in that it describes the primary subject or subjects of an E89 Propositional Object.
Examples: ? The text entitled �Reach for the sky� (E33) is about Douglas Bader (E21) P130 shows features of (features are also found on)
This class comprises documented plans for the execution of actions in order to achieve a result of a specific quality, form or contents. In particular it comprises plans for deliberate human activities that may result in the modification or production of instances of E24 Physical Thing. Instances of E29 Design or Procedure can be structured in parts and sequences or depend on others. This is modelled using P69 is associated with. Designs or procedures can be seen as one of the following: 1. A schema for the activities it describes 2. A schema of the products that result from their application. 3. An independent intellectual product that may have never been applied, such as Leonardo da Vinci�s famous plans for flying machines. Because designs or procedures may never be applied or only partially executed, the CRM models a loose relationship between the plan and the respective product.
Examples: ? the ISO standardisation procedure ? the musical notation for Beethoven�s �Ode to Joy� ? the architectural drawings for the K�lner Dom in Cologne, Germany ? folio 860 of the Codex Atlanticus from Leonardo da Vinci, 1486-1490, kept in the Biblioteca Ambrosiana in Milan
This class comprises the actions of making assertions about properties of an object or any relation between two items or concepts. This class allows the documentation of how the respective assignment came about, and whose opinion it was. All the attributes or properties assigned in such an action can also be seen as directly attached to the respective item or concept, possibly as a collection of contradictory values. All cases of properties in this model that are also described indirectly through an action are characterised as 'short cuts' of this action. This redundant modelling of two alternative views is preferred because many implementations may have good reasons to model either the action or the short cut, and the relation between both alternatives can be captured by simple rules. In particular, the class describes the actions of people making propositions and statements during certain museum procedures, e.g. the person and date when a condition statement was made, an identifier was assigned, the museum object was measured, etc. Which kinds of such assignments and statements need to be documented explicitly in structures of a schema rather than free text, depends on if this information should be accessible by structured queries.
Examples: ? the assessment of the current ownership of Martin Doerr�s silver cup in February 1997
This class comprises all sequences of signs of any nature, either meaningful or not, that are used or can be used to refer to and identify a specific instance of some class within a certain context. Instances of E41 Appellation do not identify things by their meaning, even if they happen to have one, but by convention, tradition, or agreement. Instances of E41 Appellation are cultural constructs; as such, they have a context, a history, and a use in time and space by some group of users. A given instance of E41 Appellation can have alternative forms, i.e., other instances of E41 Appellation that are always regarded as equivalent independent from the thing it denotes. Specific subclasses of E41 Appellation should be used when instances of E41 Appellation of a characteristic form are used for particular objects. Instances of E49 Time Appellation, for example, which take the form of instances of E50 Date, can be easily recognised. E41 Appellation should not be confused with the act of naming something. Cf. E15 Identifier Assignment
Examples: ? 'Martin' ? 'the Forth Bridge' ? 'the Merchant of Venice' (E35) ? 'Spigelia marilandica (L.) L.' [not the species, just the name] ? 'information science' [not the science itself, but the name through which we refer to it in an English-speaking context]
This class comprises all specific identifiers of intellectual products or standardized patterns.
This class comprises the names assigned to works, such as texts, artworks or pieces of music. Titles are proper noun phrases or verbal phrases, and should not be confused with generic object names such as �chair�, �painting� or �book� (the latter are common nouns and are modelled in the CRM as instances of E55 Type). Titles may be assigned by the creator of the work itself, or by a social group. This class also comprises the translations of titles that are used as surrogates for the original titles in different social contexts.
Examples: ? The Merchant of Venice ? Mona Lisa ? La Pie or The Magpie ? Lucy in the Sky with Diamonds
This property describes the E35 Title applied to an instance of E71 Man-Made Thing. The E55 Type of Title is assigned in a sub property. The P102.1 has type property of the P102 has title (is title of) property enables the relationship between the Title and the thing to be further clarified, for example, if the Title was a given Title, a supplied Title etc. It allows any man-made material or immaterial thing to be given a Title. It is possible to imagine a Title being created without a specific object in mind.
Examples: ? the first book of the Old Testament (E33) has title �Genesis� (E35) has type translated (E55)
This class comprises any sort of name, number, code or symbol characteristically used to identify an E39 Actor. An E39 Actor will typically have more than one E82 Actor Appellation, and instances of E82 Actor Appellation in turn may have alternative representations. The distinction between corporate and personal names, which is particularly important in library applications, should be made by explicitly linking the E82 Actor Appellation to an instance of either E21 Person or E74 Group/E40 Legal Body. If this is not possible, the distinction can be made through the use of the P2 has type mechanism.
Examples: ? John Doe ? Doe, J. ? the U.S. Social Security Number 246-14-2304 ? the Artist Formerly Known as Prince ? the Master of the Flemish Madonna ? Raphael�s Workshop ? the Bront� Sisters ? ICOM ? International Council of Museums
This class comprises any sort of identifier characteristically used to refer to an E53 Plac. Instances of E44 Place Appellation may vary in their degree of precision and their meaning may vary over time - the same instance of E44 Place Appellation may be used to refer to several places, either because of cultural shifts, or because objects used as reference points have moved around. Instances of E44 Place Appellation can be extremely varied in form: postal addresses, instances of E47 Spatial Coordinate, and parts of buildings can all be considered as instances of E44 Place Appellation.
Examples: ? Vienna ? CH-1211, Gen�ve ? Aquae Sulis Minerva ? Bath ? Cambridge ? the Other Place ? the City
Scope Note: This class comprises areas of objects referred to in terms specific to the general geometry or structure of its kind. The 'prow' of the boat, the 'frame' of the picture, the 'front' of the building are all instances of E46 Section Definition. The class highlights the fact that parts of objects can be treated as locations. This holds in particular for features without natural boundaries, such as the �head� of a marble statue made out of one block (cf. E53 Place). In answer to the question 'where is the signature?' one might reply 'on the lower left corner'. (Section Definition is closely related to the term �segment� in Gerstl, P.& Pribbenow, S, 1996 � A conceptual theory of part � whole relations and its applications�, Data & Knowledge Engineering 20 305-322, North Holland- Elsevier ).
Examples: ? the entrance lobby to the Ripley Center ? the poop deck of H.M.S Victory ? the Venus de Milo�s left buttock ? left inner side of my box
This class comprises particular and common forms of E44 Place Appellation. Place Names may change their application over time: the name of an E53 Place may change, and a name may be reused for a different E53 Place. Instances of E48 Place Name are typically subject to place name gazetteers.
Examples: ? Greece ? Athens ? Geneva ? Lac L�man
This class comprises all forms of names or codes, such as historical periods, and dates, which are characteristically used to refer to a specific E52 Time-Span. The instances of E49 Time Appellation may vary in their degree of precision, and they may be relative to other time frames, �Before Christ� for example. Instances of E52 Time-Span are often defined by reference to a cultural period or an event e.g. �the duration of the Ming Dynasty�.
Examples: ? Meiji [Japanese term for a specific time-span] ? 1st half of the XX century ? Quaternary ? 1215 Hegira [a date in the Islamic calendar] ? Last century
This property identifies an E52 Time-Span using an E49Time Appellation.
Examples: ? the time span 1926 to 1988 (E52) is identified by Showa (Japanese time appellation) (E49)
This class comprises strings or codes assigned to instances of E1 CRM Entity in order to identify them uniquely and permanently within the context of one or more organisations. Such codes are often known as inventory numbers, registration codes, etc. and are typically composed of alphanumeric sequences. The class E42 Identifier is not normally used for machine-generated identifiers used for automated processing unless these are also used by human agents.
Examples: ? �MM.GE.195� ? �13.45.1976� ? �OXCMS: 1997.4.1� ? ISSN �0041-5278� ? ISRC �FIFIN8900116� ? Shelf mark �Res 8 P 10� ? �Guillaume de Machaut (1300?-1377)� [a controlled personal name heading that follows the French rules]
To Nominate a Resource uniquely within a domain.
This class comprises activities that result in the allocation of an identifier to an instance of E1 CRM Entity. An E15 Identifier Assignment may include the creation of the identifier from multiple constituents, which themselves may be instances of E41 Appellation. The syntax and kinds of constituents to be used may be declared in a rule constituting an instance of E29 Design or Procedure. Examples of such identifiers include Find Numbers, Inventory Numbers, uniform titles in the sense of librarianship and Digital Object Identifiers (DOI). Documenting the act of identifier assignment and deassignment is especially useful when objects change custody or the identification system of an organization is changed. In order to keep track of the identity of things in such cases, it is important to document by whom, when and for what purpose an identifier is assigned to an item. The fact that an identifier is a preferred one for an organisation can be expressed by using the property E1 CRM Entity. P48 has preferred identifier (is preferred identifier of): E42 Identifier. It can better be expressed in a context independent form by assigning a suitable E55 Type, such as �preferred identifier assignment�, to the respective instance of E15 Identifier Assignment via the P2 has type property.
Examples: ? Replacement of the inventory number TA959a by GE34604 for a 17th century lament cloth at the Museum Benaki, Athens ? Assigning the author-uniform title heading �Goethe, Johann Wolfgang von, 1749-1832. Faust. 1. Theil.� for a work (E28) ? On June 1, 2001 assigning the personal name heading �Guillaume, de Machaut, ca. 1300-1377� (E42,E82) to Guillaume de Machaut (E21)
This property describes the naming or identification of any real world item by a name or any other identifier. This property is intended for identifiers in general use, which form part of the world the model intends to describe, and not merely for internal database identifiers which are specific to a technical system, unless these latter also have a more general use outside the technical context. This property includes in particular identification by mathematical expressions such as coordinate systems used for the identification of instances of E53 Place. The property does not reveal anything about when, where and by whom this identifier was used. A more detailed representation can be made using the fully developed (i.e. indirect) path through E15 Identifier Assignment.
Examples: ? the capital of Italy (E53) is identified by �Rome� (E48) ? text 25014�32 (E33) is identified by �The Decline and Fall of the Roman Empire� (E35)
This property records the preferred E42 Identifier that was used to identify an instance of E1 CRM Entity at the time this property was recorded. More than one preferred identifier may have been assigned to an item over time. Use of this property requires an external mechanism for assigning temporal validity to the respective CRM instance. P48 has preferred identifier (is preferred identifier of), is a shortcut for the path from E1 CRM Entity through P140 assigned attribute to (was attributed by), E15 Identifier Assignment, P37 assigned (was assigned by) to E42 Identifier. The fact that an identifier is a preferred one for an organisation can be better expressed in a context independent form by assigning a suitable E55 Type to the respective instance of E15 Identifier Assignment using the P2 has type property.
Examples: ? the pair of Lederhosen donated by Dr Martin Doerr (E22) has preferred identifier OXCMS:2001.1.32 (E42)
This property identifies a name used specifically to identify an E39 Actor. This property is a specialisation of P1 is identified by (identifies) is identified by.
Examples: ? Tyler Withersopp IV (E39) is identified by US social security number 619-17-4204 (E82)
This property identifies an E53 Place using an E44 Place Appellation. Examples of Place Appellations used to identify Places include instances of E48 Place Name, addresses, E47 Spatial Coordinates etc.
Examples: ? the location of the Duke of Wellington�s House (E53) is identified by No 1 London (E45)
This class comprises identifiers expressed in coding systems for places, such as postal addresses used for mailing. An E45 Address can be considered both as the name of an E53 Place and as an E51 Contact Point for an E39 Actor. This dual aspect is reflected in the multiple inheritance. However, some forms of mailing addresses, such as a postal box, are only instances of E51 Contact Point, since they do not identify any particular Place. These should not be documented as instances of E45 Address.
Examples: ? 1-29-3 Otsuka, Bunkyo-ku, Tokyo, 121, Japan ? Rue David Dufour 5, CH-1211, Gen�ve
This class comprises identifiers employed, or understood, by communication services to direct communications to an instance of E39 Actor. These include E-mail addresses, telephone numbers, post office boxes, Fax numbers, etc. Most postal addresses can be considered both as instances of E44 Place Appellation and E51 Contact Point. In such cases the subclass E45 Address should be used..
Examples: ? +41 22 418 5571 ? weasel@paveprime.com
This class comprises the textual or numeric information required to locate specific instances of E53 Place within schemes of spatial identification. Coordinates are a specific form of E44 Place Appellation, that is, a means of referring to a particular E53 Place. Coordinates are not restricted to longitude, latitude and altitude. Any regular system of reference that maps onto an E19 Physical Object can be used to generate coordinates.
Examples: ? 6�5�29�N 45�12�13�W ? Black queen�s bishop 4 [chess coordinate]
This class comprises specific forms of E49 Time Appellation. Dates may vary in their degree of precision.
This class comprises quantifiable properties that can be measured by some calibrated means and can be approximated by values, i.e. points or regions in a mathematical or conceptual space, such as natural or real numbers, RGB values etc. An instance of E54 Dimension represents the true quantity, independent from its numerical approximation, e.g. in inches or in cm. The properties of the class E54 Dimension allow for expressing the numerical approximation of the values of an instance of E54 Dimension. If the true values belong to a non-discrete space, such as spatial distances, it is recommended to record them as approximations by intervals or regions of indeterminacy enclosing the assumed true values. For instance, a length of 5 cm may be recorded as 4.5-5.5 cm, according to the precision of the respective observation. Note, that interoperability of values described in different units depends critically on the representation as value regions. Numerical approximations in archaic instances of E58 Measurement Unit used in historical records should be preserved. Equivalents corresponding to current knowledge should be recorded as additional instances of E54 Dimension as appropriate.
Examples: ? currency: �26.00 ? length: 3.9-4.1 cm ? diameter 26 mm ? weight 150 lbs ? density: 0.85 gm/cc ? luminescence: 56 ISO lumens ? tin content: 0.46 % ? taille au garot: 5 hands ? calibrated C14 date: 2460-2720 years, etc
This class comprises actions measuring physical properties and other values that can be determined by a systematic procedure. Examples include measuring the monetary value of a collection of coins or the running time of a specific video cassette. The E16 Measurement may use simple counting or tools, such as yardsticks or radiation detection devices. The interest is in the method and care applied, so that the reliability of the result may be judged at a later stage, or research continued on the associated documents. The date of the event is important for dimensions, which may change value over time, such as the length of an object subject to shrinkage. Details of methods and devices are best handled as free text, whereas basic techniques such as 'carbon 14 dating' should be encoded using P2 has type (is type of:) E55 Type.
Examples: ? measurement of height of silver cup 232 on the 31st August 1997 ? the carbon 14 dating of the �Schoeninger Speer II� in 1996 [an about 400.000 years old Palaeolithic complete wooden spear found in Schoeningen, Niedersachsen, Germany in 1995]
A dataset is information encoded in a defined structure (for example, lists, tables, and databases), intended to be useful for direct machine processing.
A Party who leads or supervises actors, e.g. in the prodution of a movie.
Person responsible for the general management of the work or who supervised the production of the performance for stage, screen, or sound recording.
A person, family, or corporate body responsible for coordinating the work of the composer, the sound editor, and sound mixers for a moving image production or for a musical or dramatic presentation or entertainment.
Other type of direction not specified above
A person, family, or corporate body contributing to an expression of a stage work through the general management and supervision of a performance.
A person, family, or corporate body that captures images, either electronically or on film or video stock, and often selects and arranges the lighting. The director of photography for a movie is also called the chief cinematographer. Use this designation also for videographers.
A Director of responsible for photography.
A person, family, or corporate body responsible for overseeing the artists and craftspeople who build the sets for moving image productions.
A person, family, or corporate body responsible for the general management and supervision of a television program.
A person, family, or corporate body responsible for the general management and supervision of a filmed performance.
A type of performer contributing to an expression of a musical work by leading a performing group (orchestra, chorus, opera, etc.) in a musical or dramatic presentation, etc.
A Party who leads or conducts a Performance by a group of musicians.
Person directing the group performing a musical work. Also, a choral director.
A person, family, or corporate body responsible for the general management and supervision of a radio program.
A Party responsible for an artistic input to the production of a Resource (e.g. a SoundRecording or audiovisual Recording).
A corporate body that is responsible for financial, technical, and organizational management of a production for stage, screen, sound recording, television, webcast, etc.
A person, family, or corporate body taking responsibility for most of the business aspects of a radio program. The producer is generally responsible for raising funding, management of the production, hiring key personnel, arranging for distributors, assuring the commercial success, etc.
A Party (individual or company) that is responsible for the financing of an audio-visual production.
A person, family, or corporate body taking responsibility for most of the business aspects of a film. The producer is generally responsible for raising funding, management of the production, hiring key personnel, arranging for distributors, assuring the commercial success, etc.
Person with final responsibility for the making of a motion picture, including business aspects, management of the productions, and the commercial success of the film.
A person, family, or corporate body taking responsibility for most of the business aspects of a television program. The producer is generally responsible for raising funding, management of the production, hiring key personnel, arranging for distributors, assuring the commercial success, etc.
A person, family, or corporate body contributing to an expression of a work by performing music, acting, dancing, speaking, etc., often in a musical or dramatic presentation, etc.
Other type of performer not specified above: use for a recorded performance which does not fit a category above, eg a performance by a stand-up comedian.
Person acting or otherwise performing in a musical or dramatic presentation or entertainment. Use if more specific codes are not required, e.g. actor, dancer, musician, singer.
Person who principally exhibits singing skills in a musical or dramatic presentation or entertainment.
A principal Contributor to a Performance of a MusicalWork or a NonMusicalWork that results in the creation of a Resource. Note: Used for naming groups as well as individuals.
A Party who is a principal credited Artist for a Resource.
A Party who is not the MainArtist but is acknowledged as a significant Contributor to the Performance. Note: FeaturedArtists are often MainArtists on their own Resources. They are also frequently credited on marketing material using the term 'featuring ...'.
A type of performer contributing to an expression of a work by relaying a creator�s original story with dramatic or theatrical interpretation.
A type of performer contributing to an expression of a work by reading or speaking in order to give an account of an act, occurrence, course of events, etc.
Speaker delivering the narration in a motion picture, sound recording or other type of work.
Reader of recorded text, as in an audiobook
Person who performs music or contributes to the musical content of a work. Use when it is not possible or desirable to identify more precisely the person's function.
A type of performer contributing to an expression of a work by using his/her/their voice, with or without instrumental accompaniment, to produce music. A singer�s performance may or may not include actual words.
Person who uses his or her voice with or without musical accompaniment to produce music. A singer's performance may or may not include actual words.
A type of performer contributing to an expression of a work by playing a musical instrument.
A Party who performs the featured Part of a MusicalWork (or a section of it) alone or with only supporting accompaniment.
A group of two or more Parties performing a MusicalWork together. Note: An Ensemble may be of any size or any grouping of Performers from a vocal duo to a full orchestra.
Performed by (orchestra, band, ensemble)
Name of a musical group in a performing role
A group of individuals who perform vocally and/or instrumentally together.
A group of Parties who perform vocally together. Typically, Choirs consist of at least 2 people in an combination of different vocal ranges.
A large group of Parties performing a MusicalWork together, predominantly using musical instruments rather than voice. An Orchestra is typically led by a Conductor.
A Party who performs a MusicalWork either vocally or instrumentally and would be considered the principal Contributor for the piece.
A type of performer that contributes to an expression of a work by dancing in a musical, dramatic, etc., presentation.
Person who principally exhibits dancing skills in a musical or dramatic presentation or entertainment.
A type of performer contributing to an expression of a work by acting as a cast member or player in a musical or dramatic presentation, etc.
A Party who performs spoken word or mime.
Person who principally exhibits acting skills in a musical or dramatic presentation or entertainment.
A person, family, or corporate body mentioned in an �X presents� credit for moving image materials and who is probably associated with production, finance, or distribution in some way. In the early years of film production, this was often used as a vanity credit.
A type of performer contributing to an expression of a work by appearing on screen in nonfiction moving image materials or introductions to fiction moving image materials to provide contextual or background information. Use when a more specific term (e.g., narrator or host) is either not applicable or not desired.
A type of performer contributing to an expression of a work by manipulating, controlling, or directing puppets or marionettes in a moving image production or a musical or dramatic presentation or entertainment.
This class comprises discrete, identifiable man-made items that are documented as single units. These items are either intellectual products or man-made physical things, and are characterized by relative stability. They may for instance have a solid physical form, an electronic encoding, or they may be logical concepts or structures.
Examples: ? Beethoven�s 5th Symphony (E73) ? Michelangelo�s David ? Einstein�s Theory of General Relativity (E73) ? the taxon �Fringilla coelebs Linnaeus,1758� (E55)
To Derive a Fixed and directly Perceivable representation of a Resource.
A digital Fixation of an expression of an abstract Work (such as a SoundRecording, a Video, an Image, Software, or a passage of Text).
A person, family, or corporate body involved in producing a manifestation of printed text, notated music, etc., from type or plates, such as a book, newspaper, magazine, broadside, score, etc.
Printer of texts, whether from type or plates (e.g. stereotype).
A person, family, or corporate body involved in producing a manifestation by preparing plates used in the production of printed images and/or text.
A person, family, or corporate body involved in producing a manifestation by preparing a stone or plate for lithographic printing, including a graphic artist creating a design directly on the surface from which printing will be done.
Person who prepares the stone or grained plate for lithographic printing, including a graphic artist creating an original design while working directly on the surface from which printing will be done.
A person, family, or corporate body involved in producing a manifestation by subjecting metal, glass, or some other surface used for printing, to acid or another corrosive substance.
A person, family, or corporate body involved in producing a manifestation by cutting letters, figures, etc., on a surface such as a wooden or metal plate used for printing.
A person, family, or corporate body involved in producing a manifestation of photographic prints from film or other colloid that has ink-receptive and ink-repellent surfaces.
An artist responsible for creating a three-dimensional work by modeling, carving, or similar technique.
Use when the more general term Artist (040) is not required.
A person, family, or corporate body involved in producing a manifestation by pouring a liquid or molten substance into a mold and leaving it to solidify to take the shape of the mold.
A person, family, or corporate body involved in producing a manifestation by embossing Braille cells using a stylus, special embossing printer, or other device.
Readable text: this value is required, together with applicable <ProductForm> and <ProductFormDetail> values, to designate an e-book or other digital product whose primary content is eye-readable text
A text is a resource whose content is primarily words for reading. For example - books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre text.
DEPRECATED - use VI for DVD video, AI for DVD audio, DI for DVD-ROM
VHS videotape: specify TV standard in List 78
Betamax videotape: specify TV standard in List 78
A SoundRecording embodying a MusicalWork.
A SoundRecording which does not embody a MusicalWork. Examples: a SoundRecording of an Artist interview or a monologue.
Audio recording of a music performance, including musical drama and opera
Audio recording of a reading of a book or other text
A SoundRecording to read along to, and interact with, stories and songs, embodying a MusicalWork.
A SoundRecording to read along to, and interact with, stories and songs, not embodying a MusicalWork.
Software is a computer program in source or compiled form which may be available for installation non-transiently on another machine. For software which exists only to create an interactive environment, use interactive instead.
Writer of computer programs ancillary to the text
A person, family, or corporate body responsible for creating a computer program.
Person or corporate body responsible for the creation of computer program design documents, source code, or machine-executable digital files and supporting documentation.
This class comprises all instances of E22 Man-Made Object that are explicitly designed to act as persistent physical carriers for instances of E73 Information Object. This allows a relationship to be asserted between an E19 Physical Object and its immaterial information contents. An E84 Information Carrier may or may not contain information, e.g., a diskette. Note that any E18 Physical Thing may carry information, such as an E34 Inscription. However, unless it was specifically designed for this purpose, it is not an Information Carrier. Therefore the property P128 carries (is carried by) applies to E18 Physical Thing in general.
Examples: ? the Rosetta Stone ? my paperback copy of Crime & Punishment ? the computer disk at ICS-FORTH that stores the canonical Definition of the CIDOC CRM
A flat piece of thin material (paper, plastic, etc.), usually rectangular in shape.
A short length of material (paper, film, tape, etc.).
A wound length of material (paper, film, tape, etc.).
A flat, circular piece of material (plastic, metal, etc.).
A computer storage device with hardware and software connections to a communications network.
An outer cover affixed to a gathering of one or more sheets.
A hinging device holding two or more sheets designed for use on an easel.
A rectangular casing fitted with a single reel holding a roll.
A rectangular casing fitted with two reels holding a roll.
The storage medium not encased in a housing.
An optical device consisting of a light source, lens system, and image holder for projecting an image on a screen or other surface.
A device designed to perform prescribed sequences of operations on electronic data.
A Creator of an article for a magazine or a newspaper.
The person, family, or corporate body contributing to an expression of a work by preparing a court�s opinions for publication.
In Europe, an expert editor who takes responsibility for the legal content of a collaborative law volume
This class comprises the activities that result in the continuity of management and the preservation and evolution of instances of E78 Collection, following an implicit or explicit curation plan. It specializes the notion of activity into the curation of a collection and allows the history of curation to be recorded. Items are accumulated and organized following criteria like subject, chronological period, material type, style of art etc. and can be added or removed from an E78 Collection for a specific purpose and/or audience. The initial aggregation of items of a collection is regarded as an instance of E12 Production Event while the activity of evolving, preserving and promoting a collection is regarded as an instance of E87 Curation Activity.
Examples: ? The curation of Michael. Foslie�s coralline red algae Herbarium 1876 � 1909 (when Foslie died), now at Museum of Natural History and Archaeology, Norway
A Publisher of periodicals (e.g. magazines, journals).
A person, family, or corporate body responsible for broadcasting a manifestation to an audience via radio, television, webcast, etc.
Agent or agency that has exclusive or shared marketing rights for an item.
A person, family, or corporate body responsible for distributing a moving image manifestation to theatres or other distribution channels.
The described resource supplants, displaces, or supersedes the referenced resource.
The described resource is supplanted, displaced, or superseded by the referenced resource.
A work that succeeds (e.g., later in time or after in a narrative) the preceding work.
For sequentially numbered works with revised content.
A work that precedes (e.g., is earlier in time or before in a narrative) the succeeding work.
An expression that succeeds (e.g., later in time or after in a narrative) the preceding entity. Do not use for sequentially designated expressions with revised content; treat those as derivative expressions.
An expression that precedes (e.g., is earlier in time or before in narrative) the succeeding entity. Do not use for sequentially designated expressions with revised content; treat those as source expressions.
To Use a Resource to support the execution of another ActType.
To Change a Resource, not preserving the alterations made.
To Change a Resource, preserving the alterations made.
Scriptorium official who corrected the work of a scribe. For printed matter use proof-reader (640).
To relocate a Resource from one Place to another.
This class comprises changes of the physical location of the instances of E19 Physical Object. Note, that the class E9 Move inherits the property P7 took place at (witnessed): E53 Place. This property should be used to describe the trajectory or a larger area within which a move takes place, whereas the properties P26 moved to (was destination of), P27 moved from (was origin of) describe the start and end points only. Moves may also be documented to consist of other moves (via P9 consists of (forms part of)), in order to describe intermediate stages on a trajectory. In that case, start and end points of the partial moves should match appropriately between each other and with the overall event.
Examples ? the relocation of London Bridge from the UK to the USA ? the movement of the exhibition �Treasures of Tutankhamun� 1976-1979
To Modify a Resource by taking away from it.
To InteractWith a Resource with at least one of the five human Senses.
This class comprises transfers of legal ownership from one or more instances of E39 Actor to one or more other instances of E39 Actor. The class also applies to the establishment or loss of ownership of instances of E18 Physical Thing. It does not, however, imply changes of any other kinds of right. The recording of the donor and/or recipient is optional. It is possible that in an instance of E8 Acquisition there is either no donor or no recipient. Depending on the circumstances, it may describe: 1. the beginning of ownership 2. the end of ownership 3. the transfer of ownership 4. the acquisition from an unknown source 5. the loss of title due to destruction of the item It may also describe events where a collector appropriates legal title, for example by annexation or field collection. The interpretation of the museum notion of 'accession' differs between institutions. The CRM therefore models legal ownership (E8 Acquisition) and physical custody (E10 Transfer of Custody) separately. Institutions will then model their specific notions of accession and deaccession as combinations of these.
Examples ? the collection of a hammer-head shark of the genus Sphyrna (Carchariniformes) XXXtbc by John Steinbeck and Edward Ricketts at Puerto Escondido in the Gulf of Mexico on March 25th, 1940 ? the acquisition of El Greco�s painting entitled �The Apostles Peter and Paul� by the State Hermitage in Saint Petersburg ? the loss of my stuffed chaffinch �Fringilla coelebs Linnaeus, 1758� due to insect damage last year
A former owner of an item who donated that item to another owner.
This class comprises transfers of physical custody of objects between instances of E39 Actor. The recording of the donor and/or recipient is optional. It is possible that in an instance of E10 Transfer of Custody there is either no donor or no recipient. Depending on the circumstances it may describe: 1. the beginning of custody 2. the end of custody 3. the transfer of custody 4. the receipt of custody from an unknown source 5. the declared loss of an object The distinction between the legal responsibility for custody and the actual physical possession of the object should be expressed using the property P2 has type (is type of). A specific case of transfer of custody is theft. The interpretation of the museum notion of 'accession' differs between institutions. The CRM therefore models legal ownership and physical custody separately. Institutions will then model their specific notions of accession and deaccession as combinations of these.
Examples: ? the delivery of the paintings by Secure Deliveries Inc. to the National Gallery ? the return of Picasso�s �Guernica� to Madrid�s Prado in 1981
This class comprises the states of objects characterised by a certain condition over a time-span. An instance of this class describes the prevailing physical condition of any material object or feature during a specific E52 Time Span. In general, the time-span for which a certain condition can be asserted may be shorter than the real time-span, for which this condition held. The nature of that condition can be described using P2 has type. For example, the E3 Condition State �condition of the SS Great Britain between 22 September 1846 and 27 August 1847� can be characterized as E55 Type �wrecked�.
? the �Amber Room� in Tsarskoje Selo being completely reconstructed from summer 2003 until now ? the Peterhof Palace near Saint Petersburg being in ruins from 1944 � 1946 ? the state of my turkey in the oven at 14:30 on 25 December, 2002 (P2 has type: E55 Type �still not cooked�)
This class comprises real persons who live or are assumed to have lived. Legendary figures that may have existed, such as Ulysses and King Arthur, fall into this class if the documentation refers to them as historical figures. In cases where doubt exists as to whether several persons are in fact identical, multiple instances can be created and linked to indicate their relationship. The CRM does not propose a specific form to support reasoning about possible identity.
Examples: ? Tut-Ankh-Amun ? Nelson Mandela
This class comprises the birth of a human beings. E67 Birth is a biological event focussing on the context of people coming into life. (E63 Beginning of Existence comprises the coming into life of any living beings). Twins, triplets etc. are brought into life by the same E67 Birth event. The introduction of the E67 Birth event as a documentation element allows the description of a range of family relationships in a simple model. Suitable extensions may describe more details and the complexity of motherhood with the intervention of modern medicine. In this model, the biological father is not seen as a necessary participant in the E67 Birth event.
Examples: ? the birth of Alexander the Great
This property links an E67 Birth event to an E21 Person as a participant in the role of birth-giving mother. Note that biological fathers are not necessarily participants in the Birth (see P97 from father (was father for)). The Person being born is linked to the Birth with the property P98 brought into life (was born). This is not intended for use with general natural history material, only people. There is no explicit method for modelling conception and gestation except by using extensions. This is a sub-property of P11 had participant (participated in).
Examples: ? the birth of Queen Elizabeth II (E67) by mother Queen Mother (E21)
This property links an E67Birth event to an E21 Person in the role of offspring. Twins, triplets etc. are brought into life by the same Birth event. This is not intended for use with general Natural History material, only people. There is no explicit method for modelling conception and gestation except by using extensions.
Examples: ? the Birth of Queen Elizabeth II (E67) brought into life Queen Elizabeth II (E21)
This class comprises institutions or groups of people that have obtained a legal recognition as a group and can act collectively as agents. This means that they can perform actions, own property, create or destroy things and can be held collectively responsible for their actions like individual people. The term 'personne morale' is often used for this in French.
Examples ? Greenpeace ? Paveprime Ltd ? the National Museum of Denmark
This class comprises any gatherings or organizations of two or more people that act collectively or in a similar way due to any form of unifying relationship. In the wider sense this class also comprises official positions which used to be regarded in certain contexts as one actor, independent of the current holder of the office, such as the president of a country. A gathering of people becomes an E74 Group when it exhibits organizational characteristics usually typified by a set of ideas or beliefs held in common, or actions performed together. These might be communication, creating some common artifact, a common purpose such as study, worship, business, sports, etc. Nationality can be modeled as membership in an E74 Group (cf. HumanML markup). Married couples and other concepts of family are regarded as particular examples of E74 Group.
Examples: ? the impressionists ? the Navajo ? the Greeks ? the peace protestors in New York City on February 15 2003 ? Exxon-Mobil ? King Solomon and his wives ? The President of the Swiss Confederation
This class comprises events that result in the formation of a formal or informal E74 Group of people, such as a club, society, association, corporation or nation. E66 Formation does not include the arbitrary aggregation of people who do not act as a collective. The formation of an instance of E74 Group does not mean that the group is populated with members at the time of formation. In order to express the joining of members at the time of formation, the respective activity should be simultaneously an instance of both E66 Formation and E85 Joining.
Examples: ? the formation of the CIDOC CRM Special Interest Group ? the formation of the Soviet Union ? the conspiring of the murderers of Caesar
This property links the founding or E66 Formation for an E74 Group with the Group itself.
Examples: ? the formation of the CIDOC CRM SIG at the August 2000 CIDOC Board meeting (E66) has formed the CIDOC CRM Special Interest Group (E74)
This property identifies the instance of E74 Group of which an instance of E39 Actor becomes a member through an instance of E85 Joining. Although a Joining activity normally concerns only one instance of E74 Group, it is possible to imagine circumstances under which becoming member of one Group implies becoming member of another Group as well. Joining events allow for describing people becoming members of a group with a more detailed path from E74 Group through P144 joined with (gained member by), E85 Joining, P143 joined (was joined by) to E39 Actor, compared to the shortcut offered by P107 has current or former member (is current or former member of).
Examples: ? The election of Sir Isaac Newton as Member of Parliament to the Convention Parliament of 1689 joined with the Convention Parliament ? The inauguration of Mikhail Sergeyevich Gorbachev as Leader of the Union of Soviet Socialist Republics (USSR) in 1985 joined with the office of Leader of the Union of Soviet Socialist Republics (USSR) with P144.1 kind of member President ? The implementation of the membership treaty January 1. 1973 between EU and Denmark joined with EU (E40)
This class comprises the activities that result in an instance of E49 Actor becoming a member of an instance of E74 Group. This class does not imply initiative by either party. Typical scenarios include becoming a member of a social organisation, becoming employee of a company, marriage, the adoption of a child by a family and the inauguration of somebody into an official position.
Examples: ? The election of Sir Isaac Newton as Member of Parliament for the University of Cambridge to the Convention Parliament of 1689 ? The inauguration of Mikhail Sergeyevich Gorbachev as leader of the Union of Soviet Socialist Republics (USSR) in 1985 ? The implementation of the membership treaty between EU and Denmark January 1. 1973
This property identifies the instance of E39 Actor that becomes member of a E74 Group in an E85 Joining. Joining events allow for describing people becoming members of a group with a more detailed path from E74 Group through P144 joined with (gained member by), E85 Joining, P143 joined (was joined by) to E39 Actor, compared to the shortcut offered by P107 has current or former member (is current or former member of).
Examples: ? The election of Sir Isaac Newton as Member of Parliament to the Convention Parliament of 1689 joined Sir Isaac Newton ? The inauguration of Mikhail Sergeyevich Gorbachev as leader of the Union of Soviet Socialist Republics (USSR) in 1985 joined Mikhail Sergeyevich Gorbachev ? The implementation of the membership treaty January 1. 1973 between EU and Denmark joined Denmark (E40)
This class comprises the activities that result in an instance of E39 Actor to be disassociated from an instance of E74 Group. This class does not imply initiative by either party. Typical scenarios include the termination of membership in a social organisation, ending the employment at a company, divorce, and the end of tenure of somebody in an official position.
Examples: ? The end of Sir Isaac Newton�s duty as Member of Parliament for the University of Cambridge to the Convention Parliament in 1702 ? George Washington�s leaving office in 1797 ? The implementation of the treaty regulating the termination of Greenland�s membership in EU between EU, Denmark and Greenland February 1. 1985
This class comprises people, either individually or in groups, who have the potential to perform intentional actions for which they can be held responsible. The CRM does not attempt to model the inadvertent actions of such actors. Individual people should be documented as instances of E21 Person, whereas groups should be documented as instances of either E74 Group or its subclass E40 Legal Body.
Examples: ? London and Continental Railways (E40) ? the Governor of the Bank of England in 1975 (E21) ? Sir Ian McKellan (E21)
This class comprises the deaths of human beings. If a person is killed, their death should be instantiated as E69 Death and as E7 Activity. The death or perishing of other living beings should be documented using E64 End of Existence.
Examples: ? the murder of Julius Caesar (E69,E7)
This property links an E69 Death event to the E21 Person that died. A Death event may involve multiple people, for example in the case of a battle or disaster. This is not intended for use with general Natural History material, only people.
Examples: ? Mozart�s death (E69) was death of Mozart (E21)
This class comprises the events that result in the formal or informal termination of an E74 Group of people. If the dissolution was deliberate, the Dissolution event should also be instantiated as an E7 Activity.
Examples: ? the fall of the Roman Empire ? the liquidation of Enron Corporation
This property links the disbanding or E68 Dissolution of an E74 Group to the Group itself.
Examples: ? the end of The Hole in the Wall Gang (E68) dissolved The Hole in the Wall Gang (E74)
This property describes the active or passive participation of instances of E39 Actors in an E5 Event. It connects the life-line of the related E39 Actor with the E53 Place and E50 Date of the event. The property implies that the Actor was involved in the event but does not imply any causal relationship. The subject of a portrait can be said to have participated in the creation of the portrait.
Examples: ? Napoleon (E21) participated in The Battle of Waterloo (E7) Or ? Maria (E21) participated in Photographing of Maria (E7)
Extension through the successive release of discrete segments, parts, issues, volumes, supplements, etc.
Extension through the integration of added content.
The period of extension of the content has a predetermined end.
The period of extension of the content has no predetermined end.
Extension of the content after initial release is essential for its integrity.
Extension of the content after initial release is not essential for its integrity.
The content is not expected to be extended after initial release.
Revision through the release of notices of errors, corrections, addenda, etc.
Revision through the release of pages, chapters, parts, volumes, etc., directly to replace previously released counterparts, including the replacement of the entire resource with a new version.
Revision through the incorporation of changes (including deletions) directly into the previously released content.
The period of revision of the content has a predetermined end.
The period of revision of the content has no predetermined end.
Revision of the content after initial release is essential for its integrity.
Revision of the content after initial release is not essential for its integrity.
The content is not expected to be revised after initial release.
This class comprises activities that result in an instance of E24 Physical Man-Made Thing being increased, enlarged or augmented by the addition of a part. Typical scenarios include the attachment of an accessory, the integration of a component, the addition of an element to an aggregate object, or the accessioning of an object into a curated E78 Collection. Objects to which parts are added are, by definition, man-made, since the addition of a part implies a human activity. Following the addition of parts, the resulting man-made assemblages are treated objectively as single identifiable wholes, made up of constituent or component parts bound together either physically (for example the engine becoming a part of the car), or by sharing a common purpose (such as the 32 chess pieces that make up a chess set). This class of activities forms a basis for reasoning about the history and continuity of identity of objects that are integrated into other objects over time, such as precious gemstones being repeatedly incorporated into different items of jewellery, or cultural artifacts being added to different museum instances of E78 Collection over their lifespan.
? the setting of the koh-i-noor diamond into the crown of Queen Elizabeth the Queen Mother ? the addition of the painting �Room in Brooklyn� by Edward Hopper to the collection of the Museum of Fine Arts, Boston
This property identifies the E24 Physical Man-Made Thing that is added to (augmented) in an E79 Part Addition. Although a Part Addition event normally concerns only one item of Physical Man-Made Thing, it is possible to imagine circumstances under which more than one item might be added to (augmented). For example, the artist Jackson Pollock trailing paint onto multiple canvasses.
Examples: ? the final nail-insertion Event (E79) augmented Coffin of George VI (E24)
This class comprises the activities that result in an instance of E18 Physical Thing being decreased by the removal of a part. Typical scenarios include the detachment of an accessory, the removal of a component or part of a composite object, or the deaccessioning of an object from a curated E78 Collection. If the E80 Part Removal results in the total decomposition of the original object into pieces, such that the whole ceases to exist, the activity should instead be modelled as an E81 Transformation, i.e. a simultaneous destruction and production. In cases where the part removed has no discernible identity prior to its removal but does have an identity subsequent to its removal, the activity should be regarded as both E80 Part Removal and E12 Production. This class of activities forms a basis for reasoning about the history, and continuity of identity over time, of objects that are removed from other objects, such as precious gemstones being extracted from different items of jewelry, or cultural artifacts being deaccessioned from different museum collections over their lifespan.
Examples: ? the removal of the engine from my car ? the disposal of object number 1976:234 from the collection
This property identifies the E24 Physical Man-Made Thing that was diminished by E80 Part Removal. Although a Part removal activity normally concerns only one item of Physical Man-Made Thing, it is possible to imagine circumstances under which more than one item might be diminished by a single Part Removal activity.
Examples: ? the coffin of Tut Ankh Amun (E22) was diminished by The opening of the coffin of Tut Ankh Amun (E80)
This class comprises activities formally defining new types of items. It is typically a rigorous scholarly or scientific process that ensures a type is exhaustively described and appropriately named. In some cases, particularly in archaeology and the life sciences, E83 Type Creation requires the identification of an exemplary specimen and the publication of the type definition in an appropriate scholarly forum. The activity of E83 Type Creation is central to research in the life sciences, where a type would be referred to as a �taxon,� the type description as a �protologue,� and the exemplary specimens as �orgininal element� or �holotype�.
Examples: ? creation of the taxon 'Penicillium brefeldianum B. O. Dodge' (1933) ? addition of class E84 Information Carrier to the CIDOC CRM
This class comprises concepts denoted by terms from thesauri and controlled vocabularies used to characterize and classify instances of CRM classes. Instances of E55 Type represent concepts in contrast to instances of E41 Appellation which are used to name instances of CRM classes. E55 Type is the CRM�s interface to domain specific ontologies and thesauri. These can be represented in the CRM as subclasses of E55 Type, forming hierarchies of terms, i.e. instances of E55 Type linked via P127 has broader term (has narrower term). Such hierarchies may be extended with additional properties.
Examples: ? weight, length, depth [types of E54 Dimension] ? portrait, sketch, animation [types of E38 image] ? French, English, German [E56] ? excellent, good, poor [types of E3 Condition State] ? Ford Model T, chop stick [types of E22 Man-Made Object] ? cave, doline, scratch [types of E26 Physical Feature] ? poem, short story [types of E33 Linguistic Object] ? wedding, earthquake, skirmish [types of E5 Event]
This class comprises the actions of classifying items of whatever kind. Such items include objects, specimens, people, actions and concepts. This class allows for the documentation of the context of classification acts in cases where the value of the classification depends on the personal opinion of the classifier, and the date that the classification was made. This class also encompasses the notion of 'determination,' i.e. the systematic and molecular identification of a specimen in biology.
Examples: ? the first classification of object GE34604 as Lament Cloth, October 2nd ? the determination of a cactus in Martin Doerr�s garden as �Cereus hildmannianus K.Schumann�, July 2003
This property allows an item to be declared as a particular example of an E55 Type or taxon. The P137.1 in the taxonomic role property of P137 exemplifies (is exemplified by) allows differentiation of taxonomic roles. The taxonomic role renders the specific relationship of this example to the Type, such as 'prototypical', 'archetypical', 'lectotype', etc. The taxonomic role 'lectotype' is not associated with the Type Creation (E83) itself, but selected in a later phase.
Examples: ? Object BM000098044 of the Clayton Herbarium (E20) exemplifies Spigelia marilandica (L.) L. (E55) in the taxonomic role lectotype
This property allows sub typing of CRM entities - a form of specialisation � through the use of a terminological hierarchy, or thesaurus. The CRM is intended to focus on the high-level entities and relationships needed to describe data structures. Consequently, it does not specialise entities any further than is required for this immediate purpose. However, entities in the isA hierarchy of the CRM may by specialised into any number of sub entities, which can be defined in the E55 Type hierarchy. E51 Contact Point, for example, may be specialised into �e-mail address�, �telephone number�, �post office box�, �URL� etc. none of which figures explicitly in the CRM hierarchy. Sub typing obviously requires consistency between the meaning of the terms assigned and the more general intent of the CRM entity in question.
Examples: ? www.cidoc.icom.org (E51) has type URL (E55)
This property allows instances of E18 Physical Thing to be analysed into component elements. Component elements, since they are themselves instances of E18 Physical Thing, may be further analysed into sub-components, thereby creating a hierarchy of part decomposition. An instance of E18 Physical Thing may be shared between multiple wholes, for example two buildings may share a common wall. This property is intended to describe specific components that are individually documented, rather than general aspects. Overall descriptions of the structure of an instance of E18 Physical Thing are captured by the P3 has note property. The instances of E57 Materials of which an item of E18 Physical Thing is composed should be documented using P45 consists of (is incorporated in).
Examples: ? the Royal carriage (E22) forms part of the Royal train (E22) ? the �Hog�s Back� (E24) forms part of the �Fosseway� (E24)
X is part of Y � use for 'also available as part of'
The described resource is a physical or logical part of the referenced resource.
X includes Y (where the product described in the ONIX record is X and the related product is Y)
The described resource includes the referenced resource either physically or logically.
A larger work of which a part is a discrete component.
A work that is a discrete component of a larger work.
A larger expression of which a part is a discrete component.
An expression that is a discrete component of a larger entity.
This class is a specialization of E55 Type and comprises the concepts of materials. Instances of E57 Material may denote properties of matter before its use, during its use, and as incorporated in an object, such as ultramarine powder, tempera paste, reinforced concrete. Discrete pieces of raw-materials kept in museums, such as bricks, sheets of fabric, pieces of metal, should be modelled individually in the same way as other objects. Discrete used or processed pieces, such as the stones from Nefer Titi's temple, should be modelled as parts (cf. P46 is composed of). This type is used categorically in the model without reference to instances of it, i.e. the Model does not foresee the description of instances of instances of E57 Material, e.g.: �instances of gold�. It is recommended that internationally or nationally agreed codes and terminology are used.
Examples: ? brick ? gold ? aluminium ? polycarbonate ? resin
This property identifies the instances of E57 Materials of which an instance of E18 Physical Thing is composed. All physical things consist of physical materials. P45 consists of (is incorporated in) allows the different Materials to be recorded. P45 consists of (is incorporated in) refers here to observed Material as opposed to the consumed raw material. A Material, such as a theoretical alloy, may not have any physical instances.
Examples: ? silver cup 232 (E22) consists of silver (E57)
This class comprises immaterial items, including but not limited to stories, plots, procedural prescriptions, algorithms, laws of physics or images that are, or represent in some sense, sets of propositions about real or mental things and that are documented as single units or serve as topic of discourse. This class also comprises items that are �about� something in the sense of a subject. In the wider sense, this class includes expressions of psychological value such as non-figural art and musical themes. However, conceptual items such as types and classes are not instances of E89 Propositional Object. This should not be confused with the definition of a type, which is indeed an instance of E89 Propositional Object.
Examples: ? Maxwell�s Equations ? The ideational contents of Aristotle�s book entitled �Metaphysics� as rendered in the Greek texts translated in � Oxford edition� ? The underlying prototype of any �no-smoking� sign (E36) ? The common ideas of the plots of the movie 'The Seven Samurai' by Akira Kurosawa and the movie �The Magnificent Seven� by John Sturges ? The image content of the photo of the Allied Leaders at Yalta 1945 (E38)
This class comprises legal privileges concerning material and immaterial things or their derivatives. These include reproduction and property rights.
Examples: ? copyright held by ISO on ISO/CD 21127 ? ownership of the �Mona Lisa� by the Louvre
One who prepares for publication a work not his own. The editorial work may be either technical or intellectual.
This class comprises all instances of E7 Activity that create, alter or change E24 Physical Man-Made Thing. This class includes the production of an item from raw materials, and other so far undocumented objects, and the preventive treatment or restoration of an object for conservation. Since the distinction between modification and production is not always clear, modification is regarded as the more generally applicable concept. This implies that some items may be consumed or destroyed in a Modification, and that others may be produced as a result of it. An event should also be documented using E81 Transformation if it results in the destruction of one or more objects and the simultaneous production of others using parts or material from the originals. In this case, the new items have separate identities. If the instance of the E29 Design or Procedure utilised for the modification prescribes the use of specific materials, they should be documented using properties of the design or procedure, rather than via P126 employed (was employed in): E57 Material.
Examples: ? the construction of the SS Great Britain (E12) ? the impregnation of the Vasa warship in Stockholm for preservation after 1956 ? the transformation of the Enola Gay into a museum exhibit by the National Air and Space Museum in Washington DC between 1993 and 1995 (E12, E81) ? the last renewal of the gold coating of the Toshogu shrine in Nikko, Japan
This property identifies the E24 Physical Man-Made Thing modified in an E11 Modification. If a modification is applied to a non-man-made object, it is regarded as an E22 Man-Made Object from that time onwards.
Examples: ? rebuilding of the Reichstag (E11) has modified the Reichstag in Berlin (E24)
Author of the first edition (usually of a standard work) who is not an author of the current edition
A Party which has acquired Rights in one or more MusicalWorks for a specified Territory and Period. Note: A MusicPublisher typically administers and promotes the exploitation of the acquired Works. This term includes OriginalPublisher and SubPublisher.
A Party which has acquired, from a Creator, Rights in a Creation for a specified Territory and Period.
A Creator of arrangements made on behalf of a SubPublisher.
A Party which has acquired, by Agreement with a MusicPublisher, Rights in one or more MusicalWorks for a specified Territory and Period. Note: This includes Rights which are passed to subsidiaries or affiliates of a larger Organization.
A Party acting on behalf of a MusicPublisher or other controller of Rights in a MusicalWork.